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Sweetness and Light #2
Book of Love
She’s trying to make ends meet. He’s out for a bit of fun.
Cordelia is busy, focused, worried about the future of her fledgling bookbinding business. When a handsome man stops her on the street to pester her with questions, she gives him the consideration he deserves: none.
That handsome man happens to be the Duke of Stroud, and he finds Cordelia’s hostility hilarious. He gives chase, if only for the pleasure of provoking her again.
He thinks life is a game. She doesn’t play around.
Within days of meeting Cordelia, Stroud sets a marching band on a matchmaking mama, defaces a local monument, and ropes Cordelia into a round of his favorite game.
In that same time, Cordelia stitches together the complete works of Mary Wollstonecraft, enthusiastically devotes herself to a petition demanding expanded legal rights for married women, and beats Stroud at his own game.
She defies all expectations. So does he.
Most people dismiss Stroud as a fool—himself included. When Cordelia sees past his lighthearted facade, he’s terrified and also... in love?
Stroud barges into Cordelia’s life, offering her all the material and sensual temptations she’s learned to do without. She usually has willpower to spare, but turning him down takes all of it, and then some. He’s oddly irresistible.
Or maybe they’re perfect for one another.
Cordelia is busy, focused, worried about the future of her fledgling bookbinding business. When a handsome man stops her on the street to pester her with questions, she gives him the consideration he deserves: none.
That handsome man happens to be the Duke of Stroud, and he finds Cordelia’s hostility hilarious. He gives chase, if only for the pleasure of provoking her again.
He thinks life is a game. She doesn’t play around.
Within days of meeting Cordelia, Stroud sets a marching band on a matchmaking mama, defaces a local monument, and ropes Cordelia into a round of his favorite game.
In that same time, Cordelia stitches together the complete works of Mary Wollstonecraft, enthusiastically devotes herself to a petition demanding expanded legal rights for married women, and beats Stroud at his own game.
She defies all expectations. So does he.
Most people dismiss Stroud as a fool—himself included. When Cordelia sees past his lighthearted facade, he’s terrified and also... in love?
Stroud barges into Cordelia’s life, offering her all the material and sensual temptations she’s learned to do without. She usually has willpower to spare, but turning him down takes all of it, and then some. He’s oddly irresistible.
Or maybe they’re perfect for one another.
215 pages, Kindle Edition
Published April 20, 2021
35 people are currently reading
423 people want to read
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April 26, 2021
(4.5 stars) Yes. This is what historical romance should be. Actual historical details in it and lots of love and romance, not lust and sex overwhelming the pages. The H and h of this story set in 1850s England are perfect for each other, although they don't (or at least she doesn't) realize it at first.
Remember that cheesy line from the movie "Jerry Maguire"? Well, these two do complete each other. He's too much of a jokester and prankster, choosing not to take life seriously. (He has an underlying backstory to explain this, so don't judge.) And she is too earnest and serious. And, BTW, if I can continue with Jerry Maguire quotes or paraphrases, she does seem to have him at hello, although he doesn't sit well with her at first.
Our heroine, Cordelia Kelly, because of family issues, has left the security of her home in New Quay to start an independent bookbinding business in London. It's a struggle. A woman on her own has to fight so much prejudice. A businesswoman? She should be married with children, not running around London on her own and even working with a women's league to fight for women's equality and legal rights within marriage.
Is it any wonder Cordelia is so single-minded and serious? Life is tough. But, fortunately, she has three female friends who figure largely in this story in their supporting roles and will, no doubt, have their own moment in the spotlight in their own stories. (At least so we hope, Ms Satie.) Her friends keep her grounded and offer her support and companionship.
And then we have our hero, the Duke of Stroud. You know, the jokester and prankster. He has been convinced all his life that he is a bit of a dunce. A father who continually belittled him, a mother who deserted him and his father when he was still small. And he's big. Much larger than other children while growing up and a really impressive size now as an adult. So as not to intimidate people, he chooses to entertain them and play the fool.
Everyone sees him as a dunce and a fool. But no, not everyone. Cordelia sees through his facade at their first meeting. While he admires her serious mind and her determination and strong character, she sees his real self and his worth and his intelligence. Yep, they are made for each other. Two perfectly imperfect people who make up what I would call a perfect couple.
Along the way to the HEA of this book, the reader will learn much more about the struggle of women in the 1800s for equality and self-determination. The bits here about women's rights in marriage and the 1857 Matrimonial Causes Act don't romanticize anything. It was an imperfect law crafted imperfectly and the behind-the-scenes road to its passage was an eyeopener. And we women of the Western world may have come a long way since that time but there's still such a long way to go.
In addition to the revelatory look at the struggles to pass legislation for women's rights, Satie also delves into Cordelia's bookbinding profession. And when we get to the Book of Love Cordelia creates, it's a very lovely moment. This new Satie story is truly a Book of Love.
And not a Book of Sex. I appreciate the sexual chemistry, romantic warmth and attraction between our H and h that Satie is able to bring to the pages without that oversaturation of sex scenes that most HRs have nowadays. This is very tastefully done and very romantic.
Remember that cheesy line from the movie "Jerry Maguire"? Well, these two do complete each other. He's too much of a jokester and prankster, choosing not to take life seriously. (He has an underlying backstory to explain this, so don't judge.) And she is too earnest and serious. And, BTW, if I can continue with Jerry Maguire quotes or paraphrases, she does seem to have him at hello, although he doesn't sit well with her at first.
Our heroine, Cordelia Kelly, because of family issues, has left the security of her home in New Quay to start an independent bookbinding business in London. It's a struggle. A woman on her own has to fight so much prejudice. A businesswoman? She should be married with children, not running around London on her own and even working with a women's league to fight for women's equality and legal rights within marriage.
Is it any wonder Cordelia is so single-minded and serious? Life is tough. But, fortunately, she has three female friends who figure largely in this story in their supporting roles and will, no doubt, have their own moment in the spotlight in their own stories. (At least so we hope, Ms Satie.) Her friends keep her grounded and offer her support and companionship.
And then we have our hero, the Duke of Stroud. You know, the jokester and prankster. He has been convinced all his life that he is a bit of a dunce. A father who continually belittled him, a mother who deserted him and his father when he was still small. And he's big. Much larger than other children while growing up and a really impressive size now as an adult. So as not to intimidate people, he chooses to entertain them and play the fool.
Everyone sees him as a dunce and a fool. But no, not everyone. Cordelia sees through his facade at their first meeting. While he admires her serious mind and her determination and strong character, she sees his real self and his worth and his intelligence. Yep, they are made for each other. Two perfectly imperfect people who make up what I would call a perfect couple.
Along the way to the HEA of this book, the reader will learn much more about the struggle of women in the 1800s for equality and self-determination. The bits here about women's rights in marriage and the 1857 Matrimonial Causes Act don't romanticize anything. It was an imperfect law crafted imperfectly and the behind-the-scenes road to its passage was an eyeopener. And we women of the Western world may have come a long way since that time but there's still such a long way to go.
In addition to the revelatory look at the struggles to pass legislation for women's rights, Satie also delves into Cordelia's bookbinding profession. And when we get to the Book of Love Cordelia creates, it's a very lovely moment. This new Satie story is truly a Book of Love.
And not a Book of Sex. I appreciate the sexual chemistry, romantic warmth and attraction between our H and h that Satie is able to bring to the pages without that oversaturation of sex scenes that most HRs have nowadays. This is very tastefully done and very romantic.
March 27, 2021
The Book of Love
Every so often I encounter an historical romance that reminds me why I’m attracted to the genre. Erin Satie’s book is just such a reminder. I absolutely loved it - seldom do I use the oft- repeated review finale of “I was heartbroken that this book came to an end”, but, in this case, I can report a sad sigh when my eyes turned right for a new chapter and I was confronted with a heading of “Epilogue”.
Where to start with describing the allure of this romance? Well - at first, the “Duke” issue. Like many jaded HR readers, with decades of history as a fan of the genre (and an increasingly critical eye for same-old, same-old) I have become wary of third rate books that trade on the use of Duke after Duke, instead of supplying something halfway literate and, hopefully, more than halfway plausible.
Fortunately, the Duke of Stroud is no usual HR Duke. Instead, he squashed my cynicism by being out of the box extraordinary. To my mind, in him Satie has created a HR hero who is memorable in all the right ways. ( I don’t have to want to live with a HR hero, but I do want to believe that the heroine is right when she decides to love him.) Stroud is a giant of a man, in every way (height, musculature, generosity and loyalty) but accustomed to think of himself as a dolt, who can only attract applause because of his unrivalled talent for creating and completing amazing pranks. (No wonder - he had the misfortune to be parented by a violent, cruel father who delighted in belittling him, warning “ ...here’s how dumb brutes get things done. They hire good people and stay out of their way.” His abused mother abandoned Stroud at the first opportunity, choosing freedom, Italy and affairs rather than staying near her children. How much more impressive is Stroud, therefore, than the Dukes who choose to be callous rakes and abusers themselves, with the excuse that they are driven to it by their pain? Stroud’s pranks make sense, as does the rules he imposes on how they are carried out.)
Thankfully for Stroud he has people who do love him. And then he encounters the heroine, Cordelia Kelly. Immediately, the colossus is felled by intense attraction - and then love. Cordelia is a character as great as Stroud, in part because she is sharp (all angles, tall and thin and fierce, “like a spear” according to Stroud) blunt to the point of brusqueness and fiercely independent, having left a comfortable home and, because of parental banishment, needing to work for a living. (The timing of this romance may be 19th Century, but it is post Regency, so Satie has made no error in making Cordelia a female with an occupation).
Cordelia is also a great character because her creativity and occupation are intriguing, her fierce independence is admirable and her female friendships are realistic/warm/loyal/supportive. Cordelia demands much of others, but also of herself: “What kind of person did she wish to be? The answer was so easy: she wished to be brave and strong and good. Having seized control of her life, she could only blame herself if she failed.”
In terms of the romance, Cordelia’s capacity to see Stroud’s many strengths are an indication of particular perspicacity, because most people believe him to be a fool. Even though I’m an admirer of Stroud, I concede that he would be too much for most women (me included) - and yet Cordelia finds him endearing and clever and (to his sweet consternation) handsome. She even appreciates his pranks (of course the wildly varied ones that help her with the Divorce Act, but even the sneaky switch of her slippers, with her resigned acceptance of this prank making me laugh out loud). And, of course, she appreciates his calm, gentle character, his efforts to truly “know” her, his quirky teasing and his previously untapped romantic streak. (A couple of my favourite scenes in The Book of Love are the third marriage proposal, on bended knee, surrounded by wildflowers, and the glorious follow-up, in the train carriage, when he extols the virtues of “my fiancée”, her gift of “Swedish oranges” and many other offerings - to the increasing befuddlement of other passengers, and to the delight of Cordelia. A magical romantic scene.)
