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1 pages, Audio CD
Published March 1, 2021
As a fan of many of the artists involved, I enjoyed Howard's insider stories about them (well, the news of Daniel Lanois' terrible temper was startling to me). Some of the anecdotes segue in and out rather abruptly, though in the context of short-lived session work, that makes sense. The amount of nuts-and-bolts recording information seems just about right for a casual reader who isn't in the industry. (I admit I would have liked to know more about the continual high/"in the red" levels used for the Red Hot Chili Peppers' CALIFORNICATION. If I recall correctly, Greg Milner's PERFECTING SOUND FOREVER points to that record as the turning point for productions, causing an ill-advised trend of albums so "maxed out" that they are hard to listen to in one sitting, and sound wrong on the radio.) Howard keeps personal revelations to a minimum, which seems appropriate (though I am curious about certain developments).