I read most of this last year but I’m reading it again this year.
It’s the kind of book where it’s best to read two or three paragraphs each day as you follow the decans round the sky on what Tarot lovers call a decan walk.
I imagine anyone interested in this book already knows what a decan is but in case you don’t, they are 10-degree sections of the 12 signs of the zodiac, with each sign (Aries to to Pisces) having 3 decans. Some Tarot experts associate each decan with a pip card of the Tarot, excluding the aces. In other words, every card from 2-10 of each suit can be associated with a decan.
This means you can relate each 10-day period of the astrological year with what is going on in your life and the influences manifested in the corresponding Tarot card. Last year I did this with Susan Chang’s book and four decks from my collection. This year I’m using M.M. Melleen’s latest deck, which is called The Telos of 777.
The deck sounds very arcane and it is. It’s full of Qabalistic correspondences and the art was created during the astrological time corresponding to each of the relevant decans.
Susan Chang’s book also follows the traditional path of the decans starting with the spring equinox when the sun enters Aries, which corresponds to the two of wands.
Her ideas combine well with those of M.M. Meleen’s. They have collaborated on a book and a podcast together, which I’ve also read and listened to. I’ve also collected all of M.M. Meleen’s decks and books since her first one, The Rosetta Tarot with its accompanying Book of Seshet, so I’m very familiar with her work.
Susan is a lot more voluble than Mel, who tends to be somewhat modest and retiring. Mel’s decks are deeply researched and reflect years of meditation and introspection. Susan is more effusive and spontaneous, although I believe she was an introspective child, and her volubility is very much in evidence in her book.
If I’d reviewed it last year I probably would have rated it less favourably. Each section starts well but she never knows when to stop. I’ve found the book is more accessible if I stop for her because my brain starts to fog over after about three paragraphs.
Luckily, the text is broken up with sub-headings every few paragraphs, so this is very manageable. Also, I’ve developed a habit of incremental reading with most Tarot and astrology books over the years because these disciplines seems to attract people who can talk the hind leg off a donkey.
As there are 36 decans in the year and each lasts approximately 10 days, reading three paragraphs a day works pretty well throughout the year.
This gives you time to write in your journal about the themes Susan mentions in the book. It’s a very good way of getting to know a new deck and to reflect on what is going on in your life.
In case you’re wondering why the aces and major arcana are left out, well, they’re not. They’re included as well but they have a more over-arching influence in this scheme, so they pop up more than once in the appropriate places.
One of the strengths of this book is the illustrations. All the relevant cards are depicted at the start of each section but there are also many illustrations within each section, homing in on details and correspondences within the cards and depicting illustrations from other sources.
Another thing I really like is that Susan finishes each section with a poem or literary fragment that captures the overall theme of the decan. These are very well chosen and worth reading for their own sake.
If you’re interested in Tarot cards, this is a very good time to start reading this book (I am writing this on 28th March 2025) because we’ve just had the spring equinox and are about to enter the second decan, which represents new growth.
If you’re living in or near London, you’re also just in time to catch the last days of the free Tarot exhibition at the Warburg Institute in Woburn Square, which ends on 30th April. Some rare and historic decks can be seen there. I haven’t been yet but I’ve reserved a time slot.
The exhibition alerted me to Italo Calvino’s The Castle of Crossed Destinies, which I’m also reading incrementally. I hope to finish it just as I arrive there, which would be a kind of poetic finish to that book.