Opowieść Podręcznej. Powieść graficzna

The Handmaid’s Tale

by Renée Nault (Adapter / Illustrator), Margaret Atwood, Stanisław Kroszczyński (Translator)

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W znakomitej adaptacji, zrealizowanej przez wybitną artystkę Renée Nault, przerażająca rzeczywistość Gilead ożywa.

Wszystko, co nosi Podręczna, jest czerwone; to kolor krwi, który nas określa. Freda jest Podręczną w Republice Gileadzkiej, gdzie kobiety nie mogą pracować, mają zakaz czytania, nie wolno im się z nikim przyjaźnić. Służy w domu Komendanta oraz jego żony i według nowego społecznego ładu ma tylko jeden cel: co miesiąc kładzie się na plecach i rozkłada nogi przed Komendantem, modląc się, by zajść w ciążę. Bo w czasach drastycznego spadku narodzin Freda, podobnie jak inne Podręczne, ma prawo do życia tylko, jeśli jest płodna. Podręczna Freda pamięta jednak czasy sprzed Gileadu, kiedy była niezależna, miała pracę i rodzinę oraz własne imię. Dzięki tym wspomnieniom i niezwykłej woli przetrwania kobieta podejmuje próbę odzyskania godności i dawnego życia.

Genres: Graphic Novels, Dystopia, Fiction, Comics, Feminism, Classics, Science Fiction

240 pages, Paperback

First published March 26, 2019

About the author

Renee Nault is a Canadian artist, illustrator, and graphic novelist. She is known for her vivid watercolor and ink illustrations. Her work has appeared in books, magazines, newspapers and advertising around the world.

Reviews

[Dave Schaafsma · Rating 5 out of 5]

3/11/26: Reread for Spring 20206 Graphic Novels class as part of a dystopian unit, preceded by a unit on horror comics. Sound like fun? Staring into the abyss?

A horror story, and as with almost all horror/sci fi/fantasy stories, frighteningly close to the world we live in. During today's class we googled current restrictions in the country on women's rights and freedoms to explore the relevance of the story to today's world. Important, and disturbing, how the book prophesied/warned about current events.

I have never loved Atwood's writing, and thought of this particular book as didactic, with few of the characters seeming fully human (I felt this way about 1984 as well, too.). But at the same time, I think it is crucial that we read both of these uncomfortable texts right now. And I liked even more this time Renee Nault's art work here, alive and bold and colorful when we expect dour and depressing, working against the story in a way, allowing for a glimpse of a possible May Day.

Update, 8/3/25: Some of our elected officials in summer 2025 USA have called for the death penalty for women (not men) having abortions; a white nationalist group hoping to create an all-white Christian community proposes "traditional expectations" enforced for girls and women according to fundamentalist Biblical understandings; the Vice President of the United States has proposed states require determination of pregnancy if women want to leave states, and check for abortions if they want to return. If they have had (certified) abortions, they risk prosecution for "murder." If you think this is fake news, please google each and every one of them, all in keeping with the unfortunately prophetic Atwood novel that some reviewers found "hysterical" and ludicrous, hyperbolic.

I just reviewed Margaret Atwood's original story, so I won't re-discuss plot and themes. I have seen some of the fine and deeply disturbing Hulu series, so was interested to see what Renée Nault had done in adapting and illustrating Atwood's story as a graphic novel. The artwork here is gorgeous, creating a somewhat different effect than the film adaptation, emphasizing on almost every page the rich, deep red of the handmaidens, etching that color forever in your mind, and the meaning of the red changes over the course of the book. It's a faithful adaptation, true to the horror and the steadily growing sense of resistance, and a looming rebellion, of May Day. I strongly recommend you check it out, as disturbing as it is. Ignoring what is happening is not resistance.

A fine and worthy companion to the original. It captures the sense of the narrative in case you just want to know the story and don't really intend to/have time to read Atwood's original, but I suggest you read both, of course.

