⭐️⭐️⭐️💫 (3.75/5 stars) — Another really solid addition to a fantastically original crime series!
I actually read The Ice Killer over two years ago but, somehow, never got around to reviewing it — a shame really, because Ross Greenwood’s DI Barton series has always been one of my comfort-crime staples. Having previously reviewed both The Snow Killer and The Soul Killer, it felt only right to complete the trifecta, even if a little belatedly.
Greenwood’s writing style remains as brisk and accessible as ever, a blend of gritty police procedural and human empathy that few manage to balance so deftly. DI Barton is still the moral compass at the centre of it all — kind, quietly determined, and refreshingly un-melodramatic — the sort of detective you trust to both find the killer and feed your cat while doing it. His presence continues to ground these stories, keeping them tethered to a world of decency amid the chaos.
But, as I’ve mentioned in my previous reviews, it’s Greenwood’s villains that truly steal the show. They’re never cardboard cut-outs or caricatures; instead, we’re invited inside their minds, to sit for a while and understand what broke them. That empathy — that willingness to linger in the moral grey — is what elevates this series beyond the usual procedural fare. The “killer” in The Ice Killer is particularly memorable, their motives chilling yet tragically human, and the alternating perspectives create that signature Greenwood rhythm: tension, compassion, revelation, repeat.
If I’m honest, this third outing didn’t quite reach the narrative sharpness of The Snow Killer or the emotional resonance of The Soul Killer. A few pacing dips and slightly over-extended scenes dulled the ice a little. But as a continuation of a series that’s carved its own corner in British crime fiction, The Ice Killer still delivers — atmospheric, compassionate, and distinctly Ross Greenwood.
A belated review, yes, but a deserved one — as I read the next instalment “The Ice Killer” which reminded me I hadn’t yet reviewed this effort, I am also reminded how in-the-pocket the author feels in this Crime niche he’s carved out for himself.