Most contemporary HRs seem to sink or swim on the basis of how successfully they depict the sexual relationship between the h and H. In The Book of Love both Stroud and Cordelia engage in plenty of thinking about it before they engage in full lovemaking. Within minutes of their first meeting, before he even knows her name, Stroud is fantasising: “His first thought had been : “I wonder what she’d say to a man who disappointed her in bed.” The second, following quick behind: “I wonder what she’d say to a man who didn’t disappoint her.” Chances were he’d never learn the answers to either of those questions, and were they mutually exclusive?”
Cordelia is just as stunned, in her own way, to discover that a fleeting meeting with a stranger has aroused her sexual interest for the first time in her life. So the desire between the couple is a presence, almost from the first pages. And yet it is not acted on for much of the story, except through a steadily more enthusiastic series of kisses. Even after they marry, Stroud insists that they sleep together until Cordelia is ready. While that strategy is often used by HR authors, presumably to increase reader interest, it doesn’t always work. In The Book of Love it not only works, but allows for the understanding between the couple to become more complex, the relationship to become more passionate and the final sex scene to be romantic, as well as lusty and even amusing.
Even though Cordelia and Stroud make this story sing, there are other components in this tale which entertained and enlightened me. Satie provides a solid selection of side characters - too many to mention, but positive additions nonetheless. (In particular, the bad choices made by her friend, Olympia.)
Satie not only provides a cast of characters who may provide fodder for future stories, she also crams in loads of info about the books Cordelia creates, illustrates and puts together. I’m sure that the level of detail will not suit all readers, but it fascinated me. I was similarly intrigued by the comparison of ideology and style of the two contemporary feminist crusaders who attract and energise Cordelia’s reforming zeal. I notice that another reviewer is critical of the political aspect of this story, believing that it slows the pace, but I’m a fan of politics, particularly that driven by women, so I was riveted by it. I identified with Cordelia, who left her first meeting wanting to shout slogans in the street “like a mad preacher”, blinded by passionate optimism, only to recognise that reform is hard won and often distressingly slow.
So it’s delightful when Stroud becomes a willing, if anxious partner in delivering a result on the Divorce Bill and amusing when he and Cordelia appear to swap temperaments in order to achieve (some) success. And lovely when Stroud “whines,” on the final page, that Cordelia is going to have higher expectations of him for years and years. She agrees. Both understand that this means they will not only love one another, but can rely on one another to bring out the best in their respective characters. And if that isn’t an exquisite HEA, I don’t know what a “Happy Ever After” truly is.
I accepted a copy of this book from the author, with no requirement for a review.
Every so often I encounter an historical romance that reminds me why I’m attracted to the genre. Erin Satie’s book is just such a reminder. I absolutely loved it - seldom do I use the oft- repeated review finale of “I was heartbroken that this book came to an end”, but, in this case, I can report a sad sigh when my eyes turned right for a new chapter and I was confronted with a heading of “Epilogue”.
Where to start with describing the allure of this romance? Well - at first, the “Duke” issue. Like many jaded HR readers, with decades of history as a fan of the genre (and an increasingly critical eye for same-old, same-old) I have become wary of third rate books that trade on the use of Duke after Duke, instead of supplying something halfway literate and, hopefully, more than halfway plausible.
Fortunately, the Duke of Stroud is no usual HR Duke. Instead, he squashed my cynicism by being out of the box extraordinary. To my mind, in him Satie has created a HR hero who is memorable in all the right ways. ( I don’t have to want to live with a HR hero, but I do want to believe that the heroine is right when she decides to love him.) Stroud is a giant of a man, in every way (height, musculature, generosity and loyalty) but accustomed to think of himself as a dolt, who can only attract applause because of his unrivalled talent for creating and completing amazing pranks. (No wonder - he had the misfortune to be parented by a violent, cruel father who delighted in belittling him, warning “ ...here’s how dumb brutes get things done. They hire good people and stay out of their way.” His abused mother abandoned Stroud at the first opportunity, choosing freedom, Italy and affairs rather than staying near her children. How much more impressive is Stroud, therefore, than the Dukes who choose to be callous rakes and abusers themselves, with the excuse that they are driven to it by their pain? Stroud’s pranks make sense, as does the rules he imposes on how they are carried out.)
Thankfully for Stroud he has people who do love him. And then he encounters the heroine, Cordelia Kelly. Immediately, the colossus is felled by intense attraction - and then love. Cordelia is a character as great as Stroud, in part because she is sharp (all angles, tall and thin and fierce, “like a spear” according to Stroud) blunt to the point of brusqueness and fiercely independent, having left a comfortable home and, because of parental banishment, needing to work for a living. (The timing of this romance may be 19th Century, but it is post Regency, so Satie has made no error in making Cordelia a female with an occupation).
Cordelia is also a great character because her creativity and occupation are intriguing, her fierce independence is admirable and her female friendships are realistic/warm/loyal/supportive. Cordelia demands much of others, but also of herself: “What kind of person did she wish to be? The answer was so easy: she wished to be brave and strong and good. Having seized control of her life, she could only blame herself if she failed.”
In terms of the romance, Cordelia’s capacity to see Stroud’s many strengths are an indication of particular perspicacity, because most people believe him to be a fool. Even though I’m an admirer of Stroud, I concede that he would be too much for most women (me included) - and yet Cordelia finds him endearing and clever and (to his sweet consternation) handsome. She even appreciates his pranks (of course the wildly varied ones that help her with the Divorce Act, but even the sneaky switch of her slippers, with her resigned acceptance of this prank making me laugh out loud). And, of course, she appreciates his calm, gentle character, his efforts to truly “know” her, his quirky teasing and his previously untapped romantic streak. (A couple of my favourite scenes in The Book of Love are the third marriage proposal, on bended knee, surrounded by wildflowers, and the glorious follow-up, in the train carriage, when he extols the virtues of “my fiancée”, her gift of “Swedish oranges” and many other offerings - to the increasing befuddlement of other passengers, and to the delight of Cordelia. A magical romantic scene.)
Most contemporary HRs seem to sink or swim on the basis of how successfully they depict the sexual relationship between the h and H. In The Book of Love both Stroud and Cordelia engage in plenty of thinking about it before they engage in full lovemaking. Within minutes of their first meeting, before he even knows her name, Stroud is fantasising: “His first thought had been : “I wonder what she’d say to a man who disappointed her in bed.” The second, following quick behind: “I wonder what she’d say to a man who didn’t disappoint her.” Chances were he’d never learn the answers to either of those questions, and were they mutually exclusive?”
Cordelia is just as stunned, in her own way, to discover that a fleeting meeting with a stranger has aroused her sexual interest for the first time in her life. So the desire between the couple is a presence, almost from the first pages. And yet it is not acted on for much of the story, except through a steadily more enthusiastic series of kisses. Even after they marry, Stroud insists that they sleep together until Cordelia is ready. While that strategy is often used by HR authors, presumably to increase reader interest, it doesn’t always work. In The Book of Love it not only works, but allows for the understanding between the couple to become more complex, the relationship to become more passionate and the final sex scene to be romantic, as well as lusty and even amusing.
Even though Cordelia and Stroud make this story sing, there are other components in this tale which entertained and enlightened me. Satie provides a solid selection of side characters - too many to mention, but positive additions nonetheless. (In particular, the bad choices made by her friend, Olympia.)
Satie not only provides a cast of characters who may provide fodder for future stories, she also crams in loads of info about the books Cordelia creates, illustrates and puts together. I’m sure that the level of detail will not suit all readers, but it fascinated me. I was similarly intrigued by the comparison of ideology and style of the two contemporary feminist crusaders who attract and energise Cordelia’s reforming zeal. I notice that another reviewer is critical of the political aspect of this story, believing that it slows the pace, but I’m a fan of politics, particularly that driven by women, so I was riveted by it. I identified with Cordelia, who left her first meeting wanting to shout slogans in the street “like a mad preacher”, blinded by passionate optimism, only to recognise that reform is hard won and often distressingly slow.
So it’s delightful when Stroud becomes a willing, if anxious partner in delivering a result on the Divorce Bill and amusing when he and Cordelia appear to swap temperaments in order to achieve (some) success. And lovely when Stroud “whines,” on the final page, that Cordelia is going to have higher expectations of him for years and years. She agrees. Both understand that this means they will not only love one another, but can rely on one another to bring out the best in their respective characters. And if that isn’t an exquisite HEA, I don’t know what a “Happy Ever After” truly is.
I accepted a copy of this book from the author, with no requirement for a review.
July 13, 2021
Victorian England. Gave this 3.5 stars & rounded up.
This story contained 3 weddings. This author tells
imaginative stories.
Alistair was known as a frivolous, non-serious, non-
intelligent duke (his pranks seemed more appropriate
for a younger man.) Cordelia, who had a book-binding
business, came across as shrewish and opinionated.
She had been rejected by her parents, especially her
rigid sire, a judge. She made her own life. She favored
a petition to give women more freedom to own property
in their own names, even if the woman later married.
Cordelia discovered the H had more depth than 1st
apparent. Both MCs gained experience and maturity.
Lord Pye was the H's acquaintance in the House of
Lords. My favorite scene: Pye promised Alistair he'd
support a bill giving women the right to divorce (under
select conditions), if Cordelia could attend Pye's dinner
party without sharing any negative opinions. What a
challenge! Pye and others tried to provoke her verbally.
The complex MCs both revealed good hearts. Alistair called
her "Coco." I grew concerned about their wealthy friend,
Olympia, who wed an alleged rotter.
Revised.
This story contained 3 weddings. This author tells
imaginative stories.
Alistair was known as a frivolous, non-serious, non-
intelligent duke (his pranks seemed more appropriate
for a younger man.) Cordelia, who had a book-binding
business, came across as shrewish and opinionated.
She had been rejected by her parents, especially her
rigid sire, a judge. She made her own life. She favored
a petition to give women more freedom to own property
in their own names, even if the woman later married.
Cordelia discovered the H had more depth than 1st
apparent. Both MCs gained experience and maturity.
Lord Pye was the H's acquaintance in the House of
Lords. My favorite scene: Pye promised Alistair he'd
support a bill giving women the right to divorce (under
select conditions), if Cordelia could attend Pye's dinner
party without sharing any negative opinions. What a
challenge! Pye and others tried to provoke her verbally.
The complex MCs both revealed good hearts. Alistair called
her "Coco." I grew concerned about their wealthy friend,
Olympia, who wed an alleged rotter.
Revised.
April 23, 2021
A love story between a duke and a women's rights activist
Book of Love is a cross-class historical romance that deals with the restrictions suffered by married women during the Victorian period and the attempts to introduce laws that would guarantee them some fundamental rights.
Cordelia stood by a friend when she refused to marry a disreputable man. As a result, she had to share her friend's downfall and abandon her comfortable life to support herself in London as a book-binder. Alistair, the Duke of Stroud, was a silly man whose pastime was to organize pranks.
These unlikely pair ended up connecting and bonding. Cordelia was the only person able to see beyond Alistair's foolish facade, while he was the only man of her acquaintance to truly admire her overly frank behavior.
