Everything Volume 1 left me with a lot of curiosity about how this serious would conclude. I'd dare say the first volume was some of the most fun I'd had reading a comic in a little while. While entertaining in its own right, Black Friday eschews the mystery and tension of its predecessor in favor of a more standard science fiction-thriller plot.
Set two weeks after the events of the preceding volume, Marshall Gooder has remained in Holland following the Everything parade. Rick the sound guy is a prisoner of Everything. Eb and his kids are sick as shit, while Lori still works for Everything, and Shirley's back with a bandaged head. Saying much else would constitute spoilers, but in sum: Gooder = bad, and boy does he have some nasty plans in store for some of our cast.
I really wanted to like this a lot more. To a point, I in fact adored it! The first three issues contained in this volume were pure Everything gold for me. There's some major revelations about the origins of the store, as well as reveals concerning its sinister influence that I'm sure would be a deal-breaker for most. For me, I was totally on board! Right up until the final two issues which, while serviceable, and even with some high moments, were pretty standard. Think if Stephen King had penned the screenplay for They Live. You may get a rough idea of the direction this book takes with its final third. It manages that unfortunate feat of being entertaining while also...underwhelming.
In the art department, Culbard is still aces, mostly. He doesn't quite nail some of the more action-y bits (Once again, those final two issues, tsk tsk), but I particularly enjoyed his work in the middle issue, wherein we're given a glimpse of Gooder's past. There's even a few two-page spreads that pop right up out of the page with how vibrant they are...and I do love me some two-page spreads!
Gooder was another weakness of the script for me. Cantwell creates an intriguing, unsettling antagonist in him, only to resort to what I can only describe as turning him into a generic boss-monster. It's fun in a b-movie-ish kinda way, bit like the ending to the NES Castlevania, oddly enough. But when you spend an entire issue building a villain up. Hell, when you lay hints here and there about the guy's personality, including the depths to which he's truly fucked in the head...well, like other parts of the final third: underwhelming.
If you enjoyed the first volume, I think you owe it to yourself to read the second. Taken together, both volumes of Everything come across as a solid, sometimes quite unique, scifi horror movie. Or even a season of a bingeworthy show. I just wish things had amounted to more than a throwdown between the forces of good and evil. Whereas She Could Fly seemed to go out of its way to alienate whoever read it to its end, Everything seemed to double-down on trying to make too much bloody sense. I still wish more books were as weird as it, and I'm definitely curious to see what Cantwell pens next in the realm of sequential art. Hell, if Everything gets a sequel somehow, I'd still be curious to see what he does with its world. I think that's probably the highest praise I could give this book, despite its shortcomings for me.