Contributors: JANE WONG NOOR HINDI PIPPA LITTLE MARCUS WICKER ASHLEY M. JONES T.J. CLARK TALVIKKI ANSEL ANNA LEAHY LUTHER HUGHES DARIUS SIMPSON JAYY DODD LEILA CHATTI LANCE LARSEN A.D. LAUREN-ABUNASSAR IMANI CEZANNE MAGGIE MILLNER AUSTIN SMITH ANGE MLINKO WILLIAM FULLER BRAYAN SALINAS PHILIP GROSS ALEC FINLAY JOHN LENNOX ISABELLA BORGESON JON DAVIS KEMI ALABI CYRÉE JARELLE JOHNSON JORDAN KELLER-MARTINEZ DAMON LOCKS MEREDITH STERN CARLOS J. AYALA TARA BETTS ARYULES BIVENS JUAN LUNA SALVADOR HERRERA TONGO EISEN-MARTIN JUAN LUNA C. MCLAURIN ALAN GILBERT JOHN WILKINSON ANDRÉ NAFFIS-SAHELY
This is my first time reading Poetry magazine. The experience was a bit underwhelming. There are a few really good poems here, a few so abstruse I couldn’t make heads or tails of them, and a few so sexually explicit that they border on pornographic. Standouts include the poems of the Palestinian-American poet Noor Hindi, the young college student Brayan Salinas, and, especially, the poem “The Leaves” by Austin Smith, an ode (?) to the leaves of his family’s dining room table.
A few on-the-nose contemporary issue stinkers, but this was a fairly decent issue.
Here are the good ones:
Noor Hindi: "Fuck Your Letter On Craft, My People Are Dying" Leila Chatti: "Echo (All She Lost Is Lost)" AD Lauren-Abunassar: "Self-Portrait As My Father (Trying To Use Siri) (Filling The Time)" Brayan Salinas: "what reality?" Alec Finlay: "let me remind you (the dream poem)"
That's the way you finish out the year — with the best issue of the year! Noor Hindi's "Fuck your Lesson on Craft, My People Are Dying" is the best among an excellent selection of poems from Brayan Salinas, Agne Minko, A.D. Lauren-Abunassar, et al.