The fourth anthology in this annual series continues Catapult's landmark publishing partnership with PEN America and features the best debut short fiction published in the US and Canada each year. PEN America will award the PEN/Robert J. Dau Short Story Prize for Emerging Writers prize of $2000 to 12 writers, and Catapult will publish the dozen stories in a gorgeously designed anthology. Each yearly anthology's winners are selected by three high-profile judges; stories for the 2019 edition will be chosen by Tracy O'Neill (The Hopeful), Nafissa Thompson Spires (Heads of the Colored People), and Deb Olin Unferth (Wait Till You See Me Dance, I, Parrot, and more) Unique among comparative titles, each story in the PEN anthology is framed by an introduction by the publication's editor explaining why they nominated the story for the prize, giving writers who aspire to be published insight into the editors' thought processes. The first three volumes received well-deserved critical praise, feature coverage in major media like WNYC's All of It, and stories from the anthologies were featured in Levar Burton Reads, Electric Literature, and The Rumpus The PEN America/Catapult anthology is aspirational and inspirational for anyone working hard to be a writer, and a rare opportunity for debut short fiction writers to reach a wider audience; it appeals to MFA students, aspiring writers, and other lovers of literary fiction. This anthology is not only a bold endorsement of fresh, raw, and risky new voices, but also a thoughtfully selected, deliberately arranged compendium for those wanting to know what's next in the literary world. The support network, awareness of, and enthusiasm for this book continues to grow each year; the support 2020 authors, journals, and editors will only extrapolate the existing base of 2017-2019 contributors Prior editions of this anthology have launched at the nonprofit bookstore Housing Works, which has lead to multiple contributors meeting agents and securing debut book deals
Best Debut Short Stories 2020 is the essential annual guide to the newest voices in short fiction. The stories selected represent the most recent winners of the PEN/Robert J. Dau Short Story Prize for Emerging Writers, selected this year by Tracy O’Neill, Nafissa Thompson-Spires, and Deb Olin Unferth. Each piece comes with an intro by its original editors, whose commentaries provide valuable insight into what magazines are looking for in their submissions, and showcase the vital work they do to nurture literature’s newest voices.
The PEN America Literary Awards annually honor outstanding emerging short story writers with the "Dau Prize for Best Debut Short stories". I have been reading individual stories from past winners and was pleasantly surprised by how good the quality of writing is (given these are first time writers who are, mostly, not even writing full time). I loved reading them so much that I preordered the 2020 collection and started reading the stories as soon as it hit my Kindle.
While I liked most of the stories, the haunting quality of the prose in "The other child" and the emotionally wrenching "Cats vs Cancer" and "Failure to Thrive" have stayed with me the most. The palpable grief in "Evangelina Concepcion" shook me, and the ending of "Madam's Sister" made me catch my breath in the way only a familiarity with certain feelings do. Overall, glad to have read the collection, and will probably keep reading these collections to discover new voices.
The committee selected authors with diverse cultural backgrounds, which means there are exciting settings for some stories (South Korea, Lusaka in Zambia).
My personal highlight of the collection was "Failure to Thrive," which does not improve the life situation of the characters, but still manages to be simultaneously a shock to the emotions and realistic. The concluding scene is fantastic -- gross but familiar, shaming and liberating.
There are some stories where I struggled to follow the technical aspects of what was happening -- and in a brief short story collection, I wasn't interested in rereading again to figure it out. Definitely a minor qualm though.
A unified and harmonious collection. Unlike many short story anthologies I have tried to read, nearly all stories in this collection felt in sync. Story endings that did not slam shut, but rather left room to breathe for the reader. Characters were more gray than anything else, more true to life and messy in their contradictions. Looking forward to the next Dau collection!
I loved this collection of short stories. It's hard to believe these are all debut stories written by new writers. The introduction to each story, usually written by the editor of the magazine who published the story, were particularly illuminating. These introductions gave me insight into the writer and how they developed their work to bring it up to such excellent quality. All of the stories were wonderful, inviting me into worlds as varied as - young men "rescuing" their mother, grief, cancer and cats, Zambia, young archeologist parents, and orphaned half-brothers. Beautifully drawn characters in vivid situations. I especially enjoyed Evangelina Conception by Ani Cooney, Cats VS Cancer by Valerie Hegarty, Failure to Thrive by Willa C. Richards, Bat Outta Hell by Damitri Martinez, Madam's Sister by Mbozi Haimbe, The Other Child by David Kelly Lawrence, The Water Tower and the Turtle by Kikuko Tsumura, and the Good Good Men by Shannon Sanders. Actually that's almost all of the stories so I might as well say, they were all great. I'm going to find the previous years' Best Debut Stories next.
i liked that there was more variety and roughness to these; less issues with content and more with mechanical things like pacing, way too much summary over scene, flatly expository dialogue, telling, filtering (e.g., she noticed, he remembered), etc
i also liked reading the editor intros to each story, interesting to see what stood-out to xyz editor
that said, none of these struck me as creatively sharp, memorable, or strong case for short (!) story format
curious to see if 2021 - 2024 collections are better
While it's a superb collection of debut stories with excellent writing skills focusing on relationship and emotional nuances, there is little in terms of the "story". Even in a short story, I expect a plot and something to happen. However, that is missing from most of the stories. It's a beautiful read if you want to read about the depth and complexities of human feelings and emotions but not for entertainment or for a good story.
No rating because I started reading this in January, put it down, picked it up in June, put it down, and finally finished it now. Which is to say I remember almost none of the early stories and didn’t find anything particularly compelling about the last ones but didn’t want to have this sitting around for another year.
Another excellent anthology from Pen/America and Catapult. This year’s judges, Tracy O’Neill, Nafissa Thompson-Spires, and Deb Olin Unferth, have selected some brilliant debut stories. This is my favorite annual anthology, always bringing out surprising and finely crafted fiction.