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125 pages, Paperback
First published January 1, 2001
Gardening is quite unlike painting, but there are things one can learn from the painter nevertheless. John Gage, the great historian of colour theory, tells a story of Turner and Constable exhibiting their paintings side by side in 1832 in the crowded conditions of Somerset House. Painters in these exhibitions (and Turner in particular) specialized in last-minute tricks to ensure that their works looked well.
On this occasion Constable found ‘the red robes of the dignitaries in his picture of the Opening of Waterloo Bridge (London, National Gallery) cast into obscurity by the wafer of red sealing-wax which Turner applied to the water of his cool green sea-piece next to it, Helvoetsluys, and later painted into the form of a buoy. "He has been here," said Constable when he saw it, "and fired a gun."’ [11]