It is mid-Winter in 1880 and life is harsh in the remote Devon countryside.
When Annie Carter's father Tom dies of consumption her mother Sabina is left with seven mouths to feed and the family soon face the workhouse. To save them from starvation Annie steals vegetables from the Manor House garden, risking jail or transportation. She is watched by Robert, the son and heir of the Lord of Hartford Manor, but far from turning her in he befriends her.
Annie introduces Robert to a very different world to the one he knows and he is fascinated by the life she leads. Difficult though it is, they begin to spend time together and soon develop feelings they know have no future.
Harry Rudd, the village blacksmith, has long admired Annie and when he proposes, her mother urges her to accept. She reminds Annie that she will never be allowed to marry Robert. Harry is a good man and Annie is fond of him. Her head knows what she should do, but will her heart listen?
This is an incredibly moving first book in the series. I loved every chapter as the well-crafted characters carried me away to rural, North Devonshire in the 1880s. A beautifully written story that I was thoroughly engrossed in from the very first page to the final page in the book. A wonderful start to the series. The story centres on the rich Fellwood family, owners of Hartford Manor, and the working families who live in the poorly maintained tied cottages, owned by Lord Fellwood. With little food and damp, draughty homes, illness was rife among the lower-class families who had to endure life in these cottages. In the harsh winter conditions, premature deaths and disease claimed the lives of the vulnerable. The community gathered together to support each other, and friendships as well as match making were prevalent with love in the air.
I especially enjoyed the chapters which featured Annie Carter, and Robert, the second son of the owner. Their relationship seemed doomed from the start, and I found myself rooting for them and hoping for a happy outcome. A beautiful heartfelt story.
This story would make an excellent film or a television series. I can’t wait to read the next instalment in this series.
It seems a bit strange to review my own book, but here goes. I first published The Mazzard Tree in 2014 under the pen name of Josephine Janes but later decided to use my own name. I published the sequel, The Angel Maker, last year in 2020 and will be releasing the third book, The Rabbit's Foot, in the next couple of months. All three books make up The Hartford Manor Series. I thought it would be a good idea to read The Mazzard Tree again, and I have to say that (unsurprisingly) I enjoyed it and, of course, I have to give it five stars! I know the characters in the book so well now they are like old friends. The story is set in 1880 in rural North Devon in the South West of England. It compares the harsh life of the working-class villagers with that of the rich Fellwood family of Hartford Manor. When romance blossoms between kitchen-maid Annie Carter and Robert Fellwood, the son of Lord Hartford, the relationship seems doomed; or will love find a way?
I enjoyed reading this book immensely. I loved the characters who were so vividly described that I felt as if I knew them intimately, and cared about their fates. The author writes much like Catherine Cookson, but Marcia has her own style. Her story is set in Devon, a very different county than Catherine has set her books in. I look forward to reading the next book in the saga.
The story is set in 1880 Annie Carter a farm labourers daughter her father dies leaving his wife and 6 children Annie has to work or the family will end up in the workhouse brilliant read
This is a powerful novel about of the harsh realities of life in the late 1800's if you are poor. The story is set around Annie Carter, a farm labourer's daughter. Like all poor families of that era, they struggle to make ends meet and, when her father dies, the situation becomes dire. Annie resorts to stealing vegetables from the nearby manor house and meets Robert, the second son of the owner. And so begins a beautiful, but possibly doomed, love story. I love the author's style. Her description of life in those days completely captured me. I grew up in rural Northern Ireland in the 1960's and I remember getting up on cold winter mornings to do the milking. I also remember rosehip seeds being put down my back! I loved this book and am looking forward to now reading the next one.
Set in the gray dreariness of 1880 pastoral England, "The Mazzard Tree" is a story about the gulf between passionate desire and grim reality. It gives hope where there should be none and Illuminates at least the prospect of happiness. As a period piece, the attention to era detail is exquisite but as a forbidden love story, "The Mazzard Tree" is all encompassing. The narrative focuses on several key characters from differing social and economic classes who find themselves in desperate situations they cannot help and in a love they can’t control. The story has a nice flow, the characters are well rounded and the pulsating imagery adds a nice supporting element of interest. I enjoyed "The Mazzard Tree" very much. Marcia Clayton has a wonderful command of the language and makes the reader want to find out what happens next. This story is not a fairy tale but it will have you rooting for a conclusion that ends happily ever after. We all want what we can’t have, but that doesn’t stop us from trying. I highly recommend this book for any reader interested in cerebral historical fiction or a well written forbidden romance.