Cordelia was part of a women's rights discussion group whose main objective was to pass a law that would guarantee married women's fundamental rights.
I enjoyed the story and the contrast between Alistair's light-hearted pranks and the more serious discussions in Cordelia's group.
Alistair grew slowly on me, and, like Cordelia, I managed to see past his wall of self-protection. Cordelia was an idealist and probably quite young. Her heart was in the right place, but sometimes she was a little too blunt when trying to express her views.
I could feel their connection, but, to be honest, I was not sure they were right for each other. Cordelia's idealistic personality clashed with Alistair's carefree nature. It felt that their relationship was a little like Jo and Laurie's from Little Women, and I could not refrain from wishing Cordelia would find her Frederick instead.
The side characters were lovely and exciting. I enjoyed their varied points of view and how this enriched their relationships.
Book of Love is an engaging fictional account intersected by actual events of the fight for married women's rights during the Victorian period. It is also a light-hearted cross-class historical romance with remarkable characters.
Disclosure: I received an ARC of this book via NetGalley for an honest review.
*For more reviews, book art, and book-related articles, please visit https://lureviewsbooks.com *
Book of Love is a cross-class historical romance that deals with the restrictions suffered by married women during the Victorian period and the attempts to introduce laws that would guarantee them some fundamental rights.
Cordelia stood by a friend when she refused to marry a disreputable man. As a result, she had to share her friend's downfall and abandon her comfortable life to support herself in London as a book-binder. Alistair, the Duke of Stroud, was a silly man whose pastime was to organize pranks.
These unlikely pair ended up connecting and bonding. Cordelia was the only person able to see beyond Alistair's foolish facade, while he was the only man of her acquaintance to truly admire her overly frank behavior.
Cordelia was part of a women's rights discussion group whose main objective was to pass a law that would guarantee married women's fundamental rights.
I enjoyed the story and the contrast between Alistair's light-hearted pranks and the more serious discussions in Cordelia's group.
Alistair grew slowly on me, and, like Cordelia, I managed to see past his wall of self-protection. Cordelia was an idealist and probably quite young. Her heart was in the right place, but sometimes she was a little too blunt when trying to express her views.
I could feel their connection, but, to be honest, I was not sure they were right for each other. Cordelia's idealistic personality clashed with Alistair's carefree nature. It felt that their relationship was a little like Jo and Laurie's from Little Women, and I could not refrain from wishing Cordelia would find her Frederick instead.
The side characters were lovely and exciting. I enjoyed their varied points of view and how this enriched their relationships.
Book of Love is an engaging fictional account intersected by actual events of the fight for married women's rights during the Victorian period. It is also a light-hearted cross-class historical romance with remarkable characters.
Disclosure: I received an ARC of this book via NetGalley for an honest review.
*For more reviews, book art, and book-related articles, please visit https://lureviewsbooks.com *
November 17, 2022
3.5 stars. I liked the character of Stroud, who was sweet and patient with Cordelia. I'm not really a fan of practical jokes, so this aspect of the story didn't really appeal to me, but the storyline still worked well in spite of this.
Cordelia was a little harder to like, but I did respect that she always held to her principles, even when that was difficult. It was nice to see her mellowed by her loving relationship with Stroud. Overall, an enjoyable read. I like the freshness of Ms Satie's writing style.
Cordelia was a little harder to like, but I did respect that she always held to her principles, even when that was difficult. It was nice to see her mellowed by her loving relationship with Stroud. Overall, an enjoyable read. I like the freshness of Ms Satie's writing style.
April 16, 2021
Book of Love
Sweetness and Light Series #2
Erin Satie
https://m.facebook.com/ErinSatie/
Release Date 04/20/2021 ebook, 03/11/2021 paperback
Publisher Little Phrase
➪ https://www.amazon.com/dp/B08WQC7NFW/...
𝗕𝗹𝘂𝗿𝗯
She’s trying to make ends meet. He’s out for a bit of fun.
Cordelia Kelly is busy, focused, worried about the future of her fledgling bookbinding business. When a handsome man stops her on the street to pester her with questions, she gives him the consideration he deserves: none.
That handsome man happens to be the Duke of Stroud, and he finds Cordelia’s hostility hilarious. He gives chase, if only for the pleasure of provoking her again.
He thinks life is a game. She doesn’t play around.
Within days of meeting Cordelia, Stroud sets a marching band on a matchmaking mama, defaces a local monument, and ropes Cordelia into a round of his favorite game.
In that same time, Cordelia stitches together the complete works of Mary Wollstonecraft, enthusiastically devotes herself to a petition demanding expanded legal rights for married women, and beats Stroud at his own game.
She defies all expectations. So does he.
Most people dismiss Stroud as a fool—himself included. When Cordelia sees past his lighthearted facade, he’s terrified and also... in love?
Stroud barges into Cordelia’s life, offering her all the material and sensual temptations she’s learned to do without. She usually has willpower to spare, but turning him down takes all of it, and then some. He’s oddly irresistible.
Or maybe they’re just perfect for one another.
𝗠𝘆 𝗿𝗲𝘃𝗶𝗲𝘄
When Prim and Proper meets A Wild Card ...
Oh my!
What a sensational book it is, so very different from any I have read before.
With two very common ingredients of many historical romance, a bluestocking and a Duke, the author mixed it to present us a very unconventional moving charming tasty tale.
Cordelia is the prim and proper product of her father’s upbringing, until everything derailed and she applied what she had been taught to real life, to stand for what she thought was right.
Why small minded people from her tiny part of the world turned their back to her, preferring to follow the easy path instead of reflecting on their own flaws.
So here she is, in London far away from her birth place and her family, trying to get ends meet. Every day is a challenge, with its lot of failures and successes.
As a woman in trade she walks a thin line, her reputation is her lifeline, giving her no room for dalliance or entertainment.
So when a know Duke marks her as his next target, she first thinks to run away, yet something in him calls to her, so she faces his challenge and outsmart him, trying it will deter him when instead it only endear her.
Cordelia is not an easy character to appreciate, I do not not mind she opinionated and outspoken, but sometime her bluntness and toughness might be hurtful. That she rebukes petty and mean people, I can only cheer with her, but she often turns her scorn to Alistair, who is probably one of the most caring characters I have read for long. She let her fears get the better of her, yet at the same time, I understand her position as a woman alone in a man’s world with little to no power, and everything to loose for a second of sagging in her long controlled rigidity.
Alistair Stroud might be a Duke, but outside his gigantic appearance and wealth, he does not act like one, well in the narrow sight of the ton.
I loved him instantly, which is easy, he is cheerful, always thinking his next prank with glee , yet also respectful and subtle for the giant he is. He is also such a good sport, never deterred when he has been fooled when it is done sensibly.
But behind this bulky carcass, there is a tender heart and a damaged soul. Years of bullying and belittling by his sire and disparaging by the others, tattooed in his brain, he is feeble-minded.
And for all Cordelia’s inflexibility, she sees past his society’s mask, and is determined to prove him wrong.
Their relationship is truly a clash of tempers, when he is sweet and fun, she is all rigor and righteousness. Why she will have to really explore is soul to understand he is no one to play false game, but is she willing to enter the play and go along with his concocted schemes or will she backpedal scared by the endgame’s price.
Will the cost be too much or fair enough ...
The cast of side characters is full of surprise, with some who will disappoint, others who are unconventional and/or amazing. In all, the author has painted a vivid portrait of this overview in time, with the different views and behaviors from the period.
5 stars
𝗦𝘁𝗲𝗮𝗺 𝗹𝗲𝘃𝗲𝗹 onscreen sweet lovemaking scenes.
I have been granted an advance copy by the publisher, here is my true and unbiased opinion.
https://www.facebook.com/429830134272...
Sweetness and Light Series #2
Erin Satie
https://m.facebook.com/ErinSatie/
Release Date 04/20/2021 ebook, 03/11/2021 paperback
Publisher Little Phrase
➪ https://www.amazon.com/dp/B08WQC7NFW/...
𝗕𝗹𝘂𝗿𝗯
She’s trying to make ends meet. He’s out for a bit of fun.
Cordelia Kelly is busy, focused, worried about the future of her fledgling bookbinding business. When a handsome man stops her on the street to pester her with questions, she gives him the consideration he deserves: none.
That handsome man happens to be the Duke of Stroud, and he finds Cordelia’s hostility hilarious. He gives chase, if only for the pleasure of provoking her again.
He thinks life is a game. She doesn’t play around.
Within days of meeting Cordelia, Stroud sets a marching band on a matchmaking mama, defaces a local monument, and ropes Cordelia into a round of his favorite game.
In that same time, Cordelia stitches together the complete works of Mary Wollstonecraft, enthusiastically devotes herself to a petition demanding expanded legal rights for married women, and beats Stroud at his own game.
She defies all expectations. So does he.
Most people dismiss Stroud as a fool—himself included. When Cordelia sees past his lighthearted facade, he’s terrified and also... in love?
Stroud barges into Cordelia’s life, offering her all the material and sensual temptations she’s learned to do without. She usually has willpower to spare, but turning him down takes all of it, and then some. He’s oddly irresistible.
Or maybe they’re just perfect for one another.
𝗠𝘆 𝗿𝗲𝘃𝗶𝗲𝘄
When Prim and Proper meets A Wild Card ...
Oh my!
What a sensational book it is, so very different from any I have read before.
With two very common ingredients of many historical romance, a bluestocking and a Duke, the author mixed it to present us a very unconventional moving charming tasty tale.
Cordelia is the prim and proper product of her father’s upbringing, until everything derailed and she applied what she had been taught to real life, to stand for what she thought was right.
Why small minded people from her tiny part of the world turned their back to her, preferring to follow the easy path instead of reflecting on their own flaws.
So here she is, in London far away from her birth place and her family, trying to get ends meet. Every day is a challenge, with its lot of failures and successes.
As a woman in trade she walks a thin line, her reputation is her lifeline, giving her no room for dalliance or entertainment.
So when a know Duke marks her as his next target, she first thinks to run away, yet something in him calls to her, so she faces his challenge and outsmart him, trying it will deter him when instead it only endear her.
Cordelia is not an easy character to appreciate, I do not not mind she opinionated and outspoken, but sometime her bluntness and toughness might be hurtful. That she rebukes petty and mean people, I can only cheer with her, but she often turns her scorn to Alistair, who is probably one of the most caring characters I have read for long. She let her fears get the better of her, yet at the same time, I understand her position as a woman alone in a man’s world with little to no power, and everything to loose for a second of sagging in her long controlled rigidity.
Alistair Stroud might be a Duke, but outside his gigantic appearance and wealth, he does not act like one, well in the narrow sight of the ton.
I loved him instantly, which is easy, he is cheerful, always thinking his next prank with glee , yet also respectful and subtle for the giant he is. He is also such a good sport, never deterred when he has been fooled when it is done sensibly.
But behind this bulky carcass, there is a tender heart and a damaged soul. Years of bullying and belittling by his sire and disparaging by the others, tattooed in his brain, he is feeble-minded.
