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Urusei Yatsura (2-in-1) #17
Lamù: Urusei Yatsura, Vol. 17
L'uomo-coniglio Inaba decide di sostenere un esame per ottenere una promozione all'ufficio amministrativo della Destino & Co.: la prova consiste nel cogliere un fiore che cresce nel bosco dello spazio-tempo. Dato che è necessario essere accompagnati da una ragazza, Inaba sceglie come propria partner Shinobu... e, per qualche strana ragione, vengono coinvolti anche Ataru e Lamù. Un giorno, poi, si presenta al liceo Tomobiki un ragazzo vestito di nero che sostiene di essere il promesso sposo di Lamù. Alla guida di un carro trainato da maiali, la porta via con sé nell'Universo delle Tenebre: per farla tornare a casa, sulla Terra, Ataru sarà costretto... a dirle che le vuole bene! Uno speciale ultimo volume che comprende una galleria di immagini a colori.
368 pages, Paperback
Published February 3, 2021
1 person is currently reading
65 people want to read
About the author
Rumiko Takahashi
1,596 books2,157 followersRumiko Takahashi (高橋留美子) was born in Niigata, Japan. She is not only one of the richest women in Japan but also one of the top paid manga artists. She is also the most successful female comic artist in history. She has been writing manga non-stop for 31 years.
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
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Displaying 1 - 6 of 6 reviews
March 7, 2023
There are some poorly censored,edited and translated chapters in this, I was very disappointed by how this volume was handled. It is a good thing I am rating this by its content and not its translation. There were a couple of chapters I had to read the fan translations to get the correct story.
On the plus side, this volume and the series ends on an extremely high note with the last book, the second half of this volume, being one large fun story.
On the plus side, this volume and the series ends on an extremely high note with the last book, the second half of this volume, being one large fun story.
June 1, 2023
Well, here it is. The end of Urusei Yatsura. For me, this was a long journey. I bought the first manga back when Viz flipped it for a reading left to format. This was over 25 years ago and now today, I have finally finished the final volume of the series. It was entertaining and had a rather emotional ending. The series will always remain a favorite of mine and I will probably pick up the series and read specific chapters for the run of it at the drop of a hat.
June 20, 2023
It's done! And for my money Takahashi sticks the landing. The second half of this volume has the feeling of a TV show's movie event, where you get to see the stakes raised higher than they normally would, given that the characters now have 90 minutes and no commercials to do whatever. In this case it's a big space adventure about weddings and giant mushrooms and the space pigs that can eat the mushrooms. A lot of the plot beats kind of mirror the 1st UY movie, except instead of Ataru being betrothed to an alien from his childhood it's now Lum. It's nice that most of the supporting cast gets to show up and have their final moment in the spotlight before the series ends. Shame that they didn't bring everyone back (WHERE was the crow princess) but with a supporting cast this large, it makes sense.
Anyway, happy that this is now all legally available in the US, and with an updated translation to boot. Here's to an eventual rerelease/retranslation of Ranma.
Anyway, happy that this is now all legally available in the US, and with an updated translation to boot. Here's to an eventual rerelease/retranslation of Ranma.
July 1, 2024
What a hell of a climactic ending to this series. Ataru and Lum being so danged stubborn! Lots of characters get their story arcs wrapped up pretty nicely with some sort of ending. I think I'm going to miss this series, I do enjoy (most of) the cast and there were plenty of fantastic chapters. Overall I do think of this series fondly, despite its mishaps, it's a comforting series to read.
August 29, 2024
An end perhaps anti-climatic however it's a perfect send off for the main duo and their character dynamics
October 10, 2025
i can't believe it's over but it was the perfect ending for atalum 🫶🏻🥹
Displaying 1 - 6 of 6 reviews