Any unabashedly good reviews of this book must be from people who either have never read V.E. Schwab's Shades of Magic Trilogy, or who do not care when a book's entire plot is lifted from another source.
Several sources, in fact. Because beyond the egregious ripping-off of Schwab's trilogy, even the tiny, different details are often easily traceable back to other sources, from which they have just as blatantly been stolen and cobbled.
I've been annoyed at books before for stealing basic plot from popular series. Wicked Saints, for one, reminded me too much of Bardugo's Grisha series, as did Red Queen. There were dozens of teen vampire books that flooded bookshelves after Twilight, and after the Harry Potter series there were yet more dozens of magic school books.
But those books, while sometimes coming too obviously close to the line, for the most part were "inspired" by the worlds they copped from. The plot as a whole tended to be new, or the characters were different, or the magic system had been very changed, or the whole thematic point of the book had been shifted.
Nocturna not only steps right up to that line, it barrels across it in ways that are just unforgivable.
I have never read a book that stole so much from its source material. It's not just that the main characters, Alfie, Finn, and Luka, are essentially copy-paste Kell, Lila, and Rhy. It's not just that the magic system is eerily similar, except for a few teensy tweaks. It's not just that the dark magic villain comes to power in exactly the same way, moves through human hosts in exactly the same way, and is defeated in exactly the same way. And it's not just that the thematic points of the book are overwhelmingly the same. It is all of these and much more.
And it's absolutely deliberate. I spent over half the book dreaming of having a PDF version where I could search-and-find and count all of the many, many times this novel uses the phrase "shades." "Shades of magic." "Different shades." "Darker shades." Over and over and over, as if Motayne wanted you to know that she plagiarized from another author's series. But yet couldn't, apparently, be bothered to even mention that series in her acknowledgements (I checked, not that I expected her really to admit it).
As for the rest of it? The stuff that's not copped from Shades of Magic?
Well, you have a prison breakout scene that could be straight out of a Bardugo book.
You also have a relationship between two main characters that is almost exactly Jessica Jones and Kilgrave.
Other than that, there's not much different to be honest. And it got to the point where those things that were, I did not trust to be unique from Motayne's mind either. If I didn't recognize it immediately from another person's work, I started assuming it must just be because I hadn't read the work it was stolen from yet. It's that bad.
And the worst, truly the worst, part of all of this is...Despite lifting things from so many sources, not perfect ones of course but ones that nevertheless got the literary job done...
This book was legitimately terrible.
The character motivations constantly shifted for no reason: "I want to find my brother who maybe isn't dead, but then again I guess he's dead and I never have to think about him again womp;" "I want my daughter to be dead for what she did to me but then I guess I want her to be alive and love me again but then I guess I want her dead but maybe also alive." It was nearly impossible to keep track of anyone's arc in this thing because no one had a clear one, and the backgrounds of every character became so jumbled and lost that you started just expecting to have nothing be satisfying at the end by about a third of the way through.
The plot was also an incoherent mess. The main characters all had what I can only describe as a Harry Potter complex - the need to do everything by themselves, because they were the only ones who could stop the evil!...but, in fact, literally none of them had even the basic qualifications for fighting off the "evil," and there were I assume hundreds of actual military members and powerful magic-users who would have been much better suited to helping. The whole thing took place over what actually seemed to be 2-3 days, and felt that quick, too, as the characters mostly just jumped from plot-contrived scene to plot-contrived scene. Nothing felt earned, nothing felt connected, and by the end I was literally rolling my eyes as I read it because I could not believe that the reader could be expected to actually believe anything that was happening or care.
At the beginning of this book, I was fine with it. It was refreshing to see a YA fantasy world from a Latinx author, based on her Dominican heritage. It was quite cool to have the magic system work with Spanish words, instead of the typical Latin. It was clearly similar to Shades of Magic, but wasn't a blatant ripoff.
But by the middle, everything I had liked was gone. The world-building becomes shoddy at best, with mentions of sangria and sugarcane really the only things that separate it from any other typical fantasy world. By the end of the book, the references to these actually seemed out of place and jarring, that's how directly like Shades of Magic it had become. The Spanish continues throughout, which is fine, but without a rich culture to back it up, it starts to feel more like a gimmick than anything else.
The back of my ARC has a picture of Motayne, smiling. When I turned to look at it, that's when I really knew how much this book angered me. Because all I could think was, You haven't earned the right to smile. This isn't your book. It's other people's books. And I hope you don't earn a cent more for it.
Kirkus Reviews has already commented that getting a second book out of this world will be difficult, because of the lack of culture and world-building.
But I think I can tell you exactly how Motayne is going to pull out a second book. And a third.
There's going to be a magic tournament. And then the dark magic is going to come back from the void.
Maybe after, they'll all go to Red London for drinks.