Editorial Reviews
"We absolutely love the sense of urgency and authenticity here," Bengal, 1971 -- Ingrid Jendzejewski, FlashBack Fiction
"Such a strong consistency in your writing, " Debt -- Steven Pearman, Melbourne Culture Centre
"Loved your piece," Thin Wall -- The Editors, The Talon Review
"We love it," Chasing a Dream --- Editors, Door is A Jar Magazine
"Mehreen Ahmed's story adeptly conjures the feelings and emotions at the literary heart of the 19-20th c. Bengal Renaissance channeling Tagore's Last Poem, which recounts an unconventional love story, she presents us with a truely timeless work," Rag --- Editors, Thorn Literary Magazine
"We enjoyed very much," Faus Pax -- Danielle Bentel, Online Editor Straylight Literary Magazine
"A good read - I was melting," Sparky -- Ian Rushton, Free Flash Fiction
"Incredible work," The Beach -- Madison Kalia, Editor-in-chief and Chris Kahil Assistant Editor, Crepe and Penn
"Your Flash. Wonderful, we are intrigued," Love, Uncertainly (Changed to Elusive Love) -- Witi & Michelle, Editors Love in the Time of Covid: A Chronicle of love
"It is quite surreal and truly synergistic," Ylem -- Basha Krasnoff, Editor, Portland Metrozine
"Love it. You write conventional romantic short stories, but they are written in unconventional ways using language and sentence structure unlike any other writer I know," Rain and Coffee -- Steve Carr, Editor, Sweetycat Press.
"Excellent story," Sonorous Waves -- Simon Webster, Editor The Cabinet of Heed.
"I really like your story, touching as it does, on the history and possible future of our present predicament," Lungs -- John Caulton, Editor, Flash Fiction North
"It is a brilliant, evocative, and timely story. I had a great time reading it," Pink Toenails -- Umair Mirxa, Editor-in-Chief, PaperDjinn Press
"Beautifully written," Dirge -- Steve Cawte, Impspired Magazine