WARNING: POSSIBLE SPOILERS AHEAD. DO NOT READ ON IF HAVE NOT YET READ.
Yet another gripping historical fiction read from Rosie Goodwin, so gripping that I finished it in less than a week, much like the previous RG historical fiction novels I have read! I am now happy to say that this is my seventh Rosie Goodwin book, but shall certainly not be the last!
Pearl's journey is a very complex and eventful one indeed, which is greatly captured with much nuance, and you really feel like you are on that journey with her. The story starts with her living in extreme poverty, so much that they can't even afford food a lot of the time, with it being basically a luxury to them. She lives in very squalid and overcrowded housing conditions, and worst of all, to add to all that, her parents are very abusive, especially towards her, both physically and emotionally. They even force her to beg and at the tender age of 12, she is forced to act as a parent to them, being the oldest of their many children. Because she is the oldest and a "cripple" she is forced to bear the brunt of all of them.
You really feel the pain that poor Pearl has had to endure in her short 12 years, having lived in extreme poverty with her abusive parents and then ends up having to endure the harsh and horrible environment of the workhouse, which was of course infamous for being such a horrible place to be in Victorian times, especially for children. Still, there is certainly a silver lining in the dark cloud there at least as she ends up befriending Susan and Nick, the latter of whom there are clearly early hints of a romance on the horizon, as well as the lessons taught by Miss Sweet who is one of the only kind staff members there. It really highlighted the harsh reality of what children who were unfortunate enough to be born into poverty had to go through during the Victorian era, from abusive parents to squalid and overcrowded living conditions to being forced into begging on the streets to the workhouse where they only endure more abuse. It was all so dark and gloomy, and it captured that major adversity so well, as you realise how disturbing it is that while children these days still have to endure major adversity, it was even worse back then. Child Poverty is clearly still very much an issue, but still nowhere near as serious as issue as it was back then, which you realise when reading this, highlighting the true and utter grittiness and dark, harsh reality of it all.
It then seems like things are finally going to start to look up for them when both Pearl and Eliza (and luckily Pearl's new friend Susan comes with them) end up getting transported on the orphan ship to Canada, giving the chance for them to start a new life. While things are definitely a lot better for them in the Forbeses household, with people being a lot kinder to them, it is clear that Pearl's problems are far from over, and there is still more suffering on her way.
I have to say as well that the characters were very nuanced and well done here. Eliza especially I have to say was the most disturbing character of all, as I actually started off feeling really sorry for her, finding my heart went out to her when she was in the workhouse seeing how she seemed to just be this poor, shy, sensitive, meek, scaredy, helpless little thing who needed her big sister there to hold her hand all the time. She then ends up acquiring a serious case of situational narcissism when the mistress of the house they work in suddenly takes her in, letting her live with them in the main house and treating her as her own child, because she reminds her of her own deceased child, and Eliza becomes very unlikeable and thinks she can suddenly boss Pearl around. This doesn't last though luckily, or at least Eliza being treated as Mrs Forbes's own child doesn't, so you think that surely Eliza will go back to being her old self. However, she is a very changeable, temperamental character, so you are not quite sure what is going on with her and what to expect of her, as her mood seems to fluctuate quite a lot. But what was the most disturbing is that she actually ends up becoming downright twisted and villainous and arguably the main antagonist along with Monty (not that they work side-by-side as such) as she ends up turning viciously against Pearl, despite the fact she actually hasn't done anything wrong, even angrily blaming her for the rape. With her increasing hostility towards Pearl and generally vicious attitude increasing, I became certain that it was her who killed Mrs Veasey and Freda by poisoning their drinks (if you've read some of RG's other novels before you will know that poisoning tends to be quite a common theme). Honestly, I hated Eliza so much after the way she treated her sister, viciously turning against her like that and even blaming her for being raped, and of course tried to kill her, after all she had done for her as well, looking after her when she was so scared in the workhouse and all. Honestly, what an ungrateful little b**ch, she was just so horrible and hateful, but as Pearl said she was clearly insane as well, like severely so, though I can't say I wasn't relieved when she died. Poor Mrs Veasley, you didn't really care about Freda and Monty since they were not nice people at all, but Mrs Veasley was the only one who seemed to be on Pearl's side about both Eliza and Freda giving her a hard time, the only sane one in the household, only for her to die suddenly, thanks to Eliza. Still, her turning into this monster after having initially been a shy, meek, sensitive little thing did come as a real shock even if it was done somewhat gradually, as it wasn't just like you're typical murder mystery where the culprit acts all nice and affable the whole time only to suddenly reveal their true psychotic nature once they are revealed, which can sometimes feel a tad contrived. This was done somewhat realistically to be honest, as you could feel the build up of her violence and instability building up faster and faster.
