The Magdalene Reliquary is the second book in a series, which I read without having read The Magdalene Deception, which precedes it. This didn't pose any problem, however, as all necessary backstory was woven into the narrative, making the book enjoyable as a standalone novel.
The story was fast-paced and gripping from the start. After finding what seems to be a unique map in the Vatican Secret Archive, Father Dominic, with a group of friends and colleagues, sets off on a search for a reliquary whose contents could be potentially shattering to the Catholic faith. Of course, there are opposing forces at work, notably Ivan Gović, whose father had been killed by Father Dominic and Hana in the first volume of the series. Gović is out for revenge, and if he can secure a windfall for himself by stealing the reliquary and selling it on the black market, more's the better.
One of the most successful aspects of the book was the sensitive way McAvoy handled the potential fallout from the contents of both the reliquary and the manuscript that Father Dominic and Hana had discovered in the first volume of the series. By counterposing the reactions of Brother Calvino and Father Dominic, McAvoy showed why these discoveries could shatter one's long-held religious beliefs, while also allowing for the possibility that one's faith could perdure relatively unshaken. His handling of the issue was more nuanced than I expected to find in a novel of this genre, which I appreciated.
I really wanted to give this novel 4 or 5 stars, but there were a few issues in the writing that I can't ignore. One is McAvoy's tendency to overexplain. Often, this comes in the form of using dialogue to have characters remind each other of plot details or of the relationships between certain people, or to explain/comment on the proceedings. This can be an effective device when done well, but in this novel, it often felt stilted, unnatural, and repetitive. For example, I had a hard time believing that a lab tech would go into such an extensive explanation of the technicalities of the carbon-14 dating process, and the paragraphs of information didn't add to the story. I also found it implausible that the characters to whom the tech was ostensibly speaking would need such an explanation, particularly Tucci, who is purportedly one of Rome's leading dealers of antiquities, and therefore has almost certainly had the age of artifacts verified through carbon-14 dating in the past.
Another issue with the dialogue concerned the accents—or lack thereof—of the various characters. While the cast represents a wide variety of nationalities, the majority of them speak in standard English throughout the novel. The exception is Dmitry Zharkov, the wealthy Russian collector, whose speech alternates between a flawless standard English ("I realize something of this nature cannot be so quickly appraised" or "However, if further testing does not yield satisfactory results, Vincenzo, I will expect a full refund of monies paid") and a heavily accented English devoid of articles ("Tatiana, bring me computer" or "There has been change of plans" or "First, let me show you object that led them to reliquary.") It seems insensitive at best to only imitate the accent of the one Russian character, and to do that inconsistently; it would have been less problematic had McAvoy either gone all-in for the accents or, preferably, allowed all of his characters to speak a neutral standard English. (I didn't mind the foreign terms that were occasionally sprinkled into the text; they felt natural and appropriate, and I thought McAvoy had a good sense for when it was best to leave a term untranslated without interrupting the flow of the story.)
Register was another aspect of how the characters expressed themselves that I wished McAvoy had paid a bit more attention to. I often found the dialogue to be less formal than seemed plausible. For example, I have a hard time believing that a Catholic priest working in the Secret Archives of the Vatican would address anyone as "You guys", or that a member of the Swiss Guard would use emojis while texting. Sometimes the characters sounded more like my college students than residents of the Vatican.
Finally, there were simply too many moments that seemed implausible, or at least a bit too convenient. Having done research in the Beinecke Rare Book Library at Yale, I've experienced the procedures for working with archival material, and I imagine the security at the Vatican is even tighter. There is simply no way Father Dominic could just walk out of there with a 600-year-old map, nor do I believe for a second that he would. And even if he did, he certainly wouldn't carry it around in a backpack, where it would be in danger of being crumpled, ripped, or otherwise destroyed, nor would he lend it out to a friend overnight. Later in the book, when the group was searching Zharkov's for the map, the discovery felt like a deus ex machina moment: Dominic was "taking stock of every nook and cranny of the office for signs of the artifact. And then he saw it—just sitting there on the desk! Could it be any simpler?" Would Zharkov really leave without replacing the map in the safe? Highly doubtful. And Ivan Gović, who is presented as the leader of the Buenos Aires cell of the Novi Ustasha, a ruthless terrorist organization compared to Al-Qaeda and ISIS, suddenly becomes a bumbling idiot after meeting with Zharkov, stopping to buy a Rolex before delivering the reliquary and having his new car stolen out from under him. Upon being captured, Gović is "sweating profusely, terrified of what lay ahead," then "burst[s] into tears" the second Zharkov starts questioning him. This hardly feels like the actions or reactions I would expect from the hardened leader of an extremist terrorist organization who has spent the majority of the book strong-arming others into carrying out his evil plans.
All of that notwithstanding, I truly enjoyed The Magdalene Reliquary and will definitely read the others in the series. The book will especially appeal to fans of Dan Brown.
I received an advance review copy for free from BookSirens, and I am leaving this review voluntarily.