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9 pages, Audible Audio
First published April 6, 2021
’The Lower Realm is where we learn. There’s only one purpose to both misfortune and happiness, and that’s to learn.’
‘You’re alive as long as I am.
That’s why I want to keep living. To make you like. To keep you, who I love most in all the world, alive….because I’m what’s left of you.’
“People said this was the end of the world. I disagreed. It was simply the end of the human race. People said the gods had abandoned the world. I disagreed. Divine attention had simply shifted from us to other creatures.” – ‘N+1’
“Writing this second story, I was in a very different situation from when I wrote the first. The first time around, I’d written thinking that it would be for just two readers, with no hopes of publication. But even still, I kept writing thinking of the couple. This time around I was able to ask the bride to give me a song to be the background music, and she chose “Going Home,” sung by Kim Yoon-ah. Just like I listened to Yoo Young-suk’s “Just Pure Love” while I was writing the first story, I listened to “Going Home” over and over while writing this one. It might be nice to listen to it as you read this too. “On My Way to You” and “I’m Waiting for You” also form the story of the parents of the main character in “People Journeying to the Future.” Of course, the works aren’t tightly connected, so it’s fine to enjoy them independently. I just bring up “People Journeying to the Future” to mention that, in a very sweet gesture, the couple chose to name their daughter Seongha, after its main character.” – Author’s Notes
“Have you seen the “translations are sacred” meme on Twitter? The photo of K’s tattoo in “Okja.” I’m not sure about sacred, but this translation of ours sure was fateful. Thinking about it now, it brought us to new highs and new lows. You won your first Daesan translation award for “The Prophet of Corruption,” I got to take part in English PEN Presents project with “I’m Waiting for You,” and the stories broke us in different ways. I will always remember snivelling away whilst translating the ending scenes of the two novellas I worked on, listening to the super emotional “Lie Lie Lie” by Lee Juck and “Going Home” by Kim Yoon-ah on repeat, and how my heart sank when I heard what you’d been dealing with. It feels like a real privilege that you let me help with what I could.” – Sophie Bowman’s letter/email to Sung Ryu
“Our surroundings chilled as I spoke. Corruption was devouring the universe. So what? The wall pitied me. The entire battleship sneered. Tanjae shook their head. “Nothing disappears. To believe you can disappear is in itself a corruption.” It was as if lightning struck somewhere in my heart. Tanjae went on, “There is no sin, and no sinner. There’s only learning. No entity should have to disappear. The only wrong in the universe is in destroying balance. Ignoring the law of conservation of mass. Forgetting that the universe has a constant total mass and trying to erase a part of it.” I stared at Tanjae, stunned. I knew the child was blurting out my teachings without understanding them, afraid that I would disappear.” – ‘The Old Me’
“I DREAMED OF YOU FOR THE FIRST TIME IN AGES.
It was so vivid I was sure it was real.
You were trapped in a cramped, dark room.
“I never left you,” I said, feeling regret. “I was with you all along. I’ve been with you all the time.”
“Well, where are you, then?” you demanded, shaking your head. “You’re not here. If you were, you would’ve come to meet me.”
And then I opened my eyes.” – ‘On My Way To You’
“I’m struggling to put it into words, but there’s something in all of these stories that speaks to how small we are, how things can be awful, be gone, or everything completely transformed, but that somehow little things can still matter. I have no idea what havoc the coming weeks will bring, but I’m glad that we joined paths on this voyage, and that we get to carry on travelling forward in time at the same speed, on the same gigantic spaceship.” – Sophie Bowman’s letter/email to Sung Ryu (w/ ref. to COVID19)