I am not quite sure why I decided to read this book. The title is not all that alluring, but a book set in the French upheaval of 1870 promised to be both educational and intriguing—and I liked the fact that Ms Tod has chosen to relate events through the POV of two women. Very often when it comes to war and violence, such events are described through the eyes of male characters.
The book opens in September of 1870. Cocky Wilhelm of Prussia, edged on by equally cocky and substantially wilier Otto von Bismarck, has decide to teach the French a lesson. After defeating Napoleon III and the French Army at Sedon, the Prussian army has now encircled Paris.
Prussia is not the only enemy. Paris is a hotbed of socialist sentiments, loud voices clamouring for a new revolution, a glorious Commune. The more moderate among the Parisians are concerned, and one of our heroines, Camille Noisette, is recruited to attend various Women’s Right meetings. Camille belongs to the haute bourgeoisie. She is intelligent, beautiful, poised—and bored. Which is probably why she agrees to help a certain André Laborde in collecting information about the radicals.
As the siege progresses, things become even more unbearable for those who had little to begin with, and the proponents of revolution have more and more people flocking to their banners—but first the Prussians must be defeated.
Except that they are not. Camille, determined to help, volunteers at Sarah Bernhardt’s makeshift hospital. I loved the cameo portrait of famous actress Sarah Bernhardt, depicting a strong, successful woman who had no problems rolling up her sleeves to genuinely help in times of need. Soon enough, Camille and the other volunteers are run of their feet trying to cope with all the wounded. Helping doctors saw off people’s limbs, watching men expire from wounds and sickness—it changes Camille, as does her relationship with André. She is no longer an indulged, protