This book showcases one century of abstract sculpture (1918–2018) under the unprecedented prism of the aerial suspension. From the sculptures of Marcel Duchamp, Man Ray and Alexander Rodchenko at the end of the 1910s, to Alexander Calder or Bruno Munari at the beginning of the 1930s, following with Soto, François Morellet, Daniel Buren, Julio Le Parc in the 1950s, then Sol LeWitt or Robert Morris and more recently Xavier Veilhan, Ernesto Neto, or Haegue Yang.