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Le Nu impossible
The undraped human form is ubiquitous in Western art and even appears in the art of India and Japan. Only in China, François Jullien argues, is the nude completely absent. In this enthralling extended essay, he explores the different conceptions of the human body that underlie this provocative disparity.
Contrasting nakedness (which implies a diminished state) with nudity (which represents a complete presence), Jullien explores the traditional European vision of the nude as a fixed point of fusion where form joins truth. He then shows that the absence of the nude in Chinese art evinces an understanding of the human body as changeable and transitory. Viewed in light of each other, these differing concepts allow for a new way of thinking about form, the ideal, and beauty, enabling us to delve deeper into the relationship between art and the ideas that lie at its roots. Beautifully illustrated and gracefully translated into English for the first time, The Impossible Nude will fascinate anyone interested in art history, Chinese art, or aesthetics.
Contrasting nakedness (which implies a diminished state) with nudity (which represents a complete presence), Jullien explores the traditional European vision of the nude as a fixed point of fusion where form joins truth. He then shows that the absence of the nude in Chinese art evinces an understanding of the human body as changeable and transitory. Viewed in light of each other, these differing concepts allow for a new way of thinking about form, the ideal, and beauty, enabling us to delve deeper into the relationship between art and the ideas that lie at its roots. Beautifully illustrated and gracefully translated into English for the first time, The Impossible Nude will fascinate anyone interested in art history, Chinese art, or aesthetics.
121 pages, Kindle Edition
Published June 25, 2018
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23 people want to read
About the author
François Jullien
176 books112 followersFrançois Jullien, né en 1951 à Embrun (Hautes-Alpes), est un philosophe, helléniste et sinologue français. Ancien élève de l’École normale supérieure et agrégé de l’université (1974), François Jullien a ensuite étudié la langue et la pensée chinoises à l'université de Pékin et à l'université de Shanghai (1975–1977). Il a été ensuite responsable de l'antenne française de sinologie à Hong-Kong (1978–1981), puis pensionnaire de la Maison franco-japonaise à Tokyo (1985–1987).
Il a été successivement président de l'Association française des études chinoises (de 1988 à 1990), directeur de l'UFR Asie orientale de l'université Paris-Diderot (1990–2000), président du Collège international de philosophie (1995–1998), professeur à l'université Paris-Diderot et directeur de l'Institut de la pensée contemporaine ainsi que du centre Marcel-Granet.
Il a été successivement président de l'Association française des études chinoises (de 1988 à 1990), directeur de l'UFR Asie orientale de l'université Paris-Diderot (1990–2000), président du Collège international de philosophie (1995–1998), professeur à l'université Paris-Diderot et directeur de l'Institut de la pensée contemporaine ainsi que du centre Marcel-Granet.
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