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Творения
Томът включва:
Менеси
Стихотворения
Поеми
Драматургични произведения
Свръхповести
Проза
Статии, възвания, утопии
Дъските на Съдбата
Бележници, писма
Менеси
Стихотворения
Поеми
Драматургични произведения
Свръхповести
Проза
Статии, възвания, утопии
Дъските на Съдбата
Бележници, писма
708 pages, Paperback
Published January 1, 2020
22 people want to read
About the author
Velimir Khlebnikov
108 books65 followersVelimir Khlebnikov (Russian: Велимир Хлебников; first name also spelled Velemir; last name also spelled Chlebnikov, Hlebnikov, Xlebnikov), pseudonym of Viktor Vladimirovich Khlebnikov was a central part of the Russian Futurist movement, but his work and influence stretch far beyond it.
Khlebnikov belonged to the most significant Russian Futurist group Hylaea (along with Vladimir Mayakovsky, Aleksei Kruchenykh, David Burliuk, and Benedikt Livshits), but had already written many significant poems before the Futurist movement in Russia had taken shape. Among his contemporaries, he was regarded as "a poet's poet" (Mayakovsky referred to him as a "poet for producers") and a maverick genius.
Khlebnikov is known for poems such as "Incantation by Laughter", "Bobeobi Sang The Lips", “The Grasshopper” (all 1908-9), “Snake Train” (1910), the prologue to the Futurist opera Victory over the Sun (1913), dramatic works such as “Death’s Mistake” (1915), prose works “Ka” (1915), and the so-called ‘super-tale’ (сверхповесть) “Zangezi”, a sort of ecstatic drama written partly in invented languages of gods and birds.
Khlebnikov's book Zangezi (1922).
In his work, Khlebnikov experimented with the Russian language, drawing upon its roots to invent huge numbers of neologisms, and finding significance in the shapes and sounds of individual letters of the Cyrillic alphabet. Along with Kruchenykh, he originated zaum.
He wrote futurological essays about such things as the possible evolution of mass communication ("The Radio of the Future") and transportation and housing ("Ourselves and Our Buildings"). He described a world in which people live and travel about in mobile glass cubicles that can attach themselves to skyscraper-like frameworks, and in which all human knowledge can be disseminated to the world by radio and displayed automatically on giant book-like displays at streetcorners.
In his last years, Khlebnikov became fascinated by Slavic mythology and Pythagorean numerology, and drew up long "Tables of Destiny" decomposing historical intervals and dates into functions of the numbers 2 and 3.
Khlebnikov died of paralysis while a guest in the house of his friend Pyotr Miturich near Kresttsy.
Khlebnikov belonged to the most significant Russian Futurist group Hylaea (along with Vladimir Mayakovsky, Aleksei Kruchenykh, David Burliuk, and Benedikt Livshits), but had already written many significant poems before the Futurist movement in Russia had taken shape. Among his contemporaries, he was regarded as "a poet's poet" (Mayakovsky referred to him as a "poet for producers") and a maverick genius.
Khlebnikov is known for poems such as "Incantation by Laughter", "Bobeobi Sang The Lips", “The Grasshopper” (all 1908-9), “Snake Train” (1910), the prologue to the Futurist opera Victory over the Sun (1913), dramatic works such as “Death’s Mistake” (1915), prose works “Ka” (1915), and the so-called ‘super-tale’ (сверхповесть) “Zangezi”, a sort of ecstatic drama written partly in invented languages of gods and birds.
Khlebnikov's book Zangezi (1922).
In his work, Khlebnikov experimented with the Russian language, drawing upon its roots to invent huge numbers of neologisms, and finding significance in the shapes and sounds of individual letters of the Cyrillic alphabet. Along with Kruchenykh, he originated zaum.
He wrote futurological essays about such things as the possible evolution of mass communication ("The Radio of the Future") and transportation and housing ("Ourselves and Our Buildings"). He described a world in which people live and travel about in mobile glass cubicles that can attach themselves to skyscraper-like frameworks, and in which all human knowledge can be disseminated to the world by radio and displayed automatically on giant book-like displays at streetcorners.
In his last years, Khlebnikov became fascinated by Slavic mythology and Pythagorean numerology, and drew up long "Tables of Destiny" decomposing historical intervals and dates into functions of the numbers 2 and 3.
Khlebnikov died of paralysis while a guest in the house of his friend Pyotr Miturich near Kresttsy.
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Displaying 1 of 1 review
August 24, 2020
Хороший поэт, слишком глубоко ударившийся в метафизику и нумерологию. Несомненно не зря, так как это занимательным образом повлияло на его творчество.
Отдельная рекомендация по изданию. Книга очень хорошая, содержит не только стихотворения, но и прозу, драматические произведения и философские рассуждения автора, сопровожденные множеством фотографий и рисунков.
Отдельная рекомендация по изданию. Книга очень хорошая, содержит не только стихотворения, но и прозу, драматические произведения и философские рассуждения автора, сопровожденные множеством фотографий и рисунков.
Displaying 1 of 1 review