A time when the common man had few rights and women had none…
I discovered The Mazzard Tree when Marcia Clayton offered a free short story called Amelia, which prompted me to discover why three orphaned children were abandoned in the Workhouse in the late Victorian era. A time when the common man had few rights and women had none…
Set in a north Devon village, The Mazzard Tree, the first part of the Hartford Series, is a compelling and heart-warming account of village life, which captures the harsh realities of life for the poor; the indifference of the wealthy landowner to their plight, and the landowner’s sense of entitlement as opposed to the folk who had nothing but who would do anything to help a neighbour.
The story is woven around an unlikely friendship between Annie Roberts, a pauper, and Robert Fellwood, the second son of the gentry, who meet when Annie is forced to steal vegetables to feed her starving family after her father dies from consumption. With many families in the village related, camaraderie is strong, and troubles shared, which saves the Roberts’ family from the workhouse.
Although forbidden, their growing friendship opens Robert’s eyes to abject neglect on the estate and his parent’s indifference to the tenants’ welfare, which makes him determined to help, albeit in secret. In so doing, he earns the tenants’ respect, which his father demands as a right. There is misfortune followed by tragedy for the family at the Manor, and for Annie. As the story progresses, you will also find where Amelia fits into the story.
Having thoroughly enjoyed reading The Mazzard Tree, I purchased The Angel Maker, Part 2 of the Hartford Series. Once started it was not a book to be set aside.
I love the depth of the characters in there interwoven stories. This book will make you laugh and cry. I didn’t want to put it down, and I am downloading the next one right away.
I don’t like crowds in the streets, and I don’t like team sports, there are too many people and I can’t keep up. I don’t get on with large casts in books either. I failed many times to get past page eleven in The Lord of the Rings and only read it at last when I’d seen two of the three films made in the early 2000s. Once I had a visual of faces and places it was easy, and I made it through the third book before seeing the film. I think I’ll find it’s some kind of medical condition, if I check, but it’s not that important.
It is though why I nearly lost my nerve when I opened The Mazzard Tree and was confronted with those Character Lists of who knows how many members of how many families that live between the pages. I’m made of sterner stuff these days, so I soldiered on and got to the end with a good idea of who was who, and it’s for the breadth and depth of this epic—there are two more books in the series—that I have to congratulate the author. Keeping control of this lot was no mean feat, I’m sure, crowd-control by one person deserves respect, and Marcia Clayton has mine in no small measure for how she stopped her characters from taking over. She kills some off, true, but in a manageable ratio and believable circumstances, for which she appears to have researched in depth. Her time was well-spent, as is clear from the flow and pace of the narrative, which never drags.
All life is here, as Kipling would say, in a broad spectrum of social situations to be expected in late-19th and early-20th-century Britain, Devon in this case. The callous disregard of the upper classes for the degraded living-conditions of the poor, in this case the Fellwood family of Hartford Manor, who own the cottages in which the workers for their tin mines live and which they have a duty to keep in good repair; but they don’t. There are the ravages of disease, no contraception and the resulting large families, infant and other mortality, children abandoned and raised by others, or sent to the workhouse, racism, classism, the stigma of mental illness and that of pregnancy outside marriage, with no quarter given if it was forced on the woman. Cue the dangers faced by young women who go to work ‘in service’. The good old double-standard is in full force, it’s her own fault for existing and tempting the poor little man who couldn’t be expected to control himself. There’s a look at the military, the Boer War in this case, and at the opposite pole there’s love, the course of which doesn’t run smooth, given all the obstacles to it outlined above.
Crowds of characters or not, I shall have to read the next book, which I’m not being forced to do by any irritating cliff-hangers or loose ends, as happens in other texts. I shall read it because the first episode makes me want to—which is what any story worth its salt should do.
I devoured this book and loved every word. The author does a spectacular job of bringing the characters to life as she shows the reader the harsh conditions in Devon in 1880. The social conditions are woven into the story in a way that draws on the readers emotions. The scenes are vivid and both gut wrenching and uplifiting. I certainly plan to read the remainder of this series. Highly recommend this book.
A well paced and delightful romantic historical read. I feel I have been part of the villagers lives and am looking forward to the next book. There are a few things I wish had been edited (very minor things)...there's a bit of text book info that's not needed which although interesting takes you out of the story. There's also quite a bit of 'head-hopping' but it all flowed well so I didn't mind too much. One thing did bug me though, where did Sabina get her name? It's very unusual for the period. Also working class children usually called their parents 'ma' and 'pa' so the modern 'Mum and Dad' although possible, didn't feel quite right. These however, are very minor things in a book that I raced through and enjoyed greatly.
