Marlon Hom has selected and translated 220 rhymes from two collections of Chinatown songs published in 1911 and 1915. The songs are outspoken and personal, addressing subjects as diverse as sex, frustrations with the American bureaucracy, poverty and alienation, and the loose morals of the younger generation of Americans. Hom has arranged the songs thematically and gives an overview of early Chinese American literature.
Songs of Gold Mountain, Marlon K. Hom, ed., 1987, 322 pages, Library-of-Congress PL3164.5 E5 C54 1987 Memorial Library.
220 selected verses, in English and Cantonese, of the 1,640 verses of /Songs of Gold Mountain/, published in Cantonese in San Francisco's Chinatown in 1911 (vol. 1) and 1915 (vol. 2).
In 11 categories: Immigration Blues Lamentations of Stranded Sojourners Lamentations of Estranged Wives Nostalgic Blues Rhapsodies on Gold Songs of Western Influence and the American-borns Nuptial Rhapsodies Ballads of the Libertines Songs of the Young at Heart Songs of Prodigals and Addicts Songs of the Hundred Men's Wife
At home I was in poverty, constantly worried about firewood and rice. I borrowed money to come to Gold Mountain. Immigration officers cross-examined me; no way could I get through. Deported to this island [Angel Island in San Francisco Bay: detention there instituted in 1910], like a convicted criminal. Here-- Mournful sighs fill the gloomy room. A nation weak; her people often humiliated Like animals, tortured and destroyed at others' whim.
Each poem in the collection is 46 Chinese characters long, a Cantonese folk tradition. The authors are all anonymous men.
Some 300 of the original 1,640 poems are about family separation. About half of these are written from the woman's point of view; nevertheless, all were written by men.
See Sau-ling C. Wong's "The Politics and Poetics of Folksong Reading: Literary Portrayals of Life under Exclusion," in /Entry Denied: Exclusion and the Chinese Community in America, 1882-1943/, Sucheng Chan, ed.