Neil Clarke is best known as the editor and publisher of the Hugo and World Fantasy Award-winning Clarkesworld Magazine. Launched in October 2006, the online magazine has been a finalist for the Hugo Award for Best Semiprozine four times (winning three times), the World Fantasy Award four times (winning once), and the British Fantasy Award once (winning once). Neil is also a ten-time finalist for the Hugo Award for Best Editor Short Form (winning once in 2022), three-time winner of the Chesley Award for Best Art Director, and a recipient of the Kate Wilhelm Solstice Award. In the fifteen years since Clarkesworld Magazine launched, numerous stories that he has published have been nominated for or won the Hugo, Nebula, World Fantasy, Sturgeon, Locus, BSFA, Shirley Jackson, WSFA Small Press, and Stoker Awards.
'Forward Momentum and a Parallel Toss' by ANAMARIA CURTIS ***** 'Songs of Activation' by ANDY DUDAK *****
I think this is only the fifth issue of Clarkesworld I've read (I've been a longtime reader of Asimov's). Suffice it to say I am consistently impressed at the quality stories and diverse authors that editor Neil Clarke curates for each issue. This is fast becoming a must-read SF magazine for me.
Review, for the moment, solely for "The Last Days of Old Night" by Michael Swanwick. Starts out with a remarkable emulation of Lafferty, my favorite Tulsa writer. Then on to Norse mythology. But, in the end, all Swanwick! Bravo! What a fine way to end a very bad year. May 2021 be better!
7154 words, saith the magazine. With at least a novella's-worth of stuff. I loved Mischling, the mouse who was turned into a woman, then back, then forth. Dizzying! Not to be missed. Direct link: http://clarkesworldmagazine.com/swanw...
Clarkesworld ends the year on a high note with a handful of good stories, ranging from mythology to transhumanism. Probably the best is “The Island of Misfit Toys”, by Fiona Moore - a Christmas-ish tale of a broken Santa living on the streets, rescued by a court of damaged AIs. A small masterpiece of finding hope at the bottom of existence.
I also enjoyed specially Michael Swanwick’s “The Last Days of Old Night”, a fantastic/mythological tale going back to a primitive time of eternal night, before the Earth started dancing around the Sun.
Finally, there’s also “No Way Back” by Chin Hui, translated from Chinese, a transhumanist story playing with the trope of translating the traditional belief on the immortality of the soul to an upload of our minds into a computer network - the story explores the even more frightening possibility of some bodiless mind getting downloaded on our bodies without our consent.
Hay algunos cuentos excelentes y otros que no me convencieron tanto. A pesar de eso la sección de no ficción hace que tire para arriba y quedé con 4 puntos.
This was a strange read. On one hand the lucid prose and rich characterisation pulled me hard into the story. On the other hand, the metaphysics and physics gave me vertigo. Eventually it was the revolutionary heart of the tale that forced me through everything, to a suitably open conclusion. Very good story. Definitely recommended.
The Island of Misfit Toys: Obviously reading this in May somewhat distracts from the subject matter but I still enjoyed it. 3/5 Things That Happen When You Date Your Ex’s Accidentally Restored Backup from Before the Divorce: I thought the premise was super intriguing but the ending was a bit disappointing – felt that the ball was dropped in the last couple of paragraphs. 4/5 The Last Days of Old Night: This was okay – some really intriguing bits, but I didn't feel that it added up to enough for me. 3/5 Conversations in the Dark: Not my cup of tea. 2/5 No Way Back: This one was kinda cool. 3/5 Forward Momentum and a Parallel Toss: This was so good! Worldbuilding so effortlessly entwined with plot, a strong impression of who the characters were and how they related to that world, just magnificent. Loved it. 5/5 Songs of Activation: Another amazing story, this time from Andy Dudak. I love the idea that poetry could turn into biohacking and this had Warhammer 40,000 vibes for me, almost. 5/5