3.8 ⭐
It’s no secret I’m a sucker for good vampire stories. Not the teenage vampire blockbuster-like sensational revival of the last decades, but the more classic and lost in time intriguing characters created by Polidori, Le Fanu, Bram Stoker and later Anne Rice. There’s something that has always attracted me to their mystery. They are the Undead and yet, they seem to experience life as no one else can on earth. Emotions are extreme. Passion is off-the-charts. Their glance can see right through your soul, and you can’t but feel drawn to them. The power they exude is a total aphrodisiac. Yet, they are the most lonely and tormented creatures. They are the anti-heroes, the villains and the outcasts condemned to eternity.
My first ever sapphic reading has been Carmilla by Le Fanu, and it’s no mistake when I say that it combined everything I wanted when I was a teenager: to love and be loved with such intensity that you would lose yourself. To belong to someone and have someone belonging only to you, in Life and Death.
It doesn’t that come as a surprise that I was literally drawn to Venandi’s cover as soon as I’ve seen it. Those eyes and luscious lips just did it for me. The Latin title was a total plus. There’s always a hunt and a strive to survive when it comes to vampires and this novel is no exception.
When I started it, I thought I would be reading an historical novel, but I was soon mistaken. I should have known better, as the novel quotes “Time is irrelevant” with vampires.
I still enjoyed the initial setting in 1850 in New Orleans, it reminded me of Interview with the Vampire by Anne Rice and I liked that, as I expected the retelling of how Saxon Montague, a former tobacco farm worker, became a vampire and how she managed to survive for more than one-hundred years. The history of it all was delightful to read. Vampires live million lives; they can be anyone and yet no one. In this life, Saxon Montague is a film director whose just been asked to cast the leading female role for her new movie “Venandi”, where an FBI detective is investigating a brutal serial killer who turns out to be a vampire.
The connection with the movie industry didn’t come as a surprise to me. The Vampire theme has been used and abused over the centuries by Hollywood. Every year a new series or movie comes out. Even this year BBC is releasing the series Dracula. Nevertheless, it never fails to attract my interest. I simply can’t have enough. There’s always been something that pulls me to them, and it will always do the trick in making me watch or read about these characters.
What I probably love the most is that with one glance they can look into your soul and know all your secrets. That’s what happens exactly when Saxon meets Faye Stapleton. Undeniable insta-attraction. Something you can’t explain. Something ancestral. A desire none of them can resist. An immovable force.
I must be honest here, I wished there was a bit more playing and teasing into it. A more shadowy toccata and fugue to raise the steamy atmosphere. I would have liked to see more lusting with no touching or that the reason of the lusting was explained later on. There seems to be a reason why Saxon feels this pulling towards Faye, but this is never explored deeply in the novel. I was wondering whether it was some kind of reincarnation, like it happens in Bram Stoker’s Dracula by Coppola with the character of Mina, but I didn’t find any evidence of it.
Nevertheless, I enjoyed the novel (or long novella?) and the combination of flashbacks from the XIX to the XX century, the story of Susanne and Saxon, and later on in the XXI century the story of Saxon and Faye. All the classic elements of vampire stories are there, even if they are in a lighter version, so you can’t really think of this book as a Gothic Novel, more a bit of a thriller in a thriller.
Overall, a pleasant reading and I will investigate into a possible sequel.