This is the first book I read from this author and let me tell you that I loved it! Such a good book with great characters that keeps you obsessed with every page since the first one. The ending of this book.. come on! I just didn´t expect it! Can´t wait to read other books from this great writer! Amazing job! a must-read! A fantastic book that has it all! I happily endorse this story to any and all who are looking for a fiction enjoyable read and a completely different experience than anyone could imagine on their own. ¡Great book!
I enjoyed this read very much. I especially liked the descriptions of village life, and the author did a wonderful job of making it realistic. I have the sequel, and am looking forward to reading it also.
The Mazzard Tree is the first of the Hartford Series. Set in 1880, in Devon, in a series of interwoven stories, it charts the goings-on in the Hartford Mansion and with the tenants of the adjoining village. At the centre of the plot is Annie, the daughter of Sabine, a family in terrible poverty (no more so than those around them), and her relationship with Robert, the second son of Lord Fellwood.
The novel’s portrayal of the brutality of the life of the poor is vivid and shows the marked contrast to that of the wealthy with their sense of entitlement. Despite the abject conditions the poor live in, Clayton manages to get across hope in their camaraderie and willingness to help each other. In her descriptions of the characters, the places and the environment, the writing is assured and compelling, and the tales unfold seamlessly and quickly. At times it is heart rendering but sprinkled with optimism.
I have enjoyed this historical romance, and look forward to the other books in the series. It is well researched and a compelling read, and I would recommend it.
Tom died and the cottage they lived in was now compromised as it was conditional to working on the estate. His wife, Sabrina and the 6 children would now have to move out. With no income, the workhouse beckoned but an unexpected offer came from neighbour who was in the same boat. This is a story of many families suffering hardship, near starvation and living in squalid conditions but as a united communuty, face these head on and pull together in dark times to help each other where they can. An excellent, true to life story, where the lines that divide rich and poor are clearly drawn. It made me smile when the author wrote about newspapers being ironed and change being washed, unbelievable in this day and age but back in Victoria England in the 1880s you can just see this happening! Well written, a compelling read that draws you in from the start and brings vivid imagery to life with the skilful descriptive writing of this talented author. Great read, look forward to more!
A constant fight for existence is the life of farmstead worker’s kid, Annie Carter. Her mom, Sabina has seven children to feed and one on the way when her dad passes due to consumption.
Out of sheer desperation, Annie takes the chance of possibly going to prison when she takes produce from the Manor House garden. She has no idea that the rich inheritor of the Hartford Estate, Robert has kept a close eye on her.
The Victorian era is the setting of The Mazzard Tree. It is a tale of the deprived existing in poor and harsh states. They are bounded by consumption, illness, and the hazard of the workhouse. The upper class’s lives are the opposite, existing in their vast grand homes with titles and privileges.
The characters are brightly and expressively written and the different-class romance will be tried and tested.
In a small hamlet, in the late 1800s rural England, people depended on each other to survive. Hence, everyone knew everyone and everyone’s business. With meticulous details, Marcia Clayton flushes out an entire lot of these many interesting characters, and she left nary a stone unturned when it came to the social issues of the time. Class distinction dominated. The stigmatism of mental illness and out-of-wedlock pregnancy. Epidemics. The lack of adequate shelter, food, and clothing for the poor. Racism. Abandonment of unwanted babies and children. It’s all here. Clayton engrossed me. I felt the pain, and the joy, and breathed right along with these people, many while they took their last breaths. It takes immensely good writing to involve me as this author did. My grandparents came to Canada from Great Britain in the early 1900s, and I was immersed in the culture they brought with them. The mannerisms and turn of phrases in Clayton’s story evoked many a beautiful nostalgic memory. If you enjoy historical settings and an excellent read, you could do no better than to curl up by an open fire with The Mazzard Tree by Marcia Clayton. I highly recommend it. You may even learn what mazzards are. —Marlene cheng--author
This is the first book I have read by this author, and it was amazing. I had read Amelia's story, which was recommended to read beforehand. The Mazzard Tree is a gripping Victorian love story intertwined with family tragedies, lies, deceit, grief and survival. The main character, Annie, is so strong and longs to be with her true love, Robert. But they have a long road ahead before they can truly be together. And Annie's mother has a heart of gold, which obviously Annie has inherited. I don't want to add a spoiler regarding Amelia, but I can say there is a heartwarming outcome, thanks to Aunt Evie. I'm anxious to read the next book in this series.