I was celebrating a bit when Monty died, with him having easily been on the same kind of evil, vile, sick and twisted scumbag as Gilbert and Oliver in Our Dear Daisy and Our Sweet Violet, because of course he is yet another sexual predator who rapes our protagonist which results in an unwanted pregnancy, and harasses her on top of that. Oh and he is revealed to have killed his younger sister before the start of the novel (though nobody other than Pearl ever seems to know this). Good riddance to bad rubbish as they say.
I have to say though, I did also realise that this is the FOURTH Rosie Goodwin historical fiction novel I've read which has the main protagonist get raped by a vile predator (though only three of these have it where it's the main antagonist who's the rapist, being this, Our Dear Daisy and Our Sweet Violet) which of course results in an unwanted pregnancy, starting with the usual symptoms to reveal this. While I understand this capturing the serious issues of sexual abuse and rape, and how much worse this probably would have been back then before there was technology and the likes to help prosecute the culprit, along with of course the fact abortion wasn't an option, the way the scenes have all played out the exact same with the same detailed description of the rape in all four of these cases had gotten a bit too repetitive and recycled. As soon as it showed that Monty, who was already known for his bullying and predatory behaviour, was attracted to Pearl after seeing her as an adult and was trying to seduce her, I knew straight away that the same was going to happen here as these last three cases, being that he would end up raping her, resulting in an unwanted pregnancy. It just becomes too predictable, and the rape scenes are literally rehashed and recycled, as well as the storylines/arcs themselves of the unwanted pregnancy from rape, and it's just kind of annoying seeing how recycled these scenes are with their detailed descriptions of the rape. It has become pretty much self-plagiarism to be honest, even though the rest of the stories are somewhat different from each other. After having already read three previous RG novels where this happens, it just feels like I'm reading the same thing and covering the same ground.
I also think it would have been better if everyone had found out just how twisted and evil Eliza really was, especially as they were still curious and suspicious at the deaths of Mrs Veasley and Freda since they died the same way. It was sad that Pearl still continued to love her even after all she had done, but I guess to some extent I could sort of understand given she had spent most of her life looking after her, so it was interesting I guess seeing that complexity. The romance with Nick was also a bit too overemphasised for my liking, I mean I understand that these stories are in the romance genre as well as historical but sometimes it gets too repetitive when emphasising their feelings for one another, especially about how beautiful they look, with people mainly seeming to fall in love with each other for their outer beauty as opposed to inner. That is one thing that annoys me about these novels, as much as I love them overall, with the (outer) beauty of other people constantly getting (over)emphasised to no end (especially the females), especially when it's showing anyone falling in love with someone, with this outer beauty that they have become so attracted to being emphasised a lot more than the inner beauty that they should have fallen in love with as well. This is especially annoying as it is indeed lost potential, as these characters usually have lots of great inner qualities, yet is always seems to be their outer beauty that gets emphasised a lot more when it shows them falling in love with each other. I guess perhaps it's meant to show how women were seen as little more than objects of beauty back then, but it still becomes annoying, as even though I can understand that outer beauty is certainly going to be a big part of it that makes you attracted to them in the first place, I feel there should also be more emphasis on their inner beauty if they are falling in love with them so deeply. The PDA like Nick pulling her onto my lap also annoys me (and this was before they even became an official couple!), especially feeling it is a control thing over women and objectifying them, though to be honest that is perhaps purely subjective on my part. Perhaps it was also just the norm back then for women to be seen and treated in such a way.
It was really nice and heart-warming as well seeing Pearl reunite with her other sister, Amy, after so many years, especially after how things went with Eliza, so it was nice seeing that she got to have a close sisterly relationship after all with her other sister.
Overall was definitely a very enjoyable read.