[Julie Ehlers · Rating 4 out of 5]

Because this is a graphic-novel adaptation of a very well-known and widely read book, I feel like this review shouldn't focus on the plot or characters or the world that's been built; it should instead focus on whether Renee Nault has done an effective job of adapting it all into comic form. In my estimation, she has: the art is wonderful, very appropriate and affecting, and while it couldn't have been easy to cut this story down in a way that makes sense, she's done it. It's been a long time since I read The Handmaid's Tale, and I couldn't tell you what Nault has cut, but I can say that what she's left in works very well.

Also: It's still a great story. When I read Atwood's novel I was nineteen and was just beginning to educate myself on politics and social issues, so I don't think I grasped it all as well as I did this time around. The parallels to our current culture are evident and the portrayals of how humans react to governmental overrreach feel familiar. Like I said, great story. Great, terrifying story.

[maddie · Rating 4 out of 5]

Praise be.

[Caroline · Rating 5 out of 5]

Artist Renée Nault pulled key scenes from Margaret Atwood’s The Handmaid’s Tale to make this powerful graphic-novel companion. I abandoned the source material many years ago out of annoyance and boredom with Atwood’s passive writing style. So much of the story’s impact comes from the shocking and frightening dystopian elements she dreamed up, and fortunately, this adaptation does justice to those with vivid, expressive drawings. It maintains the contemplative tone of the source material but winnowed that down so it balances rather than overwhelms. Atwood’s main ideas were also preserved.

Nault’s ink-and-watercolor artwork is beautiful, and her artistic interpretation suits the cast of characters. The commander and his wife are old and look severe, with the wife’s anger and anguish written on her pinched and gaunt face. June is young, with a doll face and delicate frame that reinforce her vulnerability. The rebelliousness of June’s friend Moira comes through in her punkish appearance, as shown in flashback scenes.

Being already familiar with the story, I can’t speak for readers who make this adaptation their first experience with The Handmaid’s Tale, but Gilead is here in all its horror. At the least, readers will feel what Atwood intended for them to feel: alarm over the oppressive and especially repellent misogyny.

[Celestina1210 · Rating 4 out of 5]

Lecture en VO.
Un très beau roman graphique c’est l’adaptation du célèbre roman la servante écarlate de Margareth Atwood. J’ai vu la série et je n’ai pas lu le roman, je me suis dit que le roman graphique est plus simple pour moi à lire en version originale.
J’ai beaucoup apprécié les tons les couleurs pour décrire la vie de June les tons chromatiques sont gris verts noirs et rouges au moment de la narration et débordent de couleurs lorsque June évoque son passé. Les personnages sont aussi très anguleux sous le règne de Gilhead on associe souvent les lignes droites à de la dureté à quelque chose de tranchant à contrario les personnages sont beaucoup plus rond enfin sont caractérisés par des courbes symbole de douceurs dans les souvenirs. Pour moi l’histoire de Margaret Atwood est l’illustration parfaite de cette phrase de Simone de Beauvoir: « il suffira d’une crise politique, économique, religieuse pour que les droits des femmes soient remis en cause. Vous devrez être vigilantes toutes votre vie ».
Si vous avez des ados ou des jeunes femmes qui n’aiment pas lire le roman graphique peut- être une bonne solution pour qu’ils s’intéressent à cette histoire qui résonne de nos jours. Pour ma part j’espère un jour trouver la version française du roman dont est tiré le roman graphique.

[Ilse · Rating 4 out of 5]

I thought this graphic novel an excellent adaptation of Atwood's novel.

[Jon Nakapalau · Rating 5 out of 5]

Now I am ready to read the book - best GN I have read this year. Ranks right up there with Brave New World and 1984 as far as dystopian literature; was really glad that I finally got around to reading this GN. Would like to see more classics in GN form - a very fine adaptation of this important work.

[Reading_ Tamishly · Rating 4 out of 5]

I don't know if I should be happy that I didn't read the book first before reading the graphic novel adaptation. Because that's enough for days to come. Because the story is a nightmare.

