Poet and playwright Dan O’Brien chronicles the year and a half during which both he and his wife were treated for cancer.
On the fourteenth anniversary of 9/11—an event that caused their downtown apartment to become “suffused with the World Trade Center’s carcinogenic dust”—Dan O’Brien’s wife discovers a lump in her breast. Surgery and chemotherapy soon follow, and on the day of his wife’s final infusion, O’Brien learns of his own diagnosis. He has colon cancer and will need to undergo his own intensive treatment over the next nine months.
Our Cancers is a compelling account of illness and commitment, of parenthood and partnership. This spare and powerful sequence creates an intimate mythology that seeks meaning in illness while also celebrating the resilience of sufferers, caregivers, and survivors.
As O’Brien explains in an introduction, “The consecutiveness of our personal disasters, with a daughter not yet two years old at the start of it, was shattering and nearly silencing. At hospital bedsides, in hospital beds myself, and at home through the cyclical assaults of our therapies, these poems came to me in fragments, as if my unconscious were attempting to reassemble our lives, our identities and memories . . . as if I were in some sense learning how to speak again.”
Librarian Note: There is more than one author by this name in the Goodreads database.
Dan O’Brien’s plays include THE BODY OF AN AMERICAN (Primary Stages, New York; Gate Theatre, London), THE HOUSE IN SCARSDALE: A MEMOIR FOR THE STAGE (The Theatre @ Boston Court), THE CHERRY SISTERS REVISITED (Actors Theatre of Louisville’s Humana Festival), THE VOYAGE OF THE CARCASS (Page 73 Productions; SoHo Playhouse), THE DEAR BOY (Second Stage Theatre), and many others. His playwriting awards include a Guggenheim Fellowship in Drama and Performance Art, the Horton Foote Prize for Outstanding New American Play, the inaugural Edward M. Kennedy Prize for Drama, the PEN Center USA Award for Drama, and the L. Arnold Weissberger Award. O’Brien was twice the Tennessee Williams Fellow in Playwriting at Sewanee, the Hodder Fellow playwright-in-residence at Princeton University, and the inaugural Djerassi Fellow in Playwriting at the University of Wisconsin-Madison. O’Brien is also a librettist and an award-winning poet whose collections, WAR REPORTER, SCARSDALE, and NEW LIFE, are published in the U.S. and the U.K.
I was introduced to O'Brien's poetry by his wife, Jessica St. Clair. Her story of breast cancer is such a comfort to me. When I heard that they had simultaneous cancer journeys, I was horrified and wanted to read O'Brien's poetic portrayal of it. Staring down death, side by side, with a small child nearby is such a feat.
This was my first time reading O'Brien's poetry, so I am acclimating to his style. Some poems hit me right in the gut. One brought me to tears. Others, I didn't connect with. A mixed bag for me, but I'm also very happy that I read this collection.
Favorites: 32 - [locating the blame for the diagnosis] Is it under the strata of heredity Or could it be chillhood's cankered harvests The mother whose hairless head I kissed in bed The towers' pulverized miasma The verrin you dawdled to decimate Your ambition my ambition denaturing The pleasurable arguments dissecting our resentments The mother who succumbed the weekend we wed This woman that woman whose deaths I versed Did I lure the torturer nearer I am sorry more sorry than you can bear to hear
4I When you wake from sleep you wake from death you know
53 The oncologist lathers his hands Nine months he estimates until we deliver your death or life
55 Which was worse lying in bed afraid I would open my eyes to my family or to the empty room
65 The old poet told the young poet You must live through hell once or twice more The young poet smiled to be polite
66 ... I who have never even broken a bone yet here I am made one of them sudden denizen of this the simultaneous city where the unwell crowd the under- ground...
83 [Tears! Relatable to me as a person who underwent treatment with a young child. This was absolutely heartbreaking to see it put into words.]
This collection is achingly beautiful. The poetry challenged my thoughts on health, strength, love, will of a couple and a family. Earnest and personable. So raw and moving.