The Inheritance of Orquídea Divina ended up being a bit different from what I was expecting.
At the start, this was an easy 5 stars from me. The introductory chapter to the titular Orquídea Divina, matriarch of the Montoya family, was excellent.
We meet her in young adulthood, setting down roots in a nowhere American town, Four Rivers. Her arrival is mysterious to the townsfolk, her homestead seemingly having appeared overnight, but what concerns them more is that she is an Ecuadorian immigrant in their white town. They send the sheriff out to investigate her, but her innately enchanting nature quickly turns him into a friend. He not only takes coffee with her, but her side, ensuring she and the generations of Montoyas to come will have peace in Four Rivers...and perhaps from the ghosts she left behind in Ecuador.
Such a compelling start, and written with such craft. The timeline then shifts to the present, where Orquídea is an old woman preparing to die. She writes each of her living relatives to invite them home to Four Rivers, promising an inheritance. We learn no one had an easy relationship with her, and all have varying expectations of what they might receive.
This promises so many story elements I love:
- Generational storytelling
- Family secrets
- Inherited magic
- Reunions
- Small-town settings
But while the writing quality never dips, the direction these plotlines took was different than what I had been hoping for:
- The generational storytelling had several abrupt time jumps in two timelines - a past and present, interrupting the flow/worldbuilding/character development in both.
- While the Montoya family secrets are intriguing, the present-day characters (Marimar, Rey) are written to be rather disaffected. When big reveals come about, they react sardonically, dampening the impact.
- The inherited magic was super strong at the start, taking this book from magical realism to hard fantasy, then all but disappeared during a 7-year time jump, only to be referenced off-handedly like, "The chicken turned blue" or "I've talked to the dead once before".
- The reunions remain a highlight, and the book's climax has a particularly powerful one, but, considering Orquídea had 9 children from 5 husbands and multiple grandchildren, it's disappointing that only about 4 of her descendants end up mattering to the plot—3, really, as one of them ends up dying mid-book. Her character seemingly only existed to give birth and sacrifice herself, and the impact of her death is so little it doesn’t even sadden her orphaned daughter too much…
- The book doesn't really take place in the small town of Four Rivers; rather, both past and present timelines follow Orquídea's previous life in Ecuador. While her life there is extremely interesting - running away to become a circus performer - it's more in service of the story's mystery: Why her first encounter with magic is endangering her living descendants. I feel if the past timeline focused more on her building a new life in Four Rivers, it'd be a quieter book, focused more on the family narrative and their bonds, both strong and strained.
As the book is, it's much more bombastic than I was expecting, concluding with truly cosmic implications for the characters. There are still some beautiful themes in here, but they get drowned out some by the fireworks of the story's action.