There's really not much to say about this book, but there's also so much to say about it. If you're not a Kevin Smith fan, this coffee table tome will be of exactly zero interest to you; if, however, you love "Clerks," "Dogma," Jay and Silent Bob, SModcast, etc., then you won't be able to get enough of it.
When the '90s wave of independent cinema hit with Richard Linklater, Robert Rodriguez, and of course Quentin Tarantino (among others), it seemed that Kevin Smith came out of nowhere -- and with good reason. Because he DID come out of nowhere. An actual clerk from New Jersey who dropped out just less than halfway through film school in Vancouver (so that he could get part of his money back), Smith got together with his friends from home and from film school, scrounged up about $28,000 in credit cards, and shot a black-and-white classic that was joyfully vulgar and unashamedly niche. Since then, he's tried his hand at comic books, public speaking, podcasts, and naturally more movies: mostly comedy, but with an action movie and couple of horror flicks thrown in there too.
His work and his worldview can never be considered to be a universal taste, but the sheer number of actors who have appeared in his movies, both in regular roles and in cameos, would seem to indicate that his projects speak to a wide array of Hollywood types, possibly because of their self-referential and often satirical treatment of how the entertainment world works. Along the way he's also picked up a decent following of regular folks too (like me); even his flops, such as "Mallrats" and "Jersey Girl," have found a following on video.
His movies aside, if you've ever seen the series of films documenting Smith's speaking engagements on college campuses ("An Evening with Kevin Smith," "An Evening with Kevin Smith 2: Evening Harder," and "Kevin Smith: Sold Out - A Threevening with Kevin Smith"), you know the man is a born storyteller. A raconteur of the highest level, he can spin fascinating yarns from what would otherwise be fairly humdrum occurrences... though admittedly, when his stories are peppered with personal experiences with some of the biggest names in Hollywood, it tends to command a little more attention.
Smith's storytelling is in grand form here. He relates his own tale, from the early days before he ever imagined writing a screenplay, up through "Jay and Silent Bob Reboot" and "Yoga Hosers" (it stops short of last year's release of "Clerks III"), and he pulls no punches. He's self-deprecating much of the time, and for the most part he's admiring of the people he's worked with (there's one glaring exception, but I won't name that person here). If there's a chapter in Kevin Smith's life that isn't covered in this book, I don't know what it is. In fact, I suspect his wife took some time getting used to him airing the gory details of their relationship vocally and in print.
As an added bonus to fans like myself, the book features plenty of sidebars in which the various people in Smith's life talk about their opinions on him and his work. Even cooler, there are replica artifacts inserted with extreme frequency -- everything from a reproduction of his handwritten application to the Vancouver Film School (which for some reason the late-teens Kevin thought was in Vermont), to a box that purportedly would have held a serving of french fries from the fictional Mooby's restaurant chain.
I initially checked this book out from the library where I work, but in the midst of the chapter about his second movie I realized I would need to purchase my own copy. Once that book was in my hands, I took a small break while I finished another book I had started in the meantime, then steadily devoured every remaining word in the book. Now it sits on the shelf, within easy reach because I know I'll be referring back to it as I revisit Smith's movies.