Oh my goodness. WOW.
This book was INCREDIBLE. And if you've read any of my other book reviews, you know I don't go around blowing smoke. I'm a harsh reader. It takes a really incredible book for me to want to gush about it the way I want to gush about this book.
First of all, let's take a second to swoon over that beautiful cover.
That dress! That embrace! The handsome male lead and the ephemerally beautiful female lead, with her dark wavy locks flowing behind her. So pretty! And the glossy gold font! I received this book in ebook format as an arc for a blog tour through Silver Dagger. So, I have the digital book already. I still need to get my hands on a paperback or hardcover copy. It's so beautiful and would look gorgeous on my romance bookshelf <3
Angela J. Ford legit took everything wonderful about Andrew Lloyd Weber's musical and added smut, magic, and monsters, and yes, I am here AF for it!
The book manages to capture the exact tone and atmosphere of the beloved musical, infusing every scene with the essence of it, yet the book is truly transformative and stands on its own as something new and special.
What really sets the darkly sensual tone of this book is the writing style. Ford's writing style is so gorgeous. It's like a cozy blanket, like a dark fog rolling over the mists to wrap you up in midnight decadence. She brings this lush world to life. It's one of those books I just wanted to live inside of. I wanted to spend forever with Uriah and Aria, watching her learn to sing in a haunted tower in the dead of night. It's the epitome of gothic romance, both creepy and seductive. Ford has a way with words that crafts an atmosphere that will give you tingles and shivers. This is gothic romance done so right.
Then there was the romance and sex scenes. Gah! So soooo good!
A romance needs a great first kiss scene, but not every romance novel pulls it off. Ford pulls it off so well. We can feel the sexual tension, the longing, the emotion flowing between the two of them. It was so masterfully done and gave me all the feels!
Then there were the sex scenes. You know, I always said Phantom of the Opera would be better if there were actual sex scenes in it. Because Phantom of the Opera makes women horny. I don't know why women are so weird. Men just need to see a person they find hot and they're ready to go. Women, however, we need a whole tragic backstory, a phantom, a labyrinth, a full musical score! So Andrew Lloyd Weber went and gave us all that, but no sex scenes.
Well, Angela J. Ford went and took care of that. We now have all the mystery and gothic atmosphere, but with smut! That's exactly the POTO-inspired fantasy I needed in my life.
And these sex scenes are HOT.
What really makes or breaks a sex scene is the dialogue. The words the characters say to each other adds a whole other level of emotion and fizzling chemistry. The dialogue in 'Music of the Night' is so perfect, so heart-wrenchingly romantic and steamy all at once.
Here is my favorite line from a sexy scene: "Uriah," she whispered, breathless. "I'm going to save you."
Aria says this in a scene where SHE takes the lead (so you know that scene was already one of my favorites). She pushes him down onto the bed and rips his clothes off, all while Uriah is super turned on by how bold and confident she is, taking charge in the bedroom. Then she looks down at him, as they're both naked and she's about to mount him and says 'Uriah, I'm going to save you.'
AH! Literally just....my goodness, that line did it for me.
She's talking about saving him from the magic that keeps him bound to the tower, where he has to play music to keep the monsters of High Tower at bay. She's talking about saving him from his dark past and his own pain.
All of that context and the heightened, erotic emotions of the scene, it all just REALLY worked for me. I found it so sexy, so sweet, so romantic. That has got to be my favorite line of sexy dialogue from the whole book.
But every sex scene is full of amazing dialogue like this. It increases the fizzling sexual tension and the emotion. For me, I can't be turned on by sex scenes in a book unless I can feel the love and emotion between the characters. That was never a problem with this book. I could feel the deep river of emotion flowing between these two characters with every page.
Lastly, I want to rave about the monsters in this book. The addition of monsters brought the gothic vibe up to a whole other level. The monsters were incredibly creepy. Each time they are described, it gave me such a visceral reaction, such shivers.
Now, I do have a few criticisms of the story. I still absolutely adored the book, but no book is perfect and after all that raving, I think I need to point out a couple of the book's problems.
Uriah's character was not developed in a satisfying way that made sense. While the chemistry and romance between Uriah and Aria was beautiful and deeply romantic, Uriah as a character never came to life for me in the way that I need a romance hero to come to life. We never get a real sense of who he is or what drives him.
Yes, we know that he wants to free High Tower from the monsters and defeat his enemy (who his enemy is, I will keep secret, as that's a major spoiler). But WHY is it important to him to save High Tower? Is he an altruistic person?
Well, but then late in the book, as he explains more of his backstory to Aria, we learn that he did some truly horrible things that led to him ending up in High Tower. So is he actually an evil person? We're told that he did those horrible things because the power and magic went to his head. So...he's a cocky and arrogant person? He's a cruel person? Or he WAS those things and he has changed? None of it is ever really explained.
A good deal of the time, it felt like Uriah was simply a mish-mash of traits used to drive the plot forward. If he underwent some massive transformation that led him to realize his past actions were wrong, we should have some sense of that.
Even without the backstory bit, we never get a sense of WHY he wants to save High Tower. It seems that would come from a place of altruism. Yet, he is willing to trick Aria into a contract that could drive her mad or end her life. He feels somewhat conflicted about this, but it wasn't explored enough for me to really understand him.
Most of the time, Uriah felt like a talking plot device.
One example of Uriah's motivations not making sense is the "meet cute" between him and Aria. They first meet when Aria decides to find the source of the lovely music that comes from the abandoned-supposedly haunted-tower. She enters the tower and Uriah rushes out of the darkness to grab her, clamp a hand over her mouth, push her up against a wall, and say, "If you promise not to scream, I will release you."
But like...WHY does he care if she screams? He's up in this abandoned tower already being loud AF with his music. Everybody can hear him. Who is he worried about hearing her scream? What was the point of saying that? What would happen if she did scream? The people of High Tower already won't go near the place and he's magic.
To be honest, I think this part was added simply for the sexual tension. I think the author wanted to have their first scene be a highly erotically-charged scene, with Uriah being all dominant, grabbing her and pushing her up against a wall. But you can't just have characters do things for plot reasons. If their actions and motivations don't hold up to scrutiny, then the characters never really come to life. They never feel real. what would have made this book better for me is if Uriah had actually felt real, not this ever-changing character that we never come to understand.
Then there is a major plot hole with Count Zurik. Aria originally comes to High Tower after her father dies and she finds herself homeless and destitute. She writes to her distant relative Count Zurik and he rescues her, bringing her to High Tower to dance (and eventually sing) in his theater. But (without giving any major spoilers) there is a plot twist at the end, where some interesting backstory elements of Count Zurik are explained. After we learn where Count Zurik came from and his true motivations for bringing hopeless people to his theater, we realize there is no way Aria could have known about his existence. This plot hole could have been easily fixed by taking out the part where Aria writes to him. The author could have had all the same plot beats, with Aria becoming destitute, but then Count Zurik shows up, introduces himself and saves her. As the book is, Aria writing to him does not make sense.
Despite the few issues I had with the book, I still loved it. Every book can be improved upon, but this was a book that I couldn't put down. I can't wait to get my hands on a physical copy of the book.
A resounding 5 stars!