"My God! They're eating me alive!" Truth exploded in Barks' mind as he realized that the beetles were turning him into a bloody pulp and that more of them kept attacking and consuming him.
The river! he thought. His body jerked spasmodically as he staggered on. If I can get to the river, maybe I can drown the filthy little bastards!
Agony, more excruciating that before, attacked his right hand. When Barks lifted it with painstaking effort, he saw the gleaming white hand of a skeleton. But the sight was brief for, moments later, he no longer had eyes to see... (back cover)
DONALD F. GLUT has been professionally active in both the entertainment and publishing industries since 1966.
Born in Pecos, Texas, Don grew up in Chicago, IL. At age nine, already bitten by the film-making “bug,” he made Diplodocus at Large, the first of 41 amateur movies featuring dinosaurs, human monsters (Frankenstein’s Monster, Teenage Werewolf, etc.) and superheroes (Spider-Man, Captain Marvel, etc.) Some of these films made during the late 1960s (e.g., Spy Smasher vs. the Purple Monster) were eventually shown in theatres and on TV.
Moving to Los Angeles to attend the University of Southern California, Don professionally entered show business as an “extra” (a POW) in the movie Von Ryan’s Express (1965), the first of several such “roles.” He began his professional writing career in 1966, writing articles for and finally editing the magazine Modern Monsters. In 1967, after graduating from the University of Southern California with a BA degree (for Cinema) in Letters, Arts and Sciences, Don worked as a musician, singer and songwriter in The Penny Arkade, a rock band produced by “Monkee” Michael Nesmith. Shortly after that he briefly furthered his acting career, having a speaking role in a national television commercial starring Dick Clark.
However, most of Don’s professional life has been as a freelance writer. To date he has authored numerous motion picture and television scripts (Shazam!, Land of the Lost, and animation, e.g., Spider-Man & His Amazing Friends, Transformers, G.I.Joe, Duck Tales, Jonny Quest, X-Men, others), comic-book scripts (Captain America, Tarzan, etc., including creating for Gold Key Dagar the Invincible, The Occult Files of Dr. Spektor and Tragg and the Sky Gods), more than 35 novels and nonfiction books, also numerous short stories, articles, songs, album-liner notes, etc. The Dinosaur Dictionary (1972) and Dinosaurs: The Encyclopedia (1997), two of Don’s many non-fiction books about dinosaurs, both were listed by the American Library Association among the best reference books of their years of publication. With The Dinosaur Dictionary Don created the much-imitated book format based upon an alphabetical listing of dinosaur names. Perhaps Don is best known for his novelization of the movie The Empire Strikes Back (1980), the nation’s No. 1 bestseller for almost two months, which to date (still in print) has sold over 3.5 million copies. In 1982 he created characters and back story for Mattel’s “Masters of the Universe” toy line. Among his more recent books is Chomper, an entry in the popular “Dinotopia” series.
Don produced, wrote and directed various videos (including the documentaries Dinosaur Movies and Hollywood Goes Ape! and the music-video compilation Dinosaur Tracks®), theatre and movie projects. He has worked as a consultant on numerous other video, film and TV projects, and was “Dinosaur Consultant” on Roger Corman’s movie Carnosaur (1993).
In 1990, Don and Pete Von Sholly founded Fossil Records, which has already produced a half dozen albums. These include Dinosaur Tracks®, More Dinosaur Tracks® and Dinosaur Tracks® Again, featuring paleontology-related rock music written mostly by Don (Dinodon Music/BMI), performed by Don and Pete (as the Iridium Band).
More recently, Don became president of Frontline Entertainment (www.frontlinefilms.com), for which he wrote, directed and co-produced the comedy/fantasy motion picture Dinosaur Valley Girls™, which has already achieved “cult movie” status, and Before La Brea, a documentary commissioned by the George C. Page Museum of La Brea Discoveries in Los Angeles. In 2000, he was commissioned by Irena Belle Productions to direct the movie The Vampire Hunters Club, featuring an all-star genre cast.
Wasn't expecting this to be a mad scientist whodunit where the victims are murdered via swarms of insects, including ants, dragonflies and bedbugs. At one point, a man is "beaten" to death by the velvety wings of moths. In a horde, even mild insects can kill -- apparently.
Despite the gnarly premise, gore is not especially descriptive. This makes me consider it a mystery instead of a horror novel. Too bad, since I am very fascinated to learn, in graphic detail, how death by butterflies and moths would work.
I thought this was going to be a campy 'animal attacks' novel with bugs, but Glut instead gave us an amazingly campy mad scientist story with bugs as the tools of his revenge. I do not know if Glut intended this to be camp; so many attempts to write camp just fail. This is more of a cult classic than anything else.
Bugged! starts with Karen, our main protagonist, in a car with her dad on his way to a 25 year reunion of his frat brothers. Karen, a stunning young model, just happened to tag along as she was facing a boring night at home. The reunion is being held at one Dr. Reid's house out in the middle of some bog. Anyway, driving along the car is suddenly attacked by bugs; bugs by the thousands! Forced to pull over as the windscreen is covered in goo, Karen's dad gets out to clean a hole so he can see and the bugs come again! "My God! They're eating me alive!" Strangely, the bugs do not bother Karen, but they really put a hurtin on ole dad!
A super creepy butler soon shows up, saying he is just returning from getting more booze for the party and takes Karen to the old mansion where the reunion is in full swing. Karen calls the cops and yeah, they finally believe her story when they find the body. Why would bugs do such a thing? While Karen is busy falling for the lead cop who investigated it (cheesy romance at its finest!), the other frat brothers start dying one by one via massive bug foo. Something clearly is going on!
Bugged incorporates a vast array of cliches, cardboard characters and a tropey plot; for me, is just so bad it became really fun. This could have been a bad b-flick made in the 50s along the lines of Them, but the villain and plot reminded more of Austin Powers and Dr. Evil. You have to be in the right mood for this one, but what a gas! 4 buggy stars!
Members of a college fraternity have a twenty-year reunion at a dark, decrepit mansion deep in a swamp. Soon after, each member is attacked by swarms of insects in the most annoyingly apropos way possible. (ie: A butterfly collector is lured to his death by a butterfly. An army major is attacked by army ants.) Could the culprit be the entomology genius who had been tormented by the frat brothers back in their college days? Of course it is, dummy!
Despite having been published in 1974, Bugged! isn't so much a '70s vintage animals-run-amok story as it is a murder mystery more in the style of old Bela Lugosi serials from the 1930s. It's characters are two-dimensional cardboard cutouts, the plot clunky and obvious, and the "mystery" is given away in the second chapter. Only it's graphic descriptions of the victims being nibbled to death by bugs lends any interest to an otherwise bland, colorless story.
This entire review has been hidden because of spoilers.
This book reminds me of all of the 1950's creature features, focusing on species gone mad. In this case, they have more than a little help! The first chapter of the book finds a man and his daughter traveling through the swamps to attend a reunion with his fraternity brothers. However, his car is soon overrun by a hoard of insects. When he gets out to clean off the windshield, the insects quickly devour him!
From there, things just get crazier. It seems that one of the "Brothers" is out for revenge and they are slowly killed off in horrific ways by insects. Part "Frogs" and part "And Then There Were None", the culprit is obvious from the start. I am not sure when this book was written, but it had an old school vibe about it with the sexist attitudes and male chauvinism.
The narrator did a pretty good job with the story he was given. All in all, it was entertaining, but definitely not great literature. I would recommend this only for those who really love those old Sci-Fi flicks we used to watch when we were kids.