As simple as this (I don't have the IT factor to write reviews taking notes and references from history and stuff), this is a dystopian (it better be) world where the ONLY purpose of all the women is to procreate for an old man and women making themselves believe that their only purpose is to do the same. Covered from head to toe, denied of any kind of freedom and luxury, they are kept in a prison like place with anyone who goes against the so called rules to be hanged or something cruel likewise.

I find the graphic presentation quite appealing as against to the entire story. I find the artwork really mesmerizing. The art sequence, the dialogue presentation, the combination of colours and the way the art's been polished. Damn. That's the whole deal.


Agree to disagree, women make themselves miserable. Patriarchal society per se, but if we women uplift ourselves I believe men cannot do much. Similar to this story, it's women who were controlling the other women and men crouching behind to take over observing how women mistreat another woman in the first place.

(Damn I didn't want to write much. Yes, just an opinion. Agree to disagree.)

[Hailey (Hailey in Bookland)]

Video review: https://youtu.be/tXI9eJvwsFg

I've never read the full novel of THE HANDMAID'S TALE but it's been on my list forever. I knew I wasn't going to get to it any time soon realistically, but this graphic novel had been catching my eye so I decided to go for it. I'm glad I did because I sat down one morning and didn't get back up until I was finished with it. It was that good. I knew vaguely what the story was about but I've managed to avoid spoilers, and I've held off on watching the TV show until I read the book. I'll definitely be watching it soon and reading the full book soon too. The art, the story, it was all so haunting. It was hard to read but so well written. Honestly this is one of those books that you'll never forget once you read it. It was relevant when it was written and unfortunately it's still very relevant. Definitely a must read.

[Carol · Rating 5 out of 5]

While in Barnes Noble recently picking up a couple classic graphic novels on my to own list, the bookseller says, up front we also have THE HANDMAIDS TALE graphic novel. I said thanks, but the novel wasn't a favorite of mine. She said hers either, she doesn't like dystopian stories, and, of course, I said I loved them, but not that particular one. She said, the book is beautifully done though....and that it is. I walked out with it!

So here I am done reading the story for a second time and loving it and the beautifully illustrated graphics of this horrific dystopian world for women.

The fertile women are objects used primarily as a container for procreation, a natural resource of the time in the terrifying Republic of Gilead, and THE HANDMAIDS TALE is primarily Offred's oppressive story of loss, loneliness, grief and the forbidden touch of love.

NO talking...NO employment...NO reading...NO friendships. The handmaid's cannot even look at each other, and sneaking around is dangerous and detrimental to your health. The aunts are always watching as are the wives and punishments are brutal....to those unessential parts of the body that don't affect their purpose in life. And even worse....there's the ominous hanging wall visible to all who pass.

Note: Illustrations in this graphic novel are colorful and vividly expressive of bringing to life this unsettling dystopian world.

Have not yet watched the Netflix movie, but can't wait to see if it ends like the book for Offred hopeful, with a possible way out and a chance to find her daughter.

[not my high · Rating 4 out of 5]

Była wciągająca, ale
a) nie wiem dlaczego wydaje ją młodzieżowe wydawnictwo
b) nie do końca jestem fanką kreski

[Rachel L · Rating 4 out of 5]

4 stars!

The Handmaid’s Tale was a book I read when I was in high school and it’s a book I love very dearly. When this graphic novel came out I was skeptical but I saw lots of positive reviews and gave it a shot. I won’t rehash the plot because there’s the book and the show. But what this novel added was fresh color and almost an abbreviated version of the book. I thought the art was beautiful and it was a quick read.

[anne larouche · Rating 3 out of 5]

3.5
Les dessins WOW l’histoire finit drôlement je me demande si c’est exactement l’histoire originale? J’ai l’impression d’avoir passé un bon moment et d’avoir apprécié les différents thèmes et ce qui fait réfléchir mais j’ai aussi l’impression que je devrais écouter beaucoup d’analyses pour réellement comprendre au fond des choses. Malheureusement pas particulièrement envie de lire le roman 💀

[April (Aprilius Maximus) · Rating 5 out of 5]

“Pain marks you, but too deep to see.”

representation: characters of colour, lesbian side character.

