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304 pages, Paperback
First published March 2, 2021

One of my favorite stories in the world. Hemingway was a baby when he wrote it, but it is a work of great sophistication. And it handles very sensational material in an absolutely unsensational way. - Introduction to "The Indian Camp" by Tobias Wolff.Stacy Keach provides an excellent reading of the stories which is enhanced by his own association of playing the role of Ernest Hemingway several times in his life. Wolff's and Bedford's readings are excellent as well.
Many women feel that Hemingway hated women and wrote adversely about them. I would ask his detractors, female or male, to read this story. Could you in all honor say that this was a writer who didn’t understand women’s emotions and who hated women? —Edna O’Brien on Up in Michigan
You get a picture of the whole relationship without Hemingway spelling out the words. What’s not said is so wonderful. The control that he mastered is one of his signature strokes of genius. It’s a sad story, but Hemingway pretends not to shed a tear during it. We shed a tear. I’d like to meet Hemingway when he finished that story. I’d like him to read it to me. - Edna O’Brien on Hills Like White Elephants
One of the greatest stories I have ever read about tension, and a masterpiece of withholding. Hemingway “withheld.” It was in his genes, it was in his chemical makeup. He knew what it was to be afraid all the time and wrote about that. He gets to the heart of the matter, absolutely and unflinchingly. —Edna O’Brien on The Killers