And for all Cordelia’s inflexibility, she sees past his society’s mask, and is determined to prove him wrong.
Their relationship is truly a clash of tempers, when he is sweet and fun, she is all rigor and righteousness. Why she will have to really explore is soul to understand he is no one to play false game, but is she willing to enter the play and go along with his concocted schemes or will she backpedal scared by the endgame’s price.
Will the cost be too much or fair enough ...
The cast of side characters is full of surprise, with some who will disappoint, others who are unconventional and/or amazing. In all, the author has painted a vivid portrait of this overview in time, with the different views and behaviors from the period.
5 stars
𝗦𝘁𝗲𝗮𝗺 𝗹𝗲𝘃𝗲𝗹 onscreen sweet lovemaking scenes.
I have been granted an advance copy by the publisher, here is my true and unbiased opinion.
https://www.facebook.com/429830134272...
April 26, 2021
A clever, well written historical romance. I loved the first book in this series (both stand alones) and this book reminded me why I love this author so much. She takes her time letting the reader get to know her characters. Even the supporting cast has such depth.
The heroine binds books - but it's so much more than that. The author quietly weaves in her profession making it totally fascinating.
The hero is a duke - but so much more than a duke. When he hires a marching band at the beginning of a book as a prank - I knew we were going to be great friends ;) He's adorable.
The author reallllly makes you wait for the romance to start - but it's worth it. (I got a tiny bit antsy!)
Highly recommend this author.
The heroine binds books - but it's so much more than that. The author quietly weaves in her profession making it totally fascinating.
The hero is a duke - but so much more than a duke. When he hires a marching band at the beginning of a book as a prank - I knew we were going to be great friends ;) He's adorable.
The author reallllly makes you wait for the romance to start - but it's worth it. (I got a tiny bit antsy!)
Highly recommend this author.
April 4, 2021
I loved this book so much, which is the second book in the Sweetness and Light series by Erin Satie. After finishing the second book, I immediately read the first book, which is about Cordelia's friend Bonnie and her marriage. While I don't think it is necessary to read the first book to enjoy the second, reading it did help me to understand the second book better.
Cordelia Kelly is a rather severe young woman of strong principles who has left her home after a disagreement with her parents about her best friend Bonnie. Her parents have shunned Bonnie due to the circumstances of her marriage. Cordelia is making her own way in London, a risky action for a young woman with no wealth of her own or family support. She has a gift for creating beautifully custom-bound books, some with her own artwork, or decorated with gold leaf, or with marbelized facing pages. Cordelia is also a supporter of women's rights, at a time when women lost all power over their persons, their children, and their finances once they married.
Fortunately, Cordelia has a few female friends in London. Olympia was orphaned young and is in the unusual position of being in possession of her fortune. Tess is a young woman of color, an African princess who is the ward of Queen Elizabeth. All of them are of like mind for improving the legal standing of women.
Soon after moving to London, Cordelia meets the Duke of Stroud, a young, massive man who is known for his practical jokes which are pretty hilarious, but who also has a heart for people in difficulties. The book opens when Stroud is hiring a down on their luck marching band to follow two particular ladies (a mother and daughter) whenever they set out to visit his friend, who they are trying to snare for the daughter.
There could not be two more different people than Stroud or Cordelia, but they work so well as a couple, as each sees something that other people miss in the other. This is a gorgeous love story with some serious topics. It was told so well and the settings were so vivid, that I felt as if I'd stepped into that century - a hallmark of the best books. I highly recommend this one and the series.
I'm still wondering about the series name, as these books shine a spotlight on the restrictions put on women, the legal ramifications of marriage for them, and the lifelong consequences of stepping outside the boundary of what was considered proper behavior for unmarried women at that time. There wasn't much sweetness to be found in their legal bondage, although the mutual support that these friends provided for each other was precious and priceless. This book made me recognize how much we owe to the women and men who worked and fought for the rights we take for granted today.
Thanks to NetGalley and the publisher Little Phrase for allowing me to read an advance reader copy of this book. I am voluntarily leaving this review.
Cordelia Kelly is a rather severe young woman of strong principles who has left her home after a disagreement with her parents about her best friend Bonnie. Her parents have shunned Bonnie due to the circumstances of her marriage. Cordelia is making her own way in London, a risky action for a young woman with no wealth of her own or family support. She has a gift for creating beautifully custom-bound books, some with her own artwork, or decorated with gold leaf, or with marbelized facing pages. Cordelia is also a supporter of women's rights, at a time when women lost all power over their persons, their children, and their finances once they married.
Fortunately, Cordelia has a few female friends in London. Olympia was orphaned young and is in the unusual position of being in possession of her fortune. Tess is a young woman of color, an African princess who is the ward of Queen Elizabeth. All of them are of like mind for improving the legal standing of women.
Soon after moving to London, Cordelia meets the Duke of Stroud, a young, massive man who is known for his practical jokes which are pretty hilarious, but who also has a heart for people in difficulties. The book opens when Stroud is hiring a down on their luck marching band to follow two particular ladies (a mother and daughter) whenever they set out to visit his friend, who they are trying to snare for the daughter.
There could not be two more different people than Stroud or Cordelia, but they work so well as a couple, as each sees something that other people miss in the other. This is a gorgeous love story with some serious topics. It was told so well and the settings were so vivid, that I felt as if I'd stepped into that century - a hallmark of the best books. I highly recommend this one and the series.
I'm still wondering about the series name, as these books shine a spotlight on the restrictions put on women, the legal ramifications of marriage for them, and the lifelong consequences of stepping outside the boundary of what was considered proper behavior for unmarried women at that time. There wasn't much sweetness to be found in their legal bondage, although the mutual support that these friends provided for each other was precious and priceless. This book made me recognize how much we owe to the women and men who worked and fought for the rights we take for granted today.
Thanks to NetGalley and the publisher Little Phrase for allowing me to read an advance reader copy of this book. I am voluntarily leaving this review.
March 9, 2021
Thank you to Netgalley, Victory Editing, and Erin Satie for giving me a copy of Book of Love for an honest review.
I really enjoyed this book. It was lighthearted, with a serious aspect of feminism during the 1850s that isn't very well known about. The first half of the book absolutely captured my heart, with the introduction of Alistair and Cordelia, and getting to know these characters was so lovely.
The second half of the book got a bit more serious and political, and sometimes felt a bit rushed. I think it would have been amazing for this book to be it's own duology. There was a lot of potential for character growth, especially with Cordelia's friends who we didn't learn overly much about, other than they helped her in her time of need.
There were a couple of historical inaccuracies, but these were few and far apart, so can be easily overlooked (coming from a reader who has not read a large amount of historical fiction). The truth behind the feminist petitions of the time made up for these mistakes in my opinion, and I wasn't aware of these specific struggles for simple acts such as having a right to divorce as a woman in such detail.
I loved Alistair (The Duke). So much. So, so much. And I really liked Cordelia, too. Her strong opinions and belief in Alistair was so heart warming, and I need more of them two together!!
This book is easily a 4 star for me. I've taken away a star purely just for some of the inaccuracies, and because sometimes some scenes felt a bit rushed. Other than that, I flew through this book and couldn't help but think of it every time I wasn't reading it - if that doesn't show a good book, I don't know what else will!
I really enjoyed this book. It was lighthearted, with a serious aspect of feminism during the 1850s that isn't very well known about. The first half of the book absolutely captured my heart, with the introduction of Alistair and Cordelia, and getting to know these characters was so lovely.
The second half of the book got a bit more serious and political, and sometimes felt a bit rushed. I think it would have been amazing for this book to be it's own duology. There was a lot of potential for character growth, especially with Cordelia's friends who we didn't learn overly much about, other than they helped her in her time of need.
There were a couple of historical inaccuracies, but these were few and far apart, so can be easily overlooked (coming from a reader who has not read a large amount of historical fiction). The truth behind the feminist petitions of the time made up for these mistakes in my opinion, and I wasn't aware of these specific struggles for simple acts such as having a right to divorce as a woman in such detail.
I loved Alistair (The Duke). So much. So, so much. And I really liked Cordelia, too. Her strong opinions and belief in Alistair was so heart warming, and I need more of them two together!!
This book is easily a 4 star for me. I've taken away a star purely just for some of the inaccuracies, and because sometimes some scenes felt a bit rushed. Other than that, I flew through this book and couldn't help but think of it every time I wasn't reading it - if that doesn't show a good book, I don't know what else will!
April 24, 2021
I absolutely loved this one. I mean, as close to perfect as I've read this one will go with all of my favorites. I also realize that Cordelia won't work for everyone and just as I think Cordelia would feel, I'm fine with that. I loved the interaction between Cordelia and Alistair and the way they slowly, but surely worked on breaking down their walls (even those they didn't realize they had). This was a partnership I could root for and feel that they genuinely worked together and to each others strengths by the end of the book. Jeez, I also just loved the little tidbits here and there that made the story so sweet, but not in an annoying saccharine way--such a fine line to balance.
May 1, 2021
This is the first book by Erin Satie that I had the pleasure of reading and the second in the series Sweetness and Light Series. When I started reading this book I hadn't noticed that is book number two in the series, but as the books are considered "standalone", I decided to proceed.
It's a historical romance set in Victorian London where a young and independent woman tries to make a living through her bookbinding business. Cordelia who is in her early 20s is the daughter of a country gentry whom she had renounced in order to live an independent life away from his scrutiny and "failed" values.
She's an educated and well-mannered young lady, quite level-headed with clear ambitions and dreams. By accident, she comes across the infamous Duke of Stroud, also known as Rip, and from there their romance blossoms.
Cordelia and Rip are quite the opposites, Cordelia is a realist while Rip due to his station and background sees everything like a big prank. He is actually the most feared prankster in the whole of London!
Although Satie created a very believable Cordelia. A young feminist woman eager to make a place for herself in this men's world. The only flaw that actually kind of annoyed me was that she was really judgemental and mean with many people around her, especially those she didn't like. She had this "superiority" thing going on that I found too tiring. And if I was the male hero, I would have probably avoided her.
Now, my main issue was actually with the Duke. In all the historical romances that I have read so far, I have never seen a caricature of Duke such as this. Don't misunderstand me, I found Rip very lovely and sweet, quite the contrary to the classical Duke figure that we usually see in all the historical romances. You know all those brooding, rakish Dukes ready to turn all Alpha on you.
However, Rip's character was a bit too much. I mean the whole "pranks" theme was too exaggerated. He really didn't give a damn about his title, his properties, his position in the house of Lords, he was just a "gigantic" man-child, with the mentality of a 10-year-old. And, I say "gigantic" because we are repeatedly told by Cordelia about his huge size.
The two characters had quite the chemistry, their banter was cute and funny, but I found lacking all the intimate scene descriptions. Their kisses or their sex scenes were flat and dull. No passion or intensity whatsoever!
I liked the overall story, the historical setting, and the info we get about what was happening in that era in London. And I believe it would have made an incredible Clean Romance, which I usually avoid reading, but in this case, I would have preferred it as the moment the two characters became intimate, the chemistry was lost.
