You know that Ranma turns into a girl whenever he gets wet? And the same turns his father into a panda?
You remember that Ranma’s nemesis, Ryoga, carries an excessively heavy umbrella everywhere?
You’ve probably figured it out from those questions alone, but I didn’t see it coming. When Ryoga lost his umbrella, was rained upon, and turned into a piglet, this book got five stars. It was twenty pages in. I don’t care.
The book kicks off with the revelation that Ryoga tracked Ranma to the same haunted pools, and fell in another one, establishing the wonderful running gag that there are so many haunted body-modding pools lying around China. That also sets the tone for another delightful romp of a volume as Akane adopts the mysterious piglet and Ryoga, experiencing kindness for the first time in his life, decides to hide out in that form, while still feuding with Ranma on the side.
Don’t call it a love triangle, because every hundred pages someone else shows up and falls in love with the wrong person. A “Rhythmic Gymnast Wrestler” (whatever the hell that is) falls for Ranma and tries to fight Akane to the death for him; another girl fancies Ryoga and challenges Akane to an ice skating duel over him. That’s where the formula starts overtaking this volume, and making me wonder if my enthusiasm can last. For right now the comedy-based battles are funny, but the second time in the book when someone liked someone and so fought someone else in a contrived fashion wore on the charm.
Ranma ½ can only parody self-serious Martial Arts dramas so much before becoming as redundant as they are, and detracting from its greatest strength: emphasis on character. Ranma and Akane’s will-they/won’t-they relationship is adorable, and seeing Ryoga grow attached to the Tendo Dojo is similarly interesting. Even when someone shows up and proposes an outlandish challenge, it’s still very funny and endearing, because in anything but combat, the characters are rounded and bound to make the hilarious kind of bad decisions. Even in combat, sometimes you get a winner like a girl deciding to throw her brother at you as a form of a weapon. That’s great, but that’s hard to sustain. I can only hope Takahashi has more diversified ends of the characters in coming volumes, because I’m sure as heck going to check the library for them.