This starts w/ Yume meeting her dad’s mistress, who she’s also crushing on. Stranger than this is how this Sari feels the same about her and comes to casually hang in her parents’ house as they fight. She bestows her first kiss but then leaves out of guilt. She and her parents return to “normal” after this but even after she marries a man and becomes a successful actress, she still has lesbian flings. The tone isn’t tortured, just wistful.
Here, I see this is an anthology. So that story didn’t feel like it went into more than a couple pages about her adult life so felt super rushed and incomplete, almost pointless because we didn’t develop any attachment to her or her new GF. The second story has a librarian dyke looking sensei who speaks of wanting to marry a man she just met because she’s 40-something. Her cuter but brash pupil insists this is stupid and kisses her. And that’s about it. These seem more like ads for first chs in other books. The next story has the cutest girls but they look too similar when there doesn’t have to be so many characters. Simultaneously too much and too little exposition. Another story is about a singer sleeping w/ her female boss and the boss’s wife behind their backs. They’re all blissed out and the end is a good twist but the art style, though varied, is often unattractive.
The story in the middle is about a very young cat girl so too yuck for my blood. There’s a WWII-ish war going on between her kind and humans. A hot, Hugo Boss-dressed woman with a face tattoo(?) shackles her inside the house once her parents disappear. Weird loli meets horror at the end. The following piece is about a girl
mad at her sister for kissing a girl—that was her ex, now dating a man despite wanting to get close to her again. Not sure what the end implies, it’s so abrupt. “The Fourth Woman” by Matsuzaki Natsumi makes me want to check out more of her lashy style. Each panel is unique and dramatic like true art. The women’s height difference and opposite features make it memorable, as well as the idol contest mention. Next, there are goofy bug girls. How the main one gets her arm eaten by a spider and is indifferent to the death of her friend cracks me up. Too many drawers can’t write or portray logical emotions; they should hire some help.
In “Slit,” there’s a Velma-esque MC who people bully for being pudgey. She hides out under the gym stage to take secret pix of the girls’ school “Prince” who’s a basketball star. It seemed good until the narrator basically said, “So, anyway, she broke her arm and that made her get with a guy and get arrested.” LMAO, what? Those things aren’t connected and how are you gonna skip the entirety of that, the juiciest stuff? Why did people randomly start calling her a slut? I guess the last pg where she has naked pictures of her as well as ones she wouldn’t have of her family are just metaphors for her fantasizing? So strange, especially the author dumping trauma on this character one after the next with no foreshadowing. Like she was punishing her for the non sexual joke of wondering how she could put her fans off. So, not being on the team and not being a lesbian are the answers? Clumsily done.
The final story by the title author, Morinaga Milk, has a striking style with glimmering, mantis eyes and shiny hair. The exaggerated expression is actually cute and emoji-ish unlike most manga. The girl who’s supposed to be ten years older looks youngest though so that’s confounding. The eldest’s husband is seemingly cheating on her and they never prove it yet assume it to justify their budding relationship. The PI aspect is fun though wrong/still cheating like almost all these stories. It’s not that I’m against reading such; it’s that it’s repetitive.