The author did a good job juggling a large cast of characters within the backdrop of late 19th century North Devon, England. The joys and sorrows of everyday life surround a central love story many readers will find appealing.
It's always lovely to find a new author who can write a cracking story! I found this to be a well paced and heart warming tale with great historical detail and characters that remain with you - always a good sign!
What a beautifully written story. Sweet, innocent and principled characters. A charming book for all to enjoy. Thoroughly enjoyed reading it and was sad when I finished it wondering about what happens next to everybody.
After the untimely death of her father, the future of Annie Carter and her family hangs in the balance. With seven hungry mouths to feed, her mother is forced to venture out into the harsh world as a farm labourer. Yet, even her meagre earnings seem insufficient to fill the bellies of her children. Desperate times call for desperate measures, and Annie, a remarkable crack shot, has taken to poaching rabbits to help sustain her family.
A hearty stew, however, requires more than just tender meat; it craves the fresh, vibrant flavours of vegetables. With a pounding heart and determined spirit, Annie dares to slip into the manor’s lush vegetable gardens. She moves stealthily among the vegetable beds, carefully plucking root vegetables from the earth. Yet, despite her careful planning and dressing as a boy, she knows that if anyone were to see her illicit foraging, she would go to jail, and her family would starve.
“The Mazzard Tree (Hartford Manor Book 1)” by Marcia Clayton is a beautifully crafted, evocative novel that immerses readers in its rich narrative. With every turn of the page, the story unfolds in a way that captivates the imagination, leaving readers eagerly yearning for more.
The setting of North Devon in 1880 is vividly portrayed, serving as a crucial backdrop for the narrative. The biting winter chill sweeps across the landscape, and the cramped cottages offer little refuge, emphasising the stark realities of rural life. The desolate countryside, with its stark winter beauty, contributes to the pervasive sense of gloom that envelops those living in poverty. Vivid descriptions of the lime kilns and the farm illuminate the community’s economic hardships, particularly exacerbated by recent poor harvests. Winter presents a host of challenges; the biting cold makes it difficult to stay warm, while securing enough food becomes a formidable task. When the well freezes over, villagers are forced to trek to the nearby stream, risking their safety just to access the most basic necessity: water. This struggle vividly captures the grit and determination of their daily lives, illustrating a relentless pursuit of survival amid harsh, unforgiving conditions. In stark contrast, Lord Fellwood, who owns the cottages and employs the villagers, lives a life of luxury, profiting from the labourers who work for him. Without regard for the impoverished villagers, he refuses to invest in repairing their homes or ensuring their well-being. His manor and expansive estate rise majestically, symbolising genteel elegance and underscoring the sharp divide between the privileged and the impoverished. This juxtaposition not only highlights the disparities in wealth but also deepens the emotional impact of the characters’ experiences.
Living below the poverty line is a harsh reality that Sabina Carter knows all too well. As a mother of seven hungry children, and with one on the way, the sudden death of her beloved husband, Tom, plunges her into a daunting predicament. Without his steady income, Sabina faces the terrifying prospect of losing their home and becoming homeless on the unforgiving winter streets. Yet, despite the overwhelming hardships that life throws her way, Sabina’s fierce determination to protect her family and provide them with a safe haven remains unwavering. Throughout the pages of this poignant novel, she navigates a relentless series of trials and tribulations, each one testing her strength. Still, her commitment to nurturing and raising her children with love and care never wavers, illuminating the resilience of a mother’s heart in the face of adversity. Sabina’s kindness extends beyond her own family. She cannot bear to see anyone suffering, especially children. So, when Hannah Cutcliffe comes knocking at her door to ask for help with her sick daughter, Sabina, despite her disdain for Hannah and her husband—who squander their money on drink and neglect both themselves and their children—does not hesitate to go. However, in doing so, she inadvertently brings illness into her own household. Yet, she does not become bitter, nor will she stop helping others whenever she can. Sabina is a character who, despite her many hardships, remains a positive force in this story. She may be poor, but she strives to be the best mother she can be, determined that none of her children will ever see the inside of the workhouse.
