(4.5 stars) I've been doing lots of escape reading lately and have had my fill for the moment of romance, so I needed a palate cleanser. Funny that I should choose this book, because lemon sorbet it definitely is not. There's gruesome murder, blood and gore, and hints of Jack the Ripper in the background in this historical novel set in 1890 London. This read is not for the squeamish or the faint of heart.
The strange thing about me, though, is that I've always had a fascination with Jack the Ripper and other deviant psychopathic killers. I can watch shows like Criminal Minds or Silence of the Lambs, even while I dislike excessive violence or blood in movies with "normal" characters. Not sure what that says about me, but that's not exactly to the point of this review.
The point is that I was tired of romances and, strangely enough, Kerrigan Byrne writes the type of historical romances that I am tired of. Although I found her debut HR some years ago to be well written if a bit dramatic, her subsequent HRs have been too overwritten and overblown for me, with emphasis on lusty interaction between H and h and unconvincing love at the end.
No worries about that with this one, the first of three in a planned Fiona Maloney trilogy. There are hints of possible future romance for Fiona but there are several men in the running, from her childhood sweetheart and ex-fiance, who gave her up to become a priest, to a cynical police inspector, to a crimelord, to that crimelord's cold-blooded paid assassin. As you read, you will think any one of them could eventually be the One. If those last two don't sound like possible hero material, keep in mind that Kerrigan Byrne favors very bad boys as her heroes. One in particular, in her second HR, was an assassin hired to kill the heroine, so, yeah, there is that.
But this book is different. The focus is not romance. This is a character-driven story and mystery, with numerous well-drawn characters. The heroine, Fiona, had come from Ireland to England after family tragedy. She's alone in the world, except for her somewhat other-worldly Aunt Nola, and her friend and ex-fiance, Father Aidan Fitzpatrick.
Life hasn't been easy for her, and, not wanting to turn to the life of a prostitute, she has set up a business as Post Mortem Sanitation Specialist, cleaning up crime scenes, bloody and gory as they sometimes are. Like when her dear friend Mary Kelly, who had succumbed to life as a prostitute out of desperation when she also moved to England, in Whitechapel, to be exact, was brutally murdered and mutilated by Jack the Ripper two years earlier.
Fiona is doing well in her crime scene cleanup business. Well enough to have purchased a home for herself and Aunt Nola in a respectable neighborhood, where Oscar Wilde is a next door neighbor and friend. But Fiona lives for revenge. She has vowed to find The Ripper and retaliate for what he did to her dear friend Mary. Fiona is also a very conflicted woman, involved in a less than legal side business with that crimelord mentioned earlier.
As the book begins, Fiona is called to a crime scene for her cleanup services. The murder is brutal and gory, the victim hanged upside down and eviscerated. Is Jack back, wth a slight variation to his murder method and choice of victim? Ah, well, now it's time to settle back and settle in to the story. There will be more murder victims and moments when Fiona fears for her life.
The plot has great momentum and much more intricacy than Byrne's usual HRs. Secondary and tertiary characters are all very well drawn. EVen the victims will not just be bodies placed into the story for sensationalism. And all Fiona's friends and acquaintances are distinct personalities, from the two main policemen, to the coroner, to Father Aidan, to crimelord Jorah Roth aka The Hammer, to assassin Aramis Night Horse aka The Blade, to Aunt Nola and more I can't remember at the moment.
I was impressed by the story. It's not, as you might be thinking, all blood and gore and entrails and sensationalism. There are many thoughtful conversations and internal ponderings along the way. Fiona's interactions with Oscar Wilde are charming, her conversation with Night Horse about genocide and suppression of a people as evidenced by similarities between treatment of the Irish and the Native Americans was one of the best moments of the book. Then there are ponderings about religion, belief systems, God, revenge. This book was much better than I had expected it to be, with much more depth than any other book by Bryne I've read.
And there are two more books to come. We still have to continue developing that possible romance with the contenders mentioned at the beginning of my review, and, although this first book had its conclusion and its murderer brought to justice, there are still gruesome murders to come and the tease of Jack the Ripper.