**3.5/5 Stars**
Grab a steaming cup of coffee, tea, or mulled wine. Settle into a comfortable chair in your pandemic pants and fuzzy socks. Prepare yourself for a story of excitement, heartbreak, intensity, and high stakes. A Most Clever Girl by Stephanie Marie Thornton is a well-written work of historical fiction. Stephanie Marie Thornton keeps her readers plugged in to the story from beginning to end as she tells the tale of Elizabeth Bentley. Known by a variety of codenames, including “Clever Girl,” “Gregory,” and “Miss Wise,” Elizabeth Bentley goes from a naïve young woman searching for acceptance to a skilled spymaster for the NKVD during WWII and the beginning of the Cold War.
I have noticed a trend in my readings of historical fiction: The novels often begin in one decade and jump back to another, providing interludes of past memories from the views of certain characters. For the most part, I am a linear thinker. My preference is that stories follow from one scene to the next in chronological order. A Most Clever Girl has two different timelines, occurring simultaneously. I do not like this about historical fiction, but I can deal with it. What I didn’t like about A Most Clever Girl, though, was that when the novel focused on the past, a character would provide commentary from the story’s present. Unique manner of writing a book? Surely. But I wanted to be wholly transported back in history, and by having the interludes in parentheses, Thornton broke that vision in my mind.
Thornton wrote A Most Clever Girl as a narration, for the most part: Elizabeth Bentley recounting her background to another person. That’s why I suggested readers get comfortable, because the book is like sitting at your grandfather’s feet in his living room, listening to his wartime tales. So in that sense, the present-day comments in A Most Clever Girl were appropriate. I just…didn’t like them, even if they were Elizabeth Bentley saying how she learned from her mistakes.
The other present-day character, Catherine Gray, I also found to be cliché. I correctly identified who she was from early in A Most Clever Girl, and Catherine was very one-note. I didn’t like her, besides maybe in the last couple chapters. Additionally, Stephanie Marie Thornton suffered from a common error in novels that drives me bonkers: Using characters’ names in two-person dialogue. You don’t need to say “Catherine” or “Elizabeth” at the end of every spoken sentence. The reader gets the picture, especially since the only two people in Elizabeth Bentley’s house during her story? Catherine and Elizabeth.
Unintentionally, I listened to the audiobook version of Agent Sonya by Ben Macintyre at the same time I read A Most Clever Girl by Stephanie Marie Thornton. Agent Sonya is a biography, following the life of Ursula Burton, a German Jew who spied for the Soviet Union during WWII. So, I simultaneously experienced the tales of two different female spies of the time period. I normally prefer fiction over nonfiction, but I liked Agent Sonya more. Both Elizabeth Bentley and Ursula Burton were spies of importance and influence, but Macintyre was just a little more successful at telling Burton’s story than Thornton was with Bentley.
I enjoyed A Most Clever Girl, and I don’t regret reading it; I just think it could’ve been better.
*Note: I received a free copy of this book from the publisher in exchange for my honest review. All views expressed are my own.