Thank you to Simon & Schuster Children's Publishing/Aladdin and NetGalley for providing this eARC in exchange for an honest review. This book will release September 28, 2021.
"Here's my secret message to you guys: fantasy is not the opposite of truth."
I'm back to doing reviews (even though I haven't finished this round of polishing my manuscript yet) because there are more books coming out this fall that I couldn't resist and want to spread the word about!
All the complex elements of Violets Are Blue are blended together with care by the author, Barbara Dee, and as expertly as I imagine Cat FX, our protagonist Wren's favorite YouTuber, would do it. Wren is a makeup aficionado and daughter of an ER nurse, who has recently moved to a new town. While things start looking up for her, things are falling apart for her mother, which culminates in a discovery that I think most readers will see coming, but is no less devastating for it. We're going to get to that, I promise.
First, though, we have to talk about makeup, because it's going to provide a perfect base to build on for the rest of the review.
Have I mentioned lately how much I adore the incredibly niche interests that middle grade protagonists have? Probably, but I'm going to say it again, because one of the things that drew me to requesting this book (aside from the beautiful cover, which showcases this) is the fact that Wren is an aspiring special effects makeup artist. It's such a unique hobby, and Wren's passion for it is clearly displayed in the description of every technique and pigment that she or Cat FX uses.
Makeup also provides a source of tension in the novel: her mother becomes concerned that she is using it as a way to isolate herself socially—which is a whole other complicated issue that the book deals with—and many of the makeup products that Wren uses over the course of the story were high-end items bought for her by her dad's new wife and which Wren feels like she needs to keep hidden from her mother. Wren ends up finding a way to make her hobby part of her social life by volunteering to do makeup for her school's stage production of Wicked. More importantly, though, by illustrating that Wren hides makeup bought by her stepmom, the author demonstrates that she cares about her mother's feelings and will do what she can to keep the peace in the house, while simultaneously beginning to hint that something is deeply wrong.
I think there is just the right balance of Wren being suspicious of her mother's actions—the constant locking of her door, erratic behavior and anger—as well as a reasonable amount of denial that anything is out of the ordinary. I don't know how much authority I can say this with, since it's been a long time since I was Wren's age and I've never had kids, but I thought her trust in her mother felt very authentic and that there was a naturally gradual progression towards her realization. The indications of what's going on with the mother are layered in really well.
Wren's other relationships throughout the story are just as messy and genuine. First, there's her dad. Although I was upset with him in the beginning because he's a major reason that the parents separated, he's actually still a good dad. He wants to stay part of Wren's life, and wants the best for her mother, and comes all the way from Brooklyn to stay with her when the worst happens. Then there's Vanessa, the dad's new wife. She wants Wren to be a part of the wedding and is actually the impetus for her interest in makeup. She continues to be supportive foster this by buying and sending products to Wren in the mail; eventually Wren comes to really like both Vanessa and her new twin stepsiblings. I truly appreciated how the author turned my expectations of these characters on their head and complicated my preconceptions of them. Her friendships are a little less emotionally turbulent but are still significant. Coming off having a very intense frenemy, Wren is justifiably concerned about fitting in and finding friends at her new school. Thankfully, she finds Poppy, a very enthusiastic girl in her class who won't let her stay in her shell. There's also Kai, who is on tech crew for the musical and asks Wren if she can do some character makeup for him, inviting her to a con. That ends up being a major factor later in the book, at a point where I thought it had been completely forgotten. The way the author handles Kai's crush on Wren—and her lack of one on him—is awkward, of course, but resolved in a way that left me feeling pretty good about their friendship.
There were a couple moments early on when I got a little confused about the timing of some events, and I didn't quite realize that I was reading flashbacks. At least, I think that the first two trips to Brooklyn were flashbacks? That's probably my fault because I was just blazing through pages without bothering to orient myself in time and space.
I do have a slightly bigger problem with the description of the book, because... that's it. That's the whole thing. It's not so much that I don't like what the last paragraph promises, because I do—it's that I felt the promise there wasn't fulfilled. Very little is devoted to Wren "starting over" in her "devastating new normal." And I want to be completely clear—I actually like that things end up somewhat up in the air for the characters and that a lot of things are left undiscussed or uncertain, like whether Wren has to move to Brooklyn and the difficult nature of her feelings toward her mother; it's just that I expected more of the plot to be focused on that, given the synopsis. But honestly, despite how much attention I've devoted to that here in this review, it doesn't really detract from the book at all for me!
Because ultimately, the author—and the narrative—have done their job perfectly, crafting a stunning book about a middle schooler living with divorce, bullying, and opioid addiction that feels real. It portrays the mother realistically and often sympathetically; she lashes out in anger, yes, but I don't really think she's villainized, and I think that's a good thing. Violets Are Blue is touching, subtly powerful, and provides a window into a situation that children do often find themselves in. Showing them that they are not to blame for not knowing, and that sometimes even adults are not aware of what's really happening, is incredibly important, and Barbara Dee accomplishes this in an exceedingly compassionate way.