[trigger warnings are listed at the bottom of this review and may contain spoilers]

★★★★★

This was a fantastic adaptation of The Handmaid's Tale. The art style was absolutely perfect for the story and it was seamlessly told in this condensed version.

trigger warnings: rape, kidnapping, torture (both psychological and physical), police brutality, a totalitarian government, institutionalized misogyny, murder, infant mortality of all kinds, and suicide (trigger warnings taken from https://alphamom.com/parenting/big-ki...).

[Alice · Rating 4 out of 5]

Loved it!

[Ilana (illi69) · Rating 4 out of 5]

Excellent adaptation of this novel I’ve read three or four times by now. I loved the artwork and some scenes were conveyed very effectively with the bold use of the ever-present red colour which defines the handmaids with their red uniforms. Terrifying how timely this story is nowadays, with religious fanatics in the US and elsewhere taking away women’s rights to choose. I fervently hope this remains a purely fictional story. 4.5

[Rebecca · Rating 4 out of 5]

Controversial opinion alert: don't bother (re)reading The Handmaid’s Tale. Read this instead. (And then don’t bother with The Testaments either.) It conveys the credible creepiness of Atwood’s novel, incorporates all the best lines, and makes highly effective use of contrasting colors and busy versus stark scenes. There are a lot of words on some pages, more than usual for a graphic novel, but that might make this a good place to start for someone who is new to graphic novels and/or unsure about them.

[Jason · Rating 5 out of 5]

Stunning imagery. It's amazing how her vision matches how I pictured the setting to be in my own mind, almost exactly.

[Carol · Rating 5 out of 5]

Praise be. The classic Margaret Atwood cautionary tale has finally been adapted as a graphic novel, and it is perfection.

The spare art style emphasizes color (especially red and blue) and the facial expressions convey much even when words aren't possible. I really can't say enough about the illustrations: they evoke even more haunting, chilling doom than words alone can achieve.

I received an advance copy from the publisher via Netgalley for review consideration.

[Martini_tnt · Rating 4 out of 5]

4.5
Świetne, jeśli można tak powiedzieć o tej powieści graficznej, ponieważ sama historia jest przerażająca. Czuję niedosyt i kiedyś na pewno sięgnę po wersję książkową.

[Tomasz · Rating 4 out of 5]

Świetnie się to czyta w tej formie, bardzo dobra adaptacja z piękną warstwą wizualną. Koncepcja przedstawienia postaci i niektórych zdarzeń różni się dość wyraźnie i od pierwowzoru, i od adaptacji serialowej, ale kupuję tę wersję w całości. Zdecydowanie najbardziej przystępna forma tej historii, z którą miałem do tej pory do czynienia.

[Rey of Sunshine]

eo ơi siêuuuu hay siêuuuu đẹp luôn mà cũng đủ các chi tiết trọng điểm nói chung là mê

[David · Rating 4 out of 5]

While still not a huge fan of the graphic novel form, I'm warming to it. And this is the best one I have read so far. The artwork is of such high quality. It supports the novel well without visually swamping Atwood's very controlled dystopian world. I found myself turning the pages rather obssessively because I was compelled to see what Nault had created next.

It was not possible to determine just when this version of The Handmaid's Tale is set. Offred remembers strolling along with Luke, carrying Starbucks coffee with java jackets, which makes it post-1995. Yet the "electric cattle prods" the Aunts carry look like basic riding crops. In the end it just didn't matter. As futuristic as the novel itself felt when first published in 1986, this horrific and cautionary tale feels even more plausible today. A shocking, sickening state of affairs.

[Sahil Javed · Rating 5 out of 5]

“Everything Handmaids wear is red: the colour of blood, which defines us.”

