Suzanne McCourt The Tulip Tree The Text Publishing Company 2021
Thank you NetGalley for this uncorrected proof in exchange for an honest review.
I was drawn to this novel because of the connection between Poland and the Snowy Mountains of south-eastern Australia. That the story also includes a period with which I was familiar through the Polish film Cold War was enticing. I was rewarded: the resilience, love, small facets of humour that glimmered through that film, along with the fear and cruelty, are abundant in this novel. The strength of the people, and complexity of the events was brought home to me when reference is made to the Royal Palace in Warsaw being opened to the community by the communists – a venue where during my visit to Poland I saw two of the most remarkable Rembrandts (recently authenticated). The public opening did not take place in a vacuum, or apart from suffering. It is the way in which McCourt takes the characters through so many multifaceted situations, complete with ironies, personal conflicts and world events that makes this novel a thoroughly rewarding and valuable read.
Two brothers, Henryk and Adam, open the story, a short deer hunting episode illustrating their differences and relationship. Kasia, who was betrothed initially to Henryk and after he dishonours the betrothal, marries Adam, is a character whose presence is felt throughout the brothers’ lives. Adam becomes a veterinarian, and Henryk is successful in business. Both professions lead them into conflict throughout the political periods covered by the novel – the aftermath of World War 1, the pre-war period leading to World War 11 and the war, the immediate aftermath and into the 1950s. The novel is divided into four parts, Part One covering 1920 – 1922, when Adam returns home to Kasia and their son Marek after having been forced into the White Army; Part Two 1923 – 1939 where on the personal level Kasia hovers over Henryk’s life, and possibly less consciously over Adam’s, the brothers are professionally content but the portents as well as vicissitudes leading to war are felt by them, their families and the community; Part Three the 1939 – 1944 war years, including life in Ravensbruk, based on experiences shared with the author; and Part Four 1945 – 1954, where the characters suffer their personal complications as well as those associated with Poland under Russian ‘liberation’; and life in Australia, valued and almost loved, while longing for family and Poland.
This is an immense novel, with its personal stories woven throughout the political narrative. Personal political differences are subsumed, but never eradicated, with the complexities of living during the two wars and their aftermaths poignantly written. When a German visits one flat to see the vet about his dog, and in the flat below a Jewish family is being hidden, the proximity of fear, courage, and professional endeavour work together to give this novel a depth that would not be possible without the subtleties with which the characters are depicted. The tulip tree of the title with its image of a bare tree being covered in tulip blooms provides Adam with a sense of awe, courage, and hope. At the same time as thinking this, he imagines his son and he eating pierogi for supper: imagery of hope and domesticity woven yet again into story that resonates with human needs, tragedies and joy.