Annie, the heroine of this tale, is a striking reflection of her mother, embodying a fierce spirit intertwined with an undeniable practicality. In the wake of her father’s death, she is abruptly confronted with a stark and unsettling truth: their meagre funds are disappearing quickly, leaving them on the brink of starvation. Driven by an instinctive desperation, she ventures into the desolate expanses of the moors, skilfully poaching rabbits and stealthily slipping into the sprawling garden of the manor. There, she plucks turnips, swedes, and parsnips from the earth, her heart racing with each risk-laden movement. Fully aware of the potential consequences of imprisonment, Annie’s determination is fuelled by an unyielding love for her family. Her mother, Sabina, often shrouded in worry, watches her daughter take these perilous risks with a mix of fear and admiration. Yet, she cannot dismiss the vital role Annie plays in their survival. The precious food Annie manages to bring home serves not just as sustenance but as a beacon of hope, warding off the gnawing darkness of hunger and despair. In this portrait, Annie emerges as a remarkable blend of courage and compassion, embodying a fierce devotion that drives her to defy danger and adversity. Her willingness to risk everything for the sake of her family paints her as not only brave but also deeply loving, reminding us of the lengths one will go to protect those they cherish most. As the story progresses, Annie goes into service at the manor, which gives her the opportunity to send more money home. However, the safety she had envisioned working with the aristocracy is soon shattered by the reality that those who have always gotten what they want have difficulty understanding the word “no.” At times, the reader genuinely fears for Annie’s safety as she encounters some despicable characters at the manor. Despite her hardships, much like her mother, she does not become bitter but perseveres. Annie is a character that readers can truly sympathise with.
While recovering from rheumatic fever, Robert, Lord Fellwood’s second son, begins to develop a deep interest in the management of the estate. However, he knows that the responsibility of inheritance will fall to his older brother. Much like his grandfather, Robert is interested in the lives of the estate workers and their living conditions. He yearns to take meaningful action to improve the workers’ cottages, but often feels powerless to do more than empathise with their struggles. With a hands-on approach to farming, Robert finds joy in the earth and the labour that sustains it. He effortlessly bridges the gap between the privileged aristocracy and the workers living in poverty, fostering genuine relationships with both. When he meets Annie, a spark ignites between them—a connection that feels both exhilarating and inevitable. Yet, at just 17 years old, Robert grapples with the constraints of his own life and position, aware that Annie’s circumstances place her far outside his reach. His father would never allow a relationship between the two of them. Robert is a charming and earnest character who genuinely desires to alleviate the burdens of those on his family’s estate. He feels a profound sense of responsibility for their well-being, even if his father remains indifferent to their plight. Through his eyes, one can see a vision of a more compassionate world.
The novel features a cast of antagonists, one of whom remains unknown until the very end. One notable character is George, Sabina’s brother-in-law, who prides himself on being a compassionate man. However, beneath this facade lies a troubling indifference to the suffering of the poor and a disdain for family members he views as inferior. When tragedy strikes with the death of his brother Tom, instead of offering support, George callously suggests sending his younger nieces and nephews to the workhouse. This harsh stance sharply contrasts with the rest of his family, who are always eager to provide help and support during difficult times, embodying true compassion and kindness.
Clayton does not shy away from addressing very difficult topics, and her portrayal of Lucy can make for some challenging reading. Lucy’s depression following the birth of her child is crippling, and she has absolutely no interest in her beautiful baby. As the story progresses, it becomes clear that Lucy cannot be left alone with the baby, resulting in her admission to an asylum. Although the reader does not experience Lucy’s time in the institution directly, visits provide glimpses into the harsh realities of such places, where patient care was often not a priority and experimental practices were frequently conducted without the patients’ or their families’ consent.
“The Mazzard Tree (Hartford Manor Book 1)” by Marcia Clayton is a deeply emotional novel that intricately explores themes of love, loss, and the passage of time. Through beautifully crafted prose, Clayton brings to life the struggles and triumphs of her characters, creating a narrative that resonates with readers on a profound level. With its richly detailed settings and vivid imagery, this touching story leaves a lasting impact, ensuring that it lingers in the hearts and minds of all who embark on this reading journey.
