Silver lightly flavours cosy mysteries with magic, creating crimes that aren’t always solved by investigative skill alone but can still be solved by readers who aren’t themselves witches.
When Eliza Emory’s father dies just after she finishes college, she assumes she’s on her own; however, a series of impossible incidents during her first day at work not only end her career before it’s started but also reveal an entire family she never knew she had, a family who are witches. When they invite her to move in with them and offer her a job in their coffee shop, everything seems great—until a customer dies of poisoning just after she served him. She knows she didn’t do it, but how can she prove her innocence in a small town when the police chief assumes the newcomer must be the culprit?
This boxed set contains Wake Up and Spell the Coffee, Whole Latte Magic, and A Witch, Dark Roast, the first three volumes of the Enchanted Enclave Mysteries.
Silver opens the first book with a scene establishing Eliza’s recent transition into both employment and orphanhood, then has her suddenly kidnapped by a flying broom. In addition to highlighting Eliza’s utter lack of awareness of the magical side of her family—and of magic at all—this promises a slightly farcical and definitely not dark tone: a promise that is, apart from the inherent darkness of any murder, kept.
All three novels feature a mystery that is plausible without being mundane. Perhaps more importantly—at least for some readers—Eliza’s progress toward a solution comes mostly from a combination of hard work, careful thought, and the imperfection of villains rather than unfeasible coincidences or exceptional talent; thus, the reader can both race to the right answer and feel that the right answer is fully earned.
This focus on the plausible over the unfeasible is especially evident in Silver’s inclusion of magic: rather than the parallel magical community of many cosy supernatural mysteries, Eliza’s family have been banished from a separate magical world under commandment to remain hidden, so there are not multiple supernatural suspects to rule out or wizards embedded among the police to divine answers. Eliza’s inexperience with magic adds a lack of theoretical options to pressure not to use magic unless it is safe: being able to change the colour of a candle is amazing but not very useful for investigation.
Where there is a possible magical involvement, the characters identify this possibility early on, and—because Eliza doesn’t know anything about magic—give a brief explanation of what it might be, meaning the reader doesn’t discard certain solutions as impossible only to feel tricked when it turns out late in the book that magic was used. A possible downside of this is that magic, and the supernatural in general, lack the awesome and terrible defiance of reality that other novels might display.
However, the magical is more than colour for an utterly realistic mystery: in addition to members of Eliza’s family being able to cast useful spells that solve certain issues, Eliza manages to find innovative uses for a couple of the spells she does know. These advantages are balanced by additional—sometimes very humorous—challenges: sometimes Eliza’s spells go wrong and having someone else cast a spell for you is fine until you need to end it when they aren’t around.
While each novel does start with that certain degree of unfortunate circumstance common to all amateur sleuth stories, Silver avoids the implausibility of having Eliza be a prime suspect in the first murder of each book; instead, each starts with a different reason for her to take an interest, a reason readers are highly likely to agree is a good one but the police—of course—would not.
Potentially the thing that will most divide readers is Silver’s propensity for having characters repeat things in considerable detail rather than make brief references; while this potentially more closely matches the speech patterns of real life, some readers might start to feel they are being told things they already know. As Silver includes conversational reprises of previous volumes in the later two novels, this effect might be especially strong for those who read the collection as a single larger book rather than setting it aside for a while between each novel.
A number of Silver’s characters display the same habit of repetition when it comes to enduring interests and concerns. Depending on reader preference, these will appear somewhere between characterful and amusing catchphrases and tedious repetition.
Eliza is an engaging protagonist, traumatised by the loss of her father and both confused and troubled by the discovery an entire side of her family was hidden from her for all of her childhood but active and open to joy rather than passive and angst-ridden.
Her family balance the commonality one might expect of magical exiles and distinct personalities. Thus, while all of them are definitely good rather than bad people, there is a wide and nuanced spread on, for example, when magic is permitted and whether to live serious and careful lives in the hope of the exile being lifted or have fun.
The supporting cast are similarly complex yet accessible, giving each of them a sense of living entire lives that are seen when they intersect with the protagonists that both makes them interesting and prevents the reader immediately separating them into “part of the mystery” and “local colour”.
Overall, I enjoyed these novels. I recommend them to readers seeking a cosy paranormal mystery that is more about character than flashy powers.