The Handmaid’s Tale: The Graphic Novel is truly a work of art. This was my first time ever reading a graphic novel and I was a little worried that I wouldn’t find this kind of format enjoyable but I was so wrong. Having already read The Handmaid’s Tale, I found this graphic novel a perfect way to retell the story. The art by Renee Nault, the colour schemes, the actual illustrations, the font used for the writing, the choice of which scenes were depicted, everything was done so meticulously and perfectly and was blended so well together that it flowed really well. This was my first graphic novel but it definitely won’t be my last.

[Katya]

Por muito que aprecie o esforço - e o esforço nesta adaptação é fenomenal - nada supera o original (quase 400 páginas de original).
Ainda assim, esta graphic novel é excelente: a claustrofobia, o controlo, a vigilância, a sensação de ameaça e injustiça constantes estão bem patentes no ambiente que a artista desenvolve e ilustra com esmero.



A arte de Renée Nault é excelente, mantém o espírito do original e acrescenta ao horror com algumas cenas icónicas em destaque gráfico. No entanto, esta adaptação não sobrevive sem o romance/distopia de Atwood - e esse é um dos problemas maiores que tenho com as adaptações de obras literárias extensas a qualquer outro meio. Apesar de impressionante, terá de funcionar como um complemento para os seus leitores já familiarizados com a história.

[Teresa · Rating 4 out of 5]

I haven’t watched the television series and I’m not going to read the sequel. But with handmaids’ talk in the air, and my not feeling inclined to reread the original novel, when I heard of the graphic novel’s existence, I immediately got it from the library.

I read the original novel when it came out in paperback (1986? 87?), and I didn’t have high expectations because of finding it in an airport bookstore and my not having read anything by Atwood before then. I remember being absorbed by it and finishing it in record time, though not before my flight landed. I doubt I found it as scarily prescient, or as freshly relevant, then as I do now.

I don’t remember enough of the original novel to say if anything has been changed in this adaptation, but I’m guessing not much, except for necessary condensation, as with the main character’s relationship with her owners’ chauffeur; the “historical note” at the end; and there not being full explanations of several concepts.

The art of the adaptation is chilling in that much of it matches my memory of what I visualized as I read the novel so many years ago. Before finishing this, I made myself put down the book for the night, but then felt it calling me back. So I finished it later that night, maybe in record time, almost feeling rushed by its ending. It cannot replace the novel, in fact it makes me want to reread it, but it was a haunting refresher.

[Celeste Corrêa · Rating 4 out of 5]

Gostei mais da novela gráfica do que do livro.
A divisão em capítulos, as ilustrações, as cores e os textos são mais vívidos, se possível.
Em todas as páginas perpassa o sofrimento desta história.
O final pareceu-me também mais entendível.

«Se isto é o meu fim ou um novo
começo, não tenho como sabê-lo:

entreguei-me às mãos de desconhecidos,
porque não há nada a fazer.

E por isso subo, para a escuridão interior; ou para a luz.»

Espero que a continuação de «A História de uma Serva», que ainda não li, venha também a ter a sua novela gráfica.

Na verdade, estou a tornar-me muita próxima das adaptações gráficas de grandes livros, e constato que há já alguns bons títulos disponíveis.

[Antonio Luis · Rating 4 out of 5]

Me ha encantado la perspectiva de la ilustradora, se deja algo de trama y sobre todo no puede profundizar en los personajes, vendría a ser una versión breve que se compensa con unas ilustraciones muy cuidadas y muy vivas, en las que se vive la narración con intensidad y destacan el color rojo y la mirada de la protagonista. Se hace demasiado breve pero respeta y cuida la esencia.

[Laly Arce Chumpitassi · Rating 4 out of 5]

4/5⭐️
Disfruté muchísimo de este nuevo formato de El cuento de la criada. Duele igual que la novela regular 🥺 y sigo pensando que es una historia que todxs deberíamos leer.

[akacya ❦ · Rating 5 out of 5]

i loved the art style and this stayed mostly true to the original!