For the last couple of years, Baldacci has been producing two books a year, and focusing most of his attention on his series characters of Amos Decker (Memory Man), Will Robie, and John Puller. However, back in 2019, Baldacci introduced a new character – World War II veteran Aloysius Archer – in “One Good Deed” and opened readers up to a different historical era, that of post-war, 1949. I greatly enjoyed reading that change of pace set in the past, as well as Archer’s chivalrous character. Now, Baldacci has brought Archer back for his second outing – “A Gambling Man” and continuing his historical adventures into 1950.
The book starts off with Archer, having left Poca City in his rearview mirror, making his way to California where he hopes to get a fresh start and start a new career. Thanks to his relationship with Detective Irving Shaw, Archer hopes to apprentice with Willie Dash, a former FBI agent and a successful private eye.
On the way there, Archer gets off of the bus in Reno, Nevada, and the craziness begins. There he meets Liberty Callahan, a musical performer and actress, working her way to Hollywood. She leads him into a gambling win that adds to his stash, and a run-in with an older man ends up with Archer driving an extremely rare 1939 French Delahaye convertible. Getting himself out of Reno is not easy, and with Liberty as a traveling companion, they both hope for the best that California can offer.
Upon arriving in the Southern coastal city of Baytown, Archer lands a job working for PI Dash as his apprentice, and on his first day they have a case thrown their way. Douglas Kemper, running for Mayor, has received a blackmail letter, threatening to expose an affair between him and Ruby Fraser, a young singer at the local adult club, Midnight Moods. Kemper insists there is no relationship and has no idea who could be coming after him, other than backers of his political opponent.
Dash and Archer take the case and begin their investigation. They meet with Ruby and interview Kemper’s wife, whose father, Sawyer Armstrong, runs all of the major business in the city. Sawyer owns the key businesses in Baytown, including Midnight Moods, where Liberty is trying out as a fulltime singer. He controls the real estate, prostitution, gambling, and coastal sipping. And to make matters worse, Sawyer doesn’t like people talking with his daughter and sicks his two goons on Archer to let him know who’s running things.
Then the investigation foes from political to deadly when someone is murdered and the stakes raised. Before he knows it, Archer finds himself in the middle of family issues, small town corruption, and deadly secrets that could very well cost him his life before his new career even gets started…
There are a several good things to like about this book and Aloysius Archer. The first is Baldacci throwing himself into a historical time piece. It’s his own ode to Mickey Spillane and Dashel Hammett. The early 1950’s is far from today’s world full of technology, tools, and devices. It requires a strong ability to not only describe things like dress styles and transportation vehicles, but also truly understand the proper political and social norms, and enough details from post-World War II to provide the depth and quality needed to portray the true historical context. For example, Baldacci uses the social and legal inequality between men and women in that time period to propel and strengthen his story. My only criticism is that it seems every character in the book smokes constantly. I understand that smoking was a widespread social custom, but seriously, not every single person was a rabid smoker.
Archer’s first book did a great job of introducing him and establishing his background. The problem was that it raised the bar and expectations for a second book. However, the good news is that this was almost as enjoyable a read as the first one. For the most part, Baldacci maintained the high level of quality throughout Archer’s second outing. His almost effortless, rhythmic writing style was there, stronger than ever. He connects his plot, characters, and style together like the lyrics of a good Eagles hit song that you just sing along with and get lost in the music. His books are a smooth and fluid read. There are no disruptions or hiccups in the flow of words. His language is descriptive, but focused on moving the story forward with mystery driven elements, action sequences and, moments of discovery along the way.
Baldacci knows his characters and he shares them with us on an intimate level. As Archer works his way through the clues and deals with the obstacles thrown his way, important information is revealed step by step, like peeling away the layers of an onion. For an author that produces two books a year, Baldacci shows that he hasn’t lost his ability to create intricate plotting, character depth, and pacing.
Overall, “A Gambling Man” is an enjoyable journey back in time when things were different and America was recovering and rebuilding following the devastation of World War II. For me, I consider this some of his most enjoyable work, reflecting fast-paced plotting, vigorous elements of mystery, and strong multi-dimensional characters you can appreciate. I am definitely interested in reading more Archer gumshoe adventures. Something tells me Baldacci feels the same way…