Van Meter's debut novel, which an afterward makes clear is largely autobiographical, is one I initially was resistant to, since I tend to prefer straight-forward, plot heavy novels with clear, chronological time lines - and this was the exact opposite. But dang if it didn't eventually win me over, and I appreciated the craft that went into the gorgeous, shimmering, evocative prose, and the lyrical, dream-like quality of the writing. It also tackles some fairly heavy themes: addiction, abandonment, betrayal, redemption and forgiveness - but never gets heavy-handed, or preachy.
The elliptical structure is perfect for the material, and if the reader is not always clear about where one is in time, or what has or hasn't happened, or how characters relate (I was annoyed that a semi-major character, 'Tommy', is just popped into the narrative without explanation, and who he is, is not explicated till almost the end - but then when the penny drops at just the right time, one sees how beautifully Van Meter has control of her material) - it all eventually makes a quirky kind of sense.
Each character is carefully delineated - and if I could not personally relate to a lot of their lives (most suffer from some form of addiction), I could empathize and ultimately care about most of them. The setting becomes as much a character as any of the human ones, and I had to Google to see if Winter Island in Southern California was an actual place (...turns out there is no Winter Is. down south - it seems to be vaguely based on one of the Channel Is. - but surprisingly there IS one up north in Contra Costa County - where I have lived most of my life, but had never heard about!).
There are scenes in the book that are truly memorable, not least the beautifully rendered final chapter, and I will be eager to see what Van Meter writes in future.
My sincere thanks to Algonquin Books for the review copy, in exchange for this honest and enthusiastic review.