I would recommend this book to all of you that would like a light and warm romance to pass your day! Don't forget to have some coffee and some cake!
It's a historical romance set in Victorian London where a young and independent woman tries to make a living through her bookbinding business. Cordelia who is in her early 20s is the daughter of a country gentry whom she had renounced in order to live an independent life away from his scrutiny and "failed" values.
She's an educated and well-mannered young lady, quite level-headed with clear ambitions and dreams. By accident, she comes across the infamous Duke of Stroud, also known as Rip, and from there their romance blossoms.
Cordelia and Rip are quite the opposites, Cordelia is a realist while Rip due to his station and background sees everything like a big prank. He is actually the most feared prankster in the whole of London!
Although Satie created a very believable Cordelia. A young feminist woman eager to make a place for herself in this men's world. The only flaw that actually kind of annoyed me was that she was really judgemental and mean with many people around her, especially those she didn't like. She had this "superiority" thing going on that I found too tiring. And if I was the male hero, I would have probably avoided her.
Now, my main issue was actually with the Duke. In all the historical romances that I have read so far, I have never seen a caricature of Duke such as this. Don't misunderstand me, I found Rip very lovely and sweet, quite the contrary to the classical Duke figure that we usually see in all the historical romances. You know all those brooding, rakish Dukes ready to turn all Alpha on you.
However, Rip's character was a bit too much. I mean the whole "pranks" theme was too exaggerated. He really didn't give a damn about his title, his properties, his position in the house of Lords, he was just a "gigantic" man-child, with the mentality of a 10-year-old. And, I say "gigantic" because we are repeatedly told by Cordelia about his huge size.
The two characters had quite the chemistry, their banter was cute and funny, but I found lacking all the intimate scene descriptions. Their kisses or their sex scenes were flat and dull. No passion or intensity whatsoever!
I liked the overall story, the historical setting, and the info we get about what was happening in that era in London. And I believe it would have made an incredible Clean Romance, which I usually avoid reading, but in this case, I would have preferred it as the moment the two characters became intimate, the chemistry was lost.
I would recommend this book to all of you that would like a light and warm romance to pass your day! Don't forget to have some coffee and some cake!
February 12, 2025
Fans of Evie Dunmore, rejoice! I've found another one. I had a few nits here and there but this was a great read to help me disassociate in trying times. Would recommend for slow burn lovers, and has a unique love interest who, whilst yes, is huuuuuuge, is also refreshingly silly.
April 21, 2021
Erin Satie’s distinctive story telling once again shines in BOOK OF LOVE, book two in the Sweetness and Light series. I not only love Satie’s unique characters but how she weaves social history into the narrative.
Cordelia Kelly is alone and trying to forge her way in the world. To stay true to herself and her beliefs, she has left behind a comfortable but shackled life, and has been shunned by her family. She is forced to turn her love of bookbinding into a job; she loves the art of it, but she also needs to survive, and this is not an easy task for a single female in Victorian London.
On the opposite end of the spectrum, we have Alistair Chandos, Duke of Stroud. He lives a most advantageous life in many respects, yet he willingly acts the fool. As a large child and later adult, Alistair was keen for people to accept him, to not physically fear him. He has never shaken off his ‘fool’ persona and doesn’t recognise the wasted potential and opportunity he has as a titled person, and a duke at that.
This isn’t a romance about opposites attracting because Cordelia and Alistair are on different solar systems in terms of their circumstances, their beliefs and how they conduct themselves. What Satie has done so well is bringing to life these diverse characters, and letting them be themselves, warts and all. She allows them to communicate in their own way. It’s not always polite and the messages are hard to swallow at times, but Cordelia and Alistair get a better understanding of themselves based on these interactions. And I love that the changes these characters make is ultimately to better themselves, and not for the approval of others.
This book is ideal for fans of original narratives, determined heroines, and an interest in the restrictions of Victorian life, especially for women. I’ve been waiting some time for this book and it was worth the wait.
Review copy courtesy of Netgalley and Inkslinger PR
Cordelia Kelly is alone and trying to forge her way in the world. To stay true to herself and her beliefs, she has left behind a comfortable but shackled life, and has been shunned by her family. She is forced to turn her love of bookbinding into a job; she loves the art of it, but she also needs to survive, and this is not an easy task for a single female in Victorian London.
On the opposite end of the spectrum, we have Alistair Chandos, Duke of Stroud. He lives a most advantageous life in many respects, yet he willingly acts the fool. As a large child and later adult, Alistair was keen for people to accept him, to not physically fear him. He has never shaken off his ‘fool’ persona and doesn’t recognise the wasted potential and opportunity he has as a titled person, and a duke at that.
This isn’t a romance about opposites attracting because Cordelia and Alistair are on different solar systems in terms of their circumstances, their beliefs and how they conduct themselves. What Satie has done so well is bringing to life these diverse characters, and letting them be themselves, warts and all. She allows them to communicate in their own way. It’s not always polite and the messages are hard to swallow at times, but Cordelia and Alistair get a better understanding of themselves based on these interactions. And I love that the changes these characters make is ultimately to better themselves, and not for the approval of others.
This book is ideal for fans of original narratives, determined heroines, and an interest in the restrictions of Victorian life, especially for women. I’ve been waiting some time for this book and it was worth the wait.
Review copy courtesy of Netgalley and Inkslinger PR
April 27, 2021
I was looking forward to reading this book, but it really disappointed me. Cornelia seems like a woman who is simply very confused and Alistair seems like one of those classmates that no one could stand anymore because they did nothing but chaos. I gave it two stars, only because I was interested in the political discussion on women's rights, which the author was able to describe much better than this love story (?) that dragged on for an infinite number of pages. And to think that I liked the first book in this series so much.....
Non vedevo l'ora di leggere questo libro, che peró mi ha proprio deluso. Cornelia sembra una donna semplicemente molto confusa e Alistair sembra uno di quei compagni di classe che nessuno sopportava piú perché non facevano altro che casino. Gli ho dato due stelle, soltanto perché mi interessava il discorso politico sui diritti alle donne, che l'autrice ha saputo descrivere molto meglio rispetto a questa storia d'amore (?) che si é trascinata per un infinito numero di pagine. E pensare che il primo libro di questa serie mi era piaciuto cosí tanto.....
I received a complimentary digital copy from the publisher in exchange for a honest review.
Non vedevo l'ora di leggere questo libro, che peró mi ha proprio deluso. Cornelia sembra una donna semplicemente molto confusa e Alistair sembra uno di quei compagni di classe che nessuno sopportava piú perché non facevano altro che casino. Gli ho dato due stelle, soltanto perché mi interessava il discorso politico sui diritti alle donne, che l'autrice ha saputo descrivere molto meglio rispetto a questa storia d'amore (?) che si é trascinata per un infinito numero di pagine. E pensare che il primo libro di questa serie mi era piaciuto cosí tanto.....
I received a complimentary digital copy from the publisher in exchange for a honest review.
March 14, 2021
This is the first time I read this author and it's the second book in the series. I didn't read the first one and it didn't affect my comprehension of this one.
Cordelia has had some kind of falling out with her family and he's on her own, relying on her book biding skills for income. She meets a man out on the street in front of a client's house, and later finds out he's the Duke of Stroud. At first, she's irritated with him and his pranks, but the more time they spend together, the more she sees him for his true self.
I really liked how how different Cordelia and Stroud are, and how well they compliment each other. He doesn't take himself very seriously, and neither do others, but Cordelia is able to see past his façade and admire his brilliance. I loved how Stroud flourished under her view and opinion. Stroud gives Cordelia what she wants the most: he appreciates her intellect, intelligence, and independence, and he supports her endeavors as well. They were perfect for each other and I loved the chemistry between them.
I also appreciated the historical content about the rights of women, and there were very serious parts/scenes regarding this.
I'll be looking to read the previous book and looking forward to the next one.
I received a copy from the publisher via NetGalley and this is my honest opinion.
Cordelia has had some kind of falling out with her family and he's on her own, relying on her book biding skills for income. She meets a man out on the street in front of a client's house, and later finds out he's the Duke of Stroud. At first, she's irritated with him and his pranks, but the more time they spend together, the more she sees him for his true self.
I really liked how how different Cordelia and Stroud are, and how well they compliment each other. He doesn't take himself very seriously, and neither do others, but Cordelia is able to see past his façade and admire his brilliance. I loved how Stroud flourished under her view and opinion. Stroud gives Cordelia what she wants the most: he appreciates her intellect, intelligence, and independence, and he supports her endeavors as well. They were perfect for each other and I loved the chemistry between them.
I also appreciated the historical content about the rights of women, and there were very serious parts/scenes regarding this.
I'll be looking to read the previous book and looking forward to the next one.
I received a copy from the publisher via NetGalley and this is my honest opinion.
July 25, 2021
Take Oil and Water. Stir Together Vigorously. See What Happens.
What an unlikely couple! Cordelia is estranged from her parents and has become self-supporting by turning a hobby of bookbinding into a career. I wish I could have seen a copy of one of her beautiful books. She also hopes to do what she can to champion rights for women. She is always practical and serious.
Alistair is a duke, and little is expected of him. He did not do well in school, where he earned a reputation as class clown, an unintelligent practical joker. He is never serious.
Cordelia sees through Alistair's public facade to the very bright and loyal person inside. His practical jokes require attention to detail, feats of engineering, and a sense of humor. Cordelia believes in him far more than he does in himself.
Alistair sees Cordelia as someone who can match wits with him. When she outsmarts him, he is ecstatic to have such a worthy opponent. The only thing he does take seriously is Cordelia. He learns about the unfair treatment of women and ponders what he can do about it. In addition, he tries to find ways to help her.
A reader can learn about the long, hard struggle for women's rights in Great Britain and about bookbinding in this well-written book. Helpful notes point out which characters are historical figures.
I had some difficulty with Cordelia's cadre of good friends. They will be featured in future books, but played a sizable role in this story. Since they were strangers, they caused me to stumble now and then.
What an unlikely couple! Cordelia is estranged from her parents and has become self-supporting by turning a hobby of bookbinding into a career. I wish I could have seen a copy of one of her beautiful books. She also hopes to do what she can to champion rights for women. She is always practical and serious.
Alistair is a duke, and little is expected of him. He did not do well in school, where he earned a reputation as class clown, an unintelligent practical joker. He is never serious.
Cordelia sees through Alistair's public facade to the very bright and loyal person inside. His practical jokes require attention to detail, feats of engineering, and a sense of humor. Cordelia believes in him far more than he does in himself.
Alistair sees Cordelia as someone who can match wits with him. When she outsmarts him, he is ecstatic to have such a worthy opponent. The only thing he does take seriously is Cordelia. He learns about the unfair treatment of women and ponders what he can do about it. In addition, he tries to find ways to help her.
A reader can learn about the long, hard struggle for women's rights in Great Britain and about bookbinding in this well-written book. Helpful notes point out which characters are historical figures.
