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Inspector Head #12
Touch and Go: An Inspector Head Mystery
"It’s going to be touch and go, the slenderest chance of getting proof that I’ve ever faced..." When Jim Brown offers to collect Avril Madison from the train station, he has no idea of the ordeal he is about to face. Arriving at the Madison household, Brown discovers the murdered body of the woman's stepfather at the bottom of the main staircase. Ascertaining that Brown was the last to see the dead man alive, and learning of the quarrel the two had over Brown's affections for Avril, Sergeant Plender immediately arrests the young man on suspicion of murder - much to the chagrin of Superintendent Wadden. Inspector Head is tasked with discovering the truth. Did Brown commit the murder? If so, where's the proof? And if not Brown, then who? If this were not bad enough, his task is not made easier by the receipt of some bad news closer to home... Originally published in 1939, this vintage murder mystery brings E.Charles Vivian's Inspetor Head series to a memorable and moving conclusion.
Kindle Edition
Published November 29, 2020
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About the author
E. Charles Vivian
98 books3 followersWorking name of UK editor and author of popular fiction (1882-1947), born Charles Henry Cannell but apparently changing his name legally to Evelyn Charles Henry Vivian in early adulthood, though he wrote some non-genre novels as Charles Cannell, and some short fiction as by Sydney Barrie Lynd, Galbraith Nicolson and A. K. Walton.
Prior to becoming a writer, Cannell was a former soldier in the Boer War and journalist for The Daily Telegraph. Cannell began writing novels under the pen-name 'E. Charles Vivian' in 1907. He then started writing fantastic stories for the arts magazine "Colour" and the aviation journal "Flying" (which Cannell edited after leaving the Telegraph) in 1917–18, sometimes publishing them under the pseudonym 'A.K. Walton'. Vivian is best known for his "Lost World" fantasy novels such as "City of Wonder" and his series of novels featuring supernatural detective Gregory George Gordon Green or 'Gees' which he wrote under his 'Jack Mann' pseudonym. Critic Jack Adrian has praised Cannell's lost-world stories as "bursting with ideas and colour and pace", and "superb examples of a fascinating breed". For younger readers, Vivian wrote "Robin Hood and his Merry Men", a retelling of the Robin Hood legend.
Vivian also edited three British pulp magazines. From 1918 to 1922 Vivian edited "The Novel Magazine", and later, for the publisher Walter Hutchinson (1887–1950), Hutchinson's "Adventure-Story Magazine" (which serialised three of Vivian's novels) and Hutchinson's "Mystery-Story Magazine". In addition to UK writers, Vivian often reprinted fiction from American pulp magazines such as "Adventure and Weird Tales" in the Hutchinson publications.
Outside the field of fiction, Vivian was noted for the non-fiction book, "A History of Aeronautics".
Some of his shorter fiction – including "The Fourth Arm ('War in the Clouds'): a Strange Story" (August 1915 Pearson's Magazine), "The Multiple Cube" (13 June 1917 'Flying') and "The Upper Levels: a Fantasy of Tomorrow" (31 July 1918 Flying) – was sf, with hints of the Pax Aeronautica, especially his stories in "Flying". A prolific author, with nearly 100 identified titles between 1907 and his death, he is now best remembered for the 'Gees' sequence of novels (see listing on the link below), all written as by Jack Mann, about a psychic detective (Gregory George Gordon Green) whose cases sometimes involve sf-like phenomena – e.g., travel through other Dimensions – but are essentially fantasies, the most famous of them being "Grey Shapes" (1937), a Werewolf tale; "Maker of Shadows" (1938), featuring a 'She' figure (> Immortality), is also of interest.
Much of Vivian's prolific output had a mystical (even at times mystagogical) tinge. Some of his individual novels, like "Passion-Fruit" (1912), had fantasy elements, and several were 'Lost-World' tales, including: "City of Wonder" (1922), which features Asian survivors from Lemuria in a land called Kir Asa; the 'Aia' sequence, comprising "Fields of Sleep" (1923), in which Babylonian survivors are trapped in a Malaysian valley by a strange plant within range of whose aroma, a kind of Basilisk – as, once it is inhaled, one must remain in range or die – and "People of the Darkness" (1924), set in an Underground world inhabited by a tentacled species who were originally slaves in Atlantis; "The Lady of the Terraces" (1925) and its sequel "A King There Was" (1926), which feature pre-Incan survivals and further hints of Atlantis; and "Woman Dominant" (1929), set in Asia, where an aged woman rules a land through the agency of a Drug which turns men into half-witted slaves.
Vivian's most straightforward sf tale, "Star Dust" (1925), describes an inventor/scientist's attempts to make the world better by indiscriminately transmuting dross into gold (> Transmutation); this (he thinks) will make some sort of Utopia inevitable.
