The Mexican-American War.
A dispute over which river was the border resolved by the United States making it the Pacific Ocean. Gone for Soldiers is a campaign diary of all the people Shaara thought were the good guys. Maybe they removed Indians via the Trail of Tears. Maybe they were slaveholders. No matter, because didn’t men like Winfield Scott and Robert E Lee look goddamn good in army blue.
Good ol boys
Gone for Soldiers takes a perspective that the professional soldier class that would make up the higher echelons of the Confederate States’ army were morally indistinguishable from the Unionists such as Scott or Grant. Lee, Johnston, Jackson, Longstreet, Beauregard, Pickett are heroic duty-bound soldiers, while slimy politicians in Washington deny the United States army essential support.
Characterisation isn’t about creating people that appeal to me. Nor does Shaara have to hold slavishly to history in his portrayals. But the characters are pretty interchangeable as slightly different shades of “our boys in blue”. There’s no appeal to a wider context and you can sense the stirrings of the “Lost Cause” in the depictions of the future Confederates.
Shaara’s one concession to a different viewpoint, the Mexican leader Santa Anna, is that of a moustache twirling villain. Shaara’s caricature of Santa Anna’s ironically draws attention to the shallowness of the rendering of the protagonists.
Shaara also leans heavily on the contrasts between the free United States and the dictatorial minded Mexico. Sure, you can take that viewpoint, and I don’t doubt a number of Americans at the time did. But writing unironically:
Mexico has difficulty governing itself in the best of times.
…when the US Civil War is due within 15 years of the events of the book with plenty of nigh ungovernable tension well before then is, frankly, taking the piss. A historical novel can change events. Shaara changes the historical account of the hanging of Irish Catholic deserters to better fit the theme of duty which, in itself, is fine. But Gone for Soldiers is very very narrow in its theme, in that being a troop is good and makes you a good person.
Show, Don’t Tell
Gone for Soldiers isn’t terribly written. Shaara knows the old tricks, such as Scott crediting his subordinate Twigg for not being so stupid to launch a frontal assault when that was exactly what Twigg planned to do. Lee’s discomfort lying for hours under a tree trunk is another good scene. There’s an intelligent structure to the book, where each battle is a tactical problem to be unpicked with brains and courage and a clear build-up of stakes.
However, Gone for Soldiers leans heavily, way too heavily, on internal monologue. It’s line after line pregnant with analysis:
He looked at the hot glow of the copper ball, thought, God is here! God is watching! That one was meant for me!
In isolation, perhaps not so bad, but wading through a book of it feels like the monkey’s paw of being granted the ability to read minds. It is also pretty tensionless stuff, leading me to query whether you can describe the characters as “richly drawn.” Writing a 1000 different variations on the theme of duty is still one theme.
When Shaara ventures into a third person descriptions, it varies between dull and disastrous. Shaara glitches out on purple prose trying to describe an attack on US supply carts during an armistice. I didn’t have a clue as to what happened until Shaara told me by way of dialogue after.
The dialogue varies in quality. The aforementioned exchange between Scott and Twigg is good. The first meeting between Scott and the lawyer Nicholas Trist is not, as each party trips over the exposition they have to deliver. The final exchange between Scott and Lee is Shaara furiously (and cringeworthily) paddling them away from associations with territorial aggrandizement.
When reading Gone for Soldiers, I wondered how you could turn a book about incredibly insular people with no chat into a movie. As I later found out, another one of Shaara’s has been - Gods and Generals. There is a cut that runs for over four hours. It rates at about 8% on Rotten Tomatoes.
Gone for Soldiers isn’t an 8% book. I even wavered a promoting it to three stars. But it doesn’t offer anything special. Instead it’s a competently written paint by numbers, if each character was telling you what number they were painting and how they felt about it.