I had some difficulty with Cordelia's cadre of good friends. They will be featured in future books, but played a sizable role in this story. Since they were strangers, they caused me to stumble now and then.
April 25, 2021
I received an ARC of this book from the author and Inklslinger PR in exchange for an honest review
You can read the full review also on my blog Book Notes by Athina
Reading historical fiction books is something that I really enjoy and when they are combined with romance it is even better. Book of Love is exactly like this. It is set in 19th century London and I really like that. I loved the setting, the story and the writing style of the author and I really liked the fact that the author touched on some feminist themes of the time.
I liked both our main characters, Cordelia and Alistair and how their relationship evolved. I enjoyed the banter between them. It looks like a lighthearted read but it has a strong and smart female protagonist that I loved.
You can read the full review also on my blog Book Notes by Athina
Reading historical fiction books is something that I really enjoy and when they are combined with romance it is even better. Book of Love is exactly like this. It is set in 19th century London and I really like that. I loved the setting, the story and the writing style of the author and I really liked the fact that the author touched on some feminist themes of the time.
I liked both our main characters, Cordelia and Alistair and how their relationship evolved. I enjoyed the banter between them. It looks like a lighthearted read but it has a strong and smart female protagonist that I loved.
May 13, 2021
Lovely story about a wonderful couple. The Hero believed he was quite stupid, she thought him clever from the first meeting. He fell in love very quickly, doubted himself but would do anything for her. She only wanted him to be himself, because she loved him too. This is a woman of principles and values, and I loved her. This couple were so well suited and it's a great read. It's fun with the right amount of bitter sweet in the setting.
May 19, 2021
I loved this book! But fair warning, you really need to be in the mood for this one, because Alistair (the hero) can easily get on your nerves if you are not in a good humor.
I LOVED Alistair! If I had to describe him, I would simply say, “Golden retriever”. Just a big, goofy ball of joy! He was such a refreshing take on our cherished romantic hero’s. Not gruff, not grumpy- all he wanted in life was to laugh and bring joy to people with his humor and pranks. I can see how some might not like him (it can get exhausting) but it worked for me.
Cordelia was the EXACT opposite. In every way possible she opposed Alistair and I loved their witty exchanges when he pushed her a little too far. Alistair had the luxury of running around like a goof ball, while Cordelia was a single woman having to work for her bread. Alistair represented everything she resisted in life and it was sooooo stinking cute when he met her and could not break her into a smile or wrangle her into a prank.
His nickname for her was precious, his feelings for her were to die for, her falling in love with him was adorable….I can’t spew enough sugary things to say about this book. It was a perfect sweet treat!
“You can give me all your secrets,” he promised. “I’ll take good care of them.”
I LOVED Alistair! If I had to describe him, I would simply say, “Golden retriever”. Just a big, goofy ball of joy! He was such a refreshing take on our cherished romantic hero’s. Not gruff, not grumpy- all he wanted in life was to laugh and bring joy to people with his humor and pranks. I can see how some might not like him (it can get exhausting) but it worked for me.
Cordelia was the EXACT opposite. In every way possible she opposed Alistair and I loved their witty exchanges when he pushed her a little too far. Alistair had the luxury of running around like a goof ball, while Cordelia was a single woman having to work for her bread. Alistair represented everything she resisted in life and it was sooooo stinking cute when he met her and could not break her into a smile or wrangle her into a prank.
His nickname for her was precious, his feelings for her were to die for, her falling in love with him was adorable….I can’t spew enough sugary things to say about this book. It was a perfect sweet treat!
“You can give me all your secrets,” he promised. “I’ll take good care of them.”
April 17, 2021
I always love it when I find a book I simply can’t put down. Erin Satie’s “Book of Love” was definitely one such book. Although the plot was fairly simple as is often typical of romance novels, the characters themselves kept me enthralled until the very end.
I admired Cordelia Kelly from the first moment the reader is introduced to her. Here is a woman who came from a privileged background and gave up the security that came with it in order to support her friend. It also didn’t hurt that Cordelia is an avid reader and works as a bookbinder, which is a profession I would have loved if I were living in the Victorian Era.
Then there is Alistair “Rip”, the Duke of Stroud. He’s just such a gentle giant!. Alistair is a sweet man, who has such low self esteem due to his upbringing. From the very first page, as the reader, you can see that his heart is as large as the rest of his body and that he would do just about anything for those he loves.
I really enjoyed the courtship between Alistair and Cordelia. They had an instant connection, but as a result of past trauma were slow to trust the attraction. Watching them slowly open up to one another and develop a true partnership was a pleasure to read.
Overall, I give this book a 5 out of 5. If you are interested in life in the Victorian Era or just love a good romance then this is the perfect book for you. My gratitude goes to Victory Editing Netgalley Co-op for allowing me to read this ARC and I’ve already added several of Erin Satie’s other books to my to read list.
I admired Cordelia Kelly from the first moment the reader is introduced to her. Here is a woman who came from a privileged background and gave up the security that came with it in order to support her friend. It also didn’t hurt that Cordelia is an avid reader and works as a bookbinder, which is a profession I would have loved if I were living in the Victorian Era.
Then there is Alistair “Rip”, the Duke of Stroud. He’s just such a gentle giant!. Alistair is a sweet man, who has such low self esteem due to his upbringing. From the very first page, as the reader, you can see that his heart is as large as the rest of his body and that he would do just about anything for those he loves.
I really enjoyed the courtship between Alistair and Cordelia. They had an instant connection, but as a result of past trauma were slow to trust the attraction. Watching them slowly open up to one another and develop a true partnership was a pleasure to read.
Overall, I give this book a 5 out of 5. If you are interested in life in the Victorian Era or just love a good romance then this is the perfect book for you. My gratitude goes to Victory Editing Netgalley Co-op for allowing me to read this ARC and I’ve already added several of Erin Satie’s other books to my to read list.
March 11, 2021
Thanks to Victory Editing NetGalley Co-op for sending me this ARC in exchange for an honest review!
It's a lighthearted yet empowering read with a strong, independent female protagonist. This reminds me of why I love historical romance: Erin Satie picked up the often neglected yet important pieces of history and managed to present it in a refreshing coat. And in this case, the status of married women and class discrimination in feminists' movements. You can find many historical events and figures in the book, and how our main character became part of it.
I really enjoyed the political part of this story, as well as the characters and the romance. Cordelia is a tough character with principles, who bravely cut her ties with her family to run a business in a city. I so strongly wished for Cordelia to kick his father's arse, and I'm sour that it obviously didn't happen. Cordelia and the duke have become one of my favourite couples. The Duke's prankster's personality made the book so fun to read and if you read the book, you will understand why he and Cordelia fit so well. The book also included many side characters with rich personality, I wonder if they will make an appearance in the rest of the series. I'm certainly interested to read their stories too!
It's a lighthearted yet empowering read with a strong, independent female protagonist. This reminds me of why I love historical romance: Erin Satie picked up the often neglected yet important pieces of history and managed to present it in a refreshing coat. And in this case, the status of married women and class discrimination in feminists' movements. You can find many historical events and figures in the book, and how our main character became part of it.
I really enjoyed the political part of this story, as well as the characters and the romance. Cordelia is a tough character with principles, who bravely cut her ties with her family to run a business in a city. I so strongly wished for Cordelia to kick his father's arse, and I'm sour that it obviously didn't happen. Cordelia and the duke have become one of my favourite couples. The Duke's prankster's personality made the book so fun to read and if you read the book, you will understand why he and Cordelia fit so well. The book also included many side characters with rich personality, I wonder if they will make an appearance in the rest of the series. I'm certainly interested to read their stories too!
March 15, 2021
This is the second book of the series but can easily be read as a stand alone. This book was amazing and I went back to read the first one afterwards. Cordelia is shunned by her family for standing with her friend after a scandal. This leaves her on her own and having to find work she starts making books. I love that it doesn't sugar coat this and shows some of the trials tradeswomen would go through. Duke of Stroud is an all around good guy but no one takes him serious. He is always play pranks and that side is all he shows society. A run in with Cordelia leaves his curiosity peaked and when she refuses to play his games, it slowly draws him in. This isn't a slow burn but it doesn't rush either. The characters have lots of witty banter and through her no nonsense manner he realizes he is not the dunce he is always been told he is. It was nice to see a hero that wasn't so full of himself, and grew right along the heroine. There is a strong feminist backbone to this book but its period accurate and adds to the book instead of being over powering. I really enjoyed this series and can not wait for the next one.
April 28, 2021
Full review on Sam's Beach Reads.
What I Loved:
The Bookbinding. What led me to requesting Book of Love is also what kept my interest: Cordelia makes books for a living, back when books were made to order and illustrations done by hand. While Cordelia has to bind books to make a living, it is also a passion for her, and she makes what could very well be the first scrapbook. I loved all of the details of her process and her business, and love watching how she then uses her bookbinding skills to fight for women’s rights.
The Duke of Stroud. Cordelia I can take or leave (see below), but I simple loved Stroud. He was this big sweet goofball who wanted to bring joy in his friends’ hearts and who was constantly put down as a child. I loved how Stroud found happiness in someone who recognized his worth despite the years of emotional abuse, and his pranks make me wish I had a Stroud in my life.
The Politicking. I feel like historical romances are often fluff, which I truly do love. However, Book of Love provided an exciting surprise with Cordelia joining the women’s rights movement in mid-19th century London. The way Satie incorporates women’s right to their own property after marriage, and watching Cordelia and Stroud get the 1800s version of a pre-nup made Book of Love more fun than a normal historical romance.
What Didn’t Work For Me:
While I love so many things about Cordelia’s life (I love her work, her dedication to the women’s rights movement, her origin story, and her friends), I can’t help but be exasperated by her. She is not just outspoken but rude and is a bit of a know it all (takes one to know one… I have been accused of that as well). Cordelia accepts Stroud’s proposal as though it were a pragmatic decision instead of one borne from love, even in the company of her closest friends. I wish she’d been honest with herself in the very beginning.
The Pacing. In a bit of a reversal from my normal complaint, I thought that Book of Love is perfectly paced in the beginning and then rushes into the last quarter like a bat out of hell. I am a bit of a cliché reader and love when the marriage ends the book, but didn’t hate that Stroud and Cordelia got married early – I just wish it didn’t change the entire pace of the book. Too much character development occurred from that one moment on.
The Sex. This seems like an unpopular opinion compared to other reviews, but I didn’t like the way Satie wrote the intimate scenes between Stroud and Cordelia. They were awkward and uncomfortable – it reminded me of a YA when two teenagers are first exploring each other. While there is a time and a place for that kind of scene, a historical romance is not one of them for me. This is my first Satie, so that may be the problem.
What I Loved:
The Bookbinding. What led me to requesting Book of Love is also what kept my interest: Cordelia makes books for a living, back when books were made to order and illustrations done by hand. While Cordelia has to bind books to make a living, it is also a passion for her, and she makes what could very well be the first scrapbook. I loved all of the details of her process and her business, and love watching how she then uses her bookbinding skills to fight for women’s rights.