- See more at: http://www.sf-encyclopedia.com/entry/...
Prior to becoming a writer, Cannell was a former soldier in the Boer War and journalist for The Daily Telegraph. Cannell began writing novels under the pen-name 'E. Charles Vivian' in 1907. He then started writing fantastic stories for the arts magazine "Colour" and the aviation journal "Flying" (which Cannell edited after leaving the Telegraph) in 1917–18, sometimes publishing them under the pseudonym 'A.K. Walton'. Vivian is best known for his "Lost World" fantasy novels such as "City of Wonder" and his series of novels featuring supernatural detective Gregory George Gordon Green or 'Gees' which he wrote under his 'Jack Mann' pseudonym. Critic Jack Adrian has praised Cannell's lost-world stories as "bursting with ideas and colour and pace", and "superb examples of a fascinating breed". For younger readers, Vivian wrote "Robin Hood and his Merry Men", a retelling of the Robin Hood legend.
Vivian also edited three British pulp magazines. From 1918 to 1922 Vivian edited "The Novel Magazine", and later, for the publisher Walter Hutchinson (1887–1950), Hutchinson's "Adventure-Story Magazine" (which serialised three of Vivian's novels) and Hutchinson's "Mystery-Story Magazine". In addition to UK writers, Vivian often reprinted fiction from American pulp magazines such as "Adventure and Weird Tales" in the Hutchinson publications.
Outside the field of fiction, Vivian was noted for the non-fiction book, "A History of Aeronautics".
Some of his shorter fiction – including "The Fourth Arm ('War in the Clouds'): a Strange Story" (August 1915 Pearson's Magazine), "The Multiple Cube" (13 June 1917 'Flying') and "The Upper Levels: a Fantasy of Tomorrow" (31 July 1918 Flying) – was sf, with hints of the Pax Aeronautica, especially his stories in "Flying". A prolific author, with nearly 100 identified titles between 1907 and his death, he is now best remembered for the 'Gees' sequence of novels (see listing on the link below), all written as by Jack Mann, about a psychic detective (Gregory George Gordon Green) whose cases sometimes involve sf-like phenomena – e.g., travel through other Dimensions – but are essentially fantasies, the most famous of them being "Grey Shapes" (1937), a Werewolf tale; "Maker of Shadows" (1938), featuring a 'She' figure (> Immortality), is also of interest.
Much of Vivian's prolific output had a mystical (even at times mystagogical) tinge. Some of his individual novels, like "Passion-Fruit" (1912), had fantasy elements, and several were 'Lost-World' tales, including: "City of Wonder" (1922), which features Asian survivors from Lemuria in a land called Kir Asa; the 'Aia' sequence, comprising "Fields of Sleep" (1923), in which Babylonian survivors are trapped in a Malaysian valley by a strange plant within range of whose aroma, a kind of Basilisk – as, once it is inhaled, one must remain in range or die – and "People of the Darkness" (1924), set in an Underground world inhabited by a tentacled species who were originally slaves in Atlantis; "The Lady of the Terraces" (1925) and its sequel "A King There Was" (1926), which feature pre-Incan survivals and further hints of Atlantis; and "Woman Dominant" (1929), set in Asia, where an aged woman rules a land through the agency of a Drug which turns men into half-witted slaves.
Vivian's most straightforward sf tale, "Star Dust" (1925), describes an inventor/scientist's attempts to make the world better by indiscriminately transmuting dross into gold (> Transmutation); this (he thinks) will make some sort of Utopia inevitable.
- See more at: http://www.sf-encyclopedia.com/entry/...
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Displaying 1 - 2 of 2 reviews
February 12, 2022
This, the twelfth and last in the series of Inspector Head books is, I think, one of the best. Although it was fairly easy to figure out who did it, the writing is excellent. The characters are really well drawn and there is some very poignant and touching dialogue, especially that between Head and Superintendent Warden who did end up growing tomatoes under glass as he has been threatening to throughout the whole series.
An thoroughly enjoyable series which, although each one can stand alone, are better read in chronological order as many of the familiar characters develop as the series unfolds.
Highly recommended.
An thoroughly enjoyable series which, although each one can stand alone, are better read in chronological order as many of the familiar characters develop as the series unfolds.
Highly recommended.
December 14, 2020
The question of Superintendent Wadden's retiral to a life of tomato growing, which is a recurring theme in these books, is resolved in this somewhat poignant and occasionally elegiac finale to the Inspector Head series.
It is not too difficult to work out the outcome of the humane Inspector's investigation into the killing of a local businessman, but of much greater interest are the many strongly-written characters he encounters on the way.
This is the last of a most enjoyable set of neglected 1930's police procedurals, one of which, "Seventeen Cards" is among the best of this year's GAD reprints.
Displaying 1 - 2 of 2 reviews