Review by Mary Anne Yarde Yarde Book Reviews & Book Promotion
Highly Recommended! The Mazzard Tree is set in the Victorian era and tells the story of unforbidden love and how the poor lived in squalid condition surrounded by consumption, rickets, diphtheria and the threat of the workhouse while the rich sit in their huge stately homes surrounded by servants and a sense of entitlement. After Annie Carter’s father dies of consumption, she has no other choice than to step up so to stop the family from ending up in the workhouse. Stealing vegetables from the Manor house land so the family can eat, Annie finds easy but unknowingly she’s been watched by the Lord’s son Robert. And here starts a touching love story. Annie and Robert’s search for happiness is heart-warming and keeps you wanting to turn the page in the hope that they will find it. Marcia’s writing style is descriptive, giving a clear picture on how the families in the story came together as a community to help each other out and just what they had to ordeal to survive. The storyline is engrossing throughout and beautifully written. Looking forward to reading the next in the saga.
What a beautifully written story about a rich boy and a poor girl who are totally in love--but because of their stations in life they know it can never be. Annie and Robert meet frequently where no one can see them--under the Mazzard Tree. When Robert has to go back to school he tells Annie to wait for him. He is determined to marry her. Annie took a position in his home and was ultimately raped. She had no idea who the man was-but she ended up getting fired.
Against his father's wishes Robert's older brother joined the army-and was killed in action. His father had a stroke--Robert now being the sole heir would be inheriting the estate. Annie married a long time aquaintance so her baby would have a father--then Robert came home. Annie would not leave her husband although she was still very much in love with Robert. Then Annie's husband died in a fire trying to save his parents.
Robert actually cared about the tenants and was going around fixing their homes. He was there when Annie was changing her baby--and he knew immediately who had raped Annie. I was shocked as I am sure you will be as well. Will these two star crossed lovers ever find a happily ever after? We will just have to read the 2nd in this series to find out--or maybe it will be the third--I will be reading both of them!!
This book was a complete package . Feelings ,love, emotions, friendship and packed up with a deep insight on conditions prevailing at that time period. The way the h is a go-getter when it comes to the well-being and survival of her family and yet when it comes to her own self ,she accepts what she gets rather than fighting for what she truly wants .She is not some h who can do anything, fight for everything and always triumphs. She is flawed and that makes her seem more real. Much much more real . The H on the other hand is the most sweetest ,caring and mature-beyond-age male specimen. I loved how they gradually bonded and eventually fall in love. The contrast between H and h's mothers is glaring. The story does not concentrates on H and h only .It has plethora of other equally grabbing characters, with their own poignant stories all intertwined so intrinsically. The way the people suffered so many losses of live of their dear one due to lack of medical facilities and their day-to-day struggles to survive is potrayed beautifully. On kindle this book goes by Marcia Clayton's Mazzard Tree .I don't know why is it so.
One of the best books I have read this year! Set in 1880s rural England, the reader is immediately drawn into the story with a dramatic event that demonstrates the hardship experienced by the characters alongside their deep sense of community. The common people are exploited by the wealthy who live a life of ease at their expense. This is a compelling tale of unrelenting young love, forbidden to cross the chasm of social class. Clayton’s novel moves quickly and involves many colorful characters. Her deft descriptions of people and places evoke vivid images and made me feel as though I was experiencing the events first hand. I especially appreciated the portrayal of hope, shining amidst the darkness of poverty. Those afflicted have others to lean upon for support. I recommend this novel to all who enjoy historical romance. But be prepared to find yourself “accidentally” binge reading until the middle of the night (oops). I have already purchased book #2 in the series, “The Angel Maker” and am looking forward to more.
The Mazzard Tree, first in Marcia Clayton's Victorian series is more than just a love story, though it is a lovely love story. Multiple characters, which I love in a book, are beautifully designated by Marcia. The reader will have no trouble keeping up with the characters, and each character has his/her own personality and characteristics. What I love the most is seeing the struggles people must endure to keep mind and body alive. Work is hard, life is hard, and sometimes risks must be taken just to stay alive and help one's family survive. The privileges of the rich are also on display. Some accept it as their right. Others see equality in all people. Beautifully written, I highly recommend this book.
I really enjoyed the overall story. The author did a great job of making you feel like you were sucked into the 1800s.
Sometimes the long character and setting descriptions pulled me out of the story. I wish some of those had been condensed or rather shown instead of told. It sometimes became confusing, and made it hard for me to remember characters.
Regardless, I still found the story enjoyable and would recommend to others. I became attached to the main characters and can’t wait to see what happens in the sequel.
Just finished reading this book. Really excellent read with lots of unexpected twists. I couldn't put it down. Such a lot of historical information in it. Can't wait to read the next book The Angel Maker to see what happens to all the characters - will it be what I expect or will there be more unexpected twists.