Akira’s not a lonely girl, she’s just living in a 2D world. Her otome obsession hits a snag when the new transfer student, Pure, tells her that she’s Akira’s lover from the future. Persistence pays off and the two become close, but there’s clearly a lot more to this story...
If you present me with an intriguing mystery and wrap it in a yuri romance, I am certainly not going to say no. In fact, I’ll even overlook how wobbly the story is at the start, with its unnecessary panty shot and Pure’s strange behaviour.
But then it gets good. The story of these two coming to like each other is not the best written thing ever, by any stretch, but it works. And at certain points it’s even quite poignant. Further, it’s buoyed up by two important things.
The first is that mystery. Pure and Akira are lovers in the future. Or are they? There’s a lot not being said here, or said and then not expounded on. Is Akira dead in the future? Did she reject Pure? What does [redacted] have to do with how this all comes about? What is Pure truly after?
These questions form the primary hook to what would otherwise be a standard, if enjoyable, yuri romance and I am here for it. There’s more to this than we know and it appears to be a much sadder story than expected and I am dying to know more.
The second factor is that this book’s genuinely funny. There are some real zingers throughout the book (I love the way Pure manages to weaponize yuri at one point) and some great sight gags. Good lord that pile of meat...
And there’s the bonus manga. Oh, that bonus manga. This is a side story told from the perspective of Yumimi, a girl who I think is unseen during the main story, and her slightly masculine friend.
This digression is so good that I would buy the next volume to read more even if I wasn’t invested in the main story. Yumimi is a yuri fangirl and her obsession with it, while ignoring how much her female friend is into her, is just genius. The comic timing in this one is good with tendencies towards brilliant - the joke about the sweater pin is beyond reproach and the line Yumimi has about not doing self-insert might be the best joke in the book.
Four stars from a three star story, but presentation and delivery count. Also it gets a huge lift from the bonus pages. Still, it deftly mixes the ridiculous and the heartfelt with a heavy overlay of melancholy in the background and no parts feel like they come at the expense of the others.
As I say, it’s intriguing and still full of potential, and I don’t want much more from the things I’m reading.