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240 pages, Paperback
First published March 7, 2016
It's a blue kind of Thursday and a very special trip to Germany today on the blog!
Thank you to Anne Cater and Karen Sullivan for picking me up for the drive! This review is my thank you to them and the author.
It doesn’t happen a lot. I’m as chatty as a Donna Noble on pub nights. But Blue Night stole every word in the dictionary and every picture in my imagination, mixed and stirred, and kicked off a series the best way possible.
The style is unique. I was surprised and at first unsure whether or not I enjoyed the past narration popping up between chapters in the present, but the more I read, the more eager I was to find out more about what had led our characters to their current situation.
I tend to prefer when a story focuses on few characters. Well, I got the opposite here! But it was for the best. I often go for protagonists I can relate to, even on a small level, but here, everyone seemed so far away, so foreign, and yet so fascinating that I had to discover their personal stories, their scars, their thoughts. I loved delving into unknown territories and let myself be won over by a colorful and mysterious cast! I forbid myself to say more as I believe one of the strengths of Blue Night is hidden in the characterization. Let’s say surprises, an open mind, beer, and my kind of fun were all au rendez-vous!
Germany. I admit I don’t know a thing about you except for Angela Merkel. And Oktoberfest, of course. Blue Night is a ticket for a night train through the country, when the lights only allows you to see shades and forces every one of your senses to recreate the scenery. I felt the places, I touched them, I saw them, I tasted them, I heard, I smelled them. The full experience. A train slowly making its way through the darkest place while giving you a hint of what you can get in full daylight. Simone Buchholz creates a routine-like atmosphere and then adds edges to widen the map, clear the fog, or on the contrary, reinforce it. All you have to do is let yourself be transported, (carry a gun), and relish in the sketchy corners of Hamburg along with Chastity Riley!
I am pretty sure this is one of my most vague review ever! Deal with it, get the book! The compelling atmosphere associated with the best flawed characters will make you crave for more.
'Blue Night' is the sixth book in a popular series of German crime novels about Hamburg-based State Prosecutor Chastity Riley and the first book in the series to be translated into English. I was immersed in it and fascinated by it from the first page, partly because it wasn't at all what the publisher's summary had led me to expect. It described Chastity Riley as 'Hamburg’s most hard-bitten state prosecutor' and said she was currently out of favour for having blown the whistle on her corrupt boss and described Simone Buchholz's writing as having 'all the hard-boiled poetry and acerbic wit of the best noir'. So, I'd expected to meet a hard-driving lawyer, pushing her way back to prominence while monologuing Chandleresque descriptions of the Hamburg demimonde she hunts in. In other words, American noir in a much older city and with a German accent.
Chastity Riley and Simone Buchholz's writing both turned out to be something quite different.
Most noir writing I've read works by having a central character who moves through but is not really part of a sleazy, occasionally dangerous demimonde, sharing their jaundiced sometimes wise-cracking, sometimes fatalistic take on on the inhabitants as if he was taking you on a behind the scenes tour of a zoo while going on a quest to find the solution to a mystery. There's something voyeuristic about it. The central character has more in common with the 'respectable' people who exploit the citizens of the demimonde than he does with the people who live there.
The thing I liked most about 'Blue Night' was that Chastity Riley is part of the demimonde. She has built long-term friendships with a very diverse group of people: an ex-thief, an immigrant couple who run a café that is becoming a restaurant and a retired policeman with a personal vendetta against one of the leading figures in organised crime. She lives in the heart of the Kleis and is part of the community. She spends a lot of time smoking and drinking and hanging out with her friends and drinking and smoking and drinking some more.
'Blue Night' isn't about solving a puzzle, nor is it about Chastity re-starting her career, although both of these things happen, it's a total immersion in her world.
The storytelling is remarkable. it's a non-linear character-rather-than-plot-focused narrative. It focuses not just on one character but on a mature ensemble cast with a rich shared history. Simone Buchholz uses a simple but very effective device to show how their relationships have evolved and how the experience and expectations overlap and sometimes conflict. She intersperses the main 2016 narrative with thin slices of history going back to 1982 and moving forward two or five years at a time. In each slice, we get a paragraph or two from the point of view of one of the ensemble cast. Each slice changes or deepens our understanding of the 2016 narrative.
Playing against the normal noir conventions, 'Blue Night' is written with a quiet gentle humour that fights against and sometimes emphasises the sadness and disappointment that characterises so much of the lives of the core cast.
All of this is wrapped around an intriguing mystery set against a grimly realistic picture of the sleazy side of Hamburg and the long reach of organised crime. Even here, the storytelling is original. As a result of her whistleblowing in a previous book, Chastity has been 'exiled' to an administrative sinecure that keeps her as a State Prosecutor but with 'special duties'. One of those duties brings her to the hospital bed of a man who has been severely beaten and has had his right index finger removed. Chastity know nothing about him except that he was wearing a good suit, has an Austrian accent and refuses to give his name or answer any questions about himself.
I was fascinated by the oblique way in which Chastity interrogated the man and started to win his trust. The whole plot depends on what she finds out about him and his attackers and she approaches the problem in a way that fits with her character: she brings him beer, takes him outside to smoke, asks him non-threatening questions and works with her network of professional and personal colleagues to find out more. The resolution was both surprising and satisfying.
Two other things made 'Blue Night' a memorable read: how nuance the translation was and how well the narrator's style fitted with the text. Sometimes, with translated text, I get the sense that I'm looking at the action with a pane of glass between me and it. I know what's going on but I'm always aware that I'm not touching the original. Rachel Ward's translation was so good that I quickly forgot that anything was being translated at all. I could hear all the people in my head and they felt real. Of course, this was helped by Gabrielle Baker's narration and particularly by her choice of regional English accents
i'm a fan now and will be coming back for the three other books in the series that are available in English.