The Duke of Stroud. Cordelia I can take or leave (see below), but I simple loved Stroud. He was this big sweet goofball who wanted to bring joy in his friends’ hearts and who was constantly put down as a child. I loved how Stroud found happiness in someone who recognized his worth despite the years of emotional abuse, and his pranks make me wish I had a Stroud in my life.
The Politicking. I feel like historical romances are often fluff, which I truly do love. However, Book of Love provided an exciting surprise with Cordelia joining the women’s rights movement in mid-19th century London. The way Satie incorporates women’s right to their own property after marriage, and watching Cordelia and Stroud get the 1800s version of a pre-nup made Book of Love more fun than a normal historical romance.
What Didn’t Work For Me:
While I love so many things about Cordelia’s life (I love her work, her dedication to the women’s rights movement, her origin story, and her friends), I can’t help but be exasperated by her. She is not just outspoken but rude and is a bit of a know it all (takes one to know one… I have been accused of that as well). Cordelia accepts Stroud’s proposal as though it were a pragmatic decision instead of one borne from love, even in the company of her closest friends. I wish she’d been honest with herself in the very beginning.
The Pacing. In a bit of a reversal from my normal complaint, I thought that Book of Love is perfectly paced in the beginning and then rushes into the last quarter like a bat out of hell. I am a bit of a cliché reader and love when the marriage ends the book, but didn’t hate that Stroud and Cordelia got married early – I just wish it didn’t change the entire pace of the book. Too much character development occurred from that one moment on.
The Sex. This seems like an unpopular opinion compared to other reviews, but I didn’t like the way Satie wrote the intimate scenes between Stroud and Cordelia. They were awkward and uncomfortable – it reminded me of a YA when two teenagers are first exploring each other. While there is a time and a place for that kind of scene, a historical romance is not one of them for me. This is my first Satie, so that may be the problem.
April 21, 2021
Book of Love is the second book in the Sweetness and Light series by author Erin Satie. I haven't read the first book yet, but they seem to be about different characters which leads me think that they are both standalone stories maybe set in the same world. Book of Love is a delightful historical romance. It is my time reading a book by this author and I really liked her storytelling abilities, so I look forward to trying more from her.
In the Book Of Love we meet our main characters Cordelia and the Duke of Stroud. Cordelia is a strong independent feminist woman. She runs her own bookbinding business and is also actively involved in political activism. I appreciated Cordelia's strength of character and I loved that very personality trait is what infatuated the Duke so much. The Duke of Stroud is a huge prankster and that personality trait is one of the things that has made it so hard for him to maintain relationships in the past, but when he becomes smitten with Cordelia he is relentless. I loved seeing his pranks almost as much as I loved seeing all of his antics as he tried to pursue Cordelia.
Book of Love is an adorable historical romance that also takes the time to touch on some more serious concepts. The romance is very lighthearted but that does not mean that the politics are all fluff as well. Cordelia is very involved in the divorce bill, and learning about the rights of post regency era women was fascinating. I really appreciated and enjoyed that aspect of the story, but I would be lying if I said that the romance wasn't my favorite. It was! I really enjoyed how the Duke and Cordelia complemented each other and I love a good wooing story. I really liked Erin Satie's writing style. I will say that sometimes I felt like I was on detail overload. The amount of details did bog down the pacing and flow of the story at times, in my opinion. (though I would not be surprised if I was the minority opinion on that font.)
Bottom line: If you are a fan of historical romances with a good dose of feminism and politics woven in, then you will really enjoy Book of Love!
In the Book Of Love we meet our main characters Cordelia and the Duke of Stroud. Cordelia is a strong independent feminist woman. She runs her own bookbinding business and is also actively involved in political activism. I appreciated Cordelia's strength of character and I loved that very personality trait is what infatuated the Duke so much. The Duke of Stroud is a huge prankster and that personality trait is one of the things that has made it so hard for him to maintain relationships in the past, but when he becomes smitten with Cordelia he is relentless. I loved seeing his pranks almost as much as I loved seeing all of his antics as he tried to pursue Cordelia.
Book of Love is an adorable historical romance that also takes the time to touch on some more serious concepts. The romance is very lighthearted but that does not mean that the politics are all fluff as well. Cordelia is very involved in the divorce bill, and learning about the rights of post regency era women was fascinating. I really appreciated and enjoyed that aspect of the story, but I would be lying if I said that the romance wasn't my favorite. It was! I really enjoyed how the Duke and Cordelia complemented each other and I love a good wooing story. I really liked Erin Satie's writing style. I will say that sometimes I felt like I was on detail overload. The amount of details did bog down the pacing and flow of the story at times, in my opinion. (though I would not be surprised if I was the minority opinion on that font.)
Bottom line: If you are a fan of historical romances with a good dose of feminism and politics woven in, then you will really enjoy Book of Love!
June 5, 2022
This book wasnot what I expected, and turned out to be a really great, entertaining read!
A book about books (main character Cordelia is a book-binder) is almost guaranteed to get my attention, so when I came across this on some list I was intrigued.
Once I started reading it, however I wasn't sure, as both Cordelia and Alastair annoyed me in the beginning. Cordelia seemed unnecessarily harsh, and Stroud with his pranks came across as a ridiculous two-year-old in the - very large - body of a grown man. Reading the rest of the book proved I couldn't have been more wrong - this book has layers, intelligence, humour and a historical education on some very important things woven through it, while also telling a terrific, well-crafted story.
The characters - all of them, including the supporting characters - are muli-faceted and complex, just as actual humans are, so while none of them are perfect (who is?) almost all of them turn out to be likable, relatable people a reader can root for with their whole hearts . . . at least, that's how *I* felt about them.
The way the plot played out was so cleverly done, that I was completely engrossed without even realizing when it happened, and I was so invested in both Cordelia and Stroud being successful - in both their romance and in their separate goals and wishes that I barely noticed the time going while I was reading this book.
The author very effectively weaves in the issues of the time - in this case the attempts in Britain to give married women some rights, particularly the right to sue for divorce, and as a "modern" woman, it was a good reminder about how hard women before us had to fight to gain rights we today take for granted. It was both an education and an interesting side-aspect of this story.
I also loved some of the humour in this story. Both Cordelia and Stroud have some very funny lines and moments in the book, and it was delightful.
This is the first book by this author I've read, but having enjoyed it so very much, I will definitely be searching out others.
A book about books (main character Cordelia is a book-binder) is almost guaranteed to get my attention, so when I came across this on some list I was intrigued.
Once I started reading it, however I wasn't sure, as both Cordelia and Alastair annoyed me in the beginning. Cordelia seemed unnecessarily harsh, and Stroud with his pranks came across as a ridiculous two-year-old in the - very large - body of a grown man. Reading the rest of the book proved I couldn't have been more wrong - this book has layers, intelligence, humour and a historical education on some very important things woven through it, while also telling a terrific, well-crafted story.
The characters - all of them, including the supporting characters - are muli-faceted and complex, just as actual humans are, so while none of them are perfect (who is?) almost all of them turn out to be likable, relatable people a reader can root for with their whole hearts . . . at least, that's how *I* felt about them.
The way the plot played out was so cleverly done, that I was completely engrossed without even realizing when it happened, and I was so invested in both Cordelia and Stroud being successful - in both their romance and in their separate goals and wishes that I barely noticed the time going while I was reading this book.
The author very effectively weaves in the issues of the time - in this case the attempts in Britain to give married women some rights, particularly the right to sue for divorce, and as a "modern" woman, it was a good reminder about how hard women before us had to fight to gain rights we today take for granted. It was both an education and an interesting side-aspect of this story.
I also loved some of the humour in this story. Both Cordelia and Stroud have some very funny lines and moments in the book, and it was delightful.
This is the first book by this author I've read, but having enjoyed it so very much, I will definitely be searching out others.
May 21, 2021
I found this book through SBTB.com and paid for a kindle copy.
I am an occasional reader of smut with character development and and even more occasional reader of historical romance. So I don't have a firm grasp on the required beats.
This was great.
Up to about 70% mark, 5 stars.
Afterward, still really great, just the sexual intimacy is a component that is a tool to show emotional intimacy, rather than a celebration of "yeah, we're exploring each other and it feels amazing and we're brave and super respectful of each other and fireworks!"
So this book doesn't explore the characters through their sexual intercourse interaction, it explores them through all the other stuff + some kissing :D
Characters are wonderful.
Heroine is logical in the best way - has emotions, evaluates her doubts, recollects her principles, evaluates her impulse against principles, adjusts course of action. So hot.
Hero is a joy. Sunshine and respect and this endless determination, presented in an unusual way.
They have a hellza healthy relationship, and they have friends and community with whom they spend time with outside each other, and the book continues past their marriage!! Into daily life, and the kind of shenanigans they can accomplish together. It's rad.
The writing is strong; has good pacing overall, is beautiful and really easy to get immersed in. I liked the actual historic laws and a couple of historic figures that got borrowed for this - illuminating, interesting, especially since we still have to put up with the oppressive gender roles Europe developed, and it's a neat reminder that they were even more oppressive a couple centuries back.
So I was a bit bummed not to experience the character exploration through sex, but it occurs to me that perhaps, that's how it is in historical romance?
I'll giddily recommend this book to my friends, and will go check out the first one.
I am an occasional reader of smut with character development and and even more occasional reader of historical romance. So I don't have a firm grasp on the required beats.
This was great.
Up to about 70% mark, 5 stars.
Afterward, still really great, just the sexual intimacy is a component that is a tool to show emotional intimacy, rather than a celebration of "yeah, we're exploring each other and it feels amazing and we're brave and super respectful of each other and fireworks!"
So this book doesn't explore the characters through their sexual intercourse interaction, it explores them through all the other stuff + some kissing :D
Characters are wonderful.
Heroine is logical in the best way - has emotions, evaluates her doubts, recollects her principles, evaluates her impulse against principles, adjusts course of action. So hot.
Hero is a joy. Sunshine and respect and this endless determination, presented in an unusual way.
They have a hellza healthy relationship, and they have friends and community with whom they spend time with outside each other, and the book continues past their marriage!! Into daily life, and the kind of shenanigans they can accomplish together. It's rad.
The writing is strong; has good pacing overall, is beautiful and really easy to get immersed in. I liked the actual historic laws and a couple of historic figures that got borrowed for this - illuminating, interesting, especially since we still have to put up with the oppressive gender roles Europe developed, and it's a neat reminder that they were even more oppressive a couple centuries back.
So I was a bit bummed not to experience the character exploration through sex, but it occurs to me that perhaps, that's how it is in historical romance?
I'll giddily recommend this book to my friends, and will go check out the first one.
June 7, 2021
I rounded up my rating up to 3 from 2.5 for a few reasons:
1) Cordelia is just amazing. As is Tess. Sprinkle a little of Bonny on both and they could be close to perfect.
2) The book binding sounds fascinating and wonderful finished products. Chilly's idea behind the Book of Love for Nell and Cordelia's finished product. *chef's kiss*
3) Cordelia is courteous to clueless mother, but doesn't give father a free pass. After what mother said to Bonny in BoF, I was a little disgruntled by even the courtesy.
4) I was devastated by the outcome of the Divorce Bill. I would have loved a better outcome, but kudos to author for not pulling punches on historical accuracy. An excellent reminder in todays's society & politics for patience and stay the course even if ALL THE THINGS don't go your way.
I had mixed feelings about Stroud's constant "puppy dog" like behaviors. I would have liked to have seen a bit more evolution(?) and growth. A simple example would be Cordelia repeatedly telling him not to call her "Coco". She may have learned to accept it in the future, but him disregarding her wishes like that really bothered me. I appreciated supporting the characters, Chilly, Flea and even Fisk. I will say that I loved the "cake" decoration Stroud pulled off for Chilly & Nell's wedding and the turnabout from Chilly & Flea for Stroud's wedding.
Still a big fan of Tess, but WTH is up with Olympia? She took a huge turn from what I expected of her character from BoF. I believe there to be 4 books in this series. If one of the others is to center on Olympia, after her behaviors/actions in this book, I'm not sure I'd enjoy or care about her as main character. Part of my devastation with the gutting of that Divorce Bill, was that I had expectations that it would pass and serve Olympia in getting out of her debacle of a marriage and help her reconcile with Tess. Reality bites, eh? ;-)
I do look forward to the next in this series.
1) Cordelia is just amazing. As is Tess. Sprinkle a little of Bonny on both and they could be close to perfect.
2) The book binding sounds fascinating and wonderful finished products. Chilly's idea behind the Book of Love for Nell and Cordelia's finished product. *chef's kiss*
3) Cordelia is courteous to clueless mother, but doesn't give father a free pass. After what mother said to Bonny in BoF, I was a little disgruntled by even the courtesy.
4) I was devastated by the outcome of the Divorce Bill. I would have loved a better outcome, but kudos to author for not pulling punches on historical accuracy. An excellent reminder in todays's society & politics for patience and stay the course even if ALL THE THINGS don't go your way.
I had mixed feelings about Stroud's constant "puppy dog" like behaviors. I would have liked to have seen a bit more evolution(?) and growth. A simple example would be Cordelia repeatedly telling him not to call her "Coco". She may have learned to accept it in the future, but him disregarding her wishes like that really bothered me. I appreciated supporting the characters, Chilly, Flea and even Fisk. I will say that I loved the "cake" decoration Stroud pulled off for Chilly & Nell's wedding and the turnabout from Chilly & Flea for Stroud's wedding.
Still a big fan of Tess, but WTH is up with Olympia? She took a huge turn from what I expected of her character from BoF. I believe there to be 4 books in this series. If one of the others is to center on Olympia, after her behaviors/actions in this book, I'm not sure I'd enjoy or care about her as main character. Part of my devastation with the gutting of that Divorce Bill, was that I had expectations that it would pass and serve Olympia in getting out of her debacle of a marriage and help her reconcile with Tess. Reality bites, eh? ;-)
I do look forward to the next in this series.
This entire review has been hidden because of spoilers.
April 6, 2021
Love, love, love. What can I say about the "Book of Love"? The blurb and beautiful cover (because let's be honest folks, we do judge books by their covers) draw you in to what is seemingly a story about two people from two different backgrounds with different points of view on life and her through it all they find themselves drawn together. . . At least that is what it lead me to believe?!?
What I felt like the author really wrote about is a very spirited, opinionated woman who has a very icy shell and has deafened her emotions. She is like any good englishwoman of the time. She may say love is important but she is too practical to let it interfer in relationships. The only passion I really felt for Cordelia (Coco) is when is is talking about books or equal woman's rights. Her level-headeded stoicism often made me wonder if her feelings were real or feigned. On the other hand there is Alistair (Rip), who is so light-hearted and carefree that it's unreal what he sees in her. She says hateful things to him and never said sorry, but he loves her.
I kept feeling like the cold demeanor of Coco would that once they were together but it just seemed that she was smug about her position saying stuff about "what happens if I want your sister to leave" or I want my own place. She was penniless going in why is she so high-handed now always pushing people to see what would break them? She says that what belong to the woman should stay with the woman, but why isn't the opposite also true? She acts like everything is all hers. She really started to annoy at the end. She wasn't loving our grateful, just entitle at the end. I don't know. This is just me opinion but the overall book was more about the cold love than a passionate love. It was a letdown for me, sadly.
** Thank you to NetGalley and the author for the opportunity to review this book **
What I felt like the author really wrote about is a very spirited, opinionated woman who has a very icy shell and has deafened her emotions. She is like any good englishwoman of the time. She may say love is important but she is too practical to let it interfer in relationships. The only passion I really felt for Cordelia (Coco) is when is is talking about books or equal woman's rights. Her level-headeded stoicism often made me wonder if her feelings were real or feigned. On the other hand there is Alistair (Rip), who is so light-hearted and carefree that it's unreal what he sees in her. She says hateful things to him and never said sorry, but he loves her.
I kept feeling like the cold demeanor of Coco would that once they were together but it just seemed that she was smug about her position saying stuff about "what happens if I want your sister to leave" or I want my own place. She was penniless going in why is she so high-handed now always pushing people to see what would break them? She says that what belong to the woman should stay with the woman, but why isn't the opposite also true? She acts like everything is all hers. She really started to annoy at the end. She wasn't loving our grateful, just entitle at the end. I don't know. This is just me opinion but the overall book was more about the cold love than a passionate love. It was a letdown for me, sadly.
** Thank you to NetGalley and the author for the opportunity to review this book **
April 21, 2021
Book of Love, Sweetness and Light Book 2, Erin Satie
Review from Jeannie Zelos book reviews
Romance
Genre: General Fiction (Adult), Historical Fiction, Romance
I like to read a historical novel sometimes, for an escape into more genteel times – of course that's only for the wealthy. Maybe times don't change! I enjoyed the historical setting, the book binding, and the political side of this read but wasn't convinced by the romance.
Stroud – he came over as an overgrown schoolboys with his Pranks. I just couldn't get along with them or him, but he grew on me over the course of the book as a good man, one who knew his own limits and one of the rare folk who can see how others see them and adapt accordingly. His love for Cordelia was very clear by the end, yet I didn't really see how they got there. How they went from his pranks and her condescension to love. That's just me though, as always this is perfect for others. We all like different things.
The politics, where Cordelia is fighting for women's rights, were something very real, and back then on marriage a woman had nothing, everything she owned, had worked for, was the property of her husband. He could do as he wished with it, gamble it, sell it, give it away and she could do nothing. Not only that, women couldn't divorce their husbands, only men were allowed to divorce. Its treated as a part of the book, and fits Cordelia's nature well and I enjoyed reading about that.
Overall it was a fun read, not one that gripped me, but interesting even if the romance didn't convince me.
Stars: Three, its an interesting historical read, but the romance didn't quite hit the spot for me.
ARC supplied by Netgalley and publishers
Review from Jeannie Zelos book reviews
Romance
Genre: General Fiction (Adult), Historical Fiction, Romance
I like to read a historical novel sometimes, for an escape into more genteel times – of course that's only for the wealthy. Maybe times don't change! I enjoyed the historical setting, the book binding, and the political side of this read but wasn't convinced by the romance.
Stroud – he came over as an overgrown schoolboys with his Pranks. I just couldn't get along with them or him, but he grew on me over the course of the book as a good man, one who knew his own limits and one of the rare folk who can see how others see them and adapt accordingly. His love for Cordelia was very clear by the end, yet I didn't really see how they got there. How they went from his pranks and her condescension to love. That's just me though, as always this is perfect for others. We all like different things.
The politics, where Cordelia is fighting for women's rights, were something very real, and back then on marriage a woman had nothing, everything she owned, had worked for, was the property of her husband. He could do as he wished with it, gamble it, sell it, give it away and she could do nothing. Not only that, women couldn't divorce their husbands, only men were allowed to divorce. Its treated as a part of the book, and fits Cordelia's nature well and I enjoyed reading about that.
Overall it was a fun read, not one that gripped me, but interesting even if the romance didn't convince me.
Stars: Three, its an interesting historical read, but the romance didn't quite hit the spot for me.
ARC supplied by Netgalley and publishers
May 3, 2021
I'm always keen to read a new book by Erin Satie, her research and understanding of the period in which she writes is always exemplary, and she always has a social point to make together with a well developed romance plot with interesting protagonists. This one was no exception. The political background was about advocacy for the rights of women, both the fight for the rights of women in marriage, and the Divorce bill. There was also a really good exploration of the freedoms of women of all types at the time.
We have Cordelia, who we met in the first book of the series, principled and well educated by a father who is a judge, she has been ostracised when she was involved in a scandal at home. Disappointed by her father's reaction she has left home and settled in London, and supports herself by bookbinding for a living. This is a pretty difficult proposition, it is difficult to make enough to eat, clothe oneself and keep warm enough in her rented room. Cordelia is a serious, high minded individual who has little time for frivolity. I love a heroine who is uncompromising, sharp and unconcerned about what people who don't matter to her think of her.
When she bumps into the Duke of Stroud, who is a committed prankster, Rip, or Alistair is immediately captivated by all of Cordelia's angles, her strength of character and disdain for his pranks. He immediately tries to rope her in to his schemes, and is frustrated by her unwillingness to believe that he is just a silly man who plans pranks to amuse and make up for his lack of intellect and gigantic size. In fact Alistair has been belittled by and abusive father, abandoned by a much put upon mother, and has refused to let this cruelty make him cruel in his turn.
Cordelia sees right through to his real self almost immediately, and manages to best him at his own game. also a trope I adore.
The way they fall in love felt just right, and I also appreciated the way they grew into the marriage together.
Highly recommended.
I voluntarily reviewed an advance reader copy of this book and all opinions are my own
We have Cordelia, who we met in the first book of the series, principled and well educated by a father who is a judge, she has been ostracised when she was involved in a scandal at home. Disappointed by her father's reaction she has left home and settled in London, and supports herself by bookbinding for a living. This is a pretty difficult proposition, it is difficult to make enough to eat, clothe oneself and keep warm enough in her rented room. Cordelia is a serious, high minded individual who has little time for frivolity. I love a heroine who is uncompromising, sharp and unconcerned about what people who don't matter to her think of her.
When she bumps into the Duke of Stroud, who is a committed prankster, Rip, or Alistair is immediately captivated by all of Cordelia's angles, her strength of character and disdain for his pranks. He immediately tries to rope her in to his schemes, and is frustrated by her unwillingness to believe that he is just a silly man who plans pranks to amuse and make up for his lack of intellect and gigantic size. In fact Alistair has been belittled by and abusive father, abandoned by a much put upon mother, and has refused to let this cruelty make him cruel in his turn.
Cordelia sees right through to his real self almost immediately, and manages to best him at his own game. also a trope I adore.
The way they fall in love felt just right, and I also appreciated the way they grew into the marriage together.
Highly recommended.
I voluntarily reviewed an advance reader copy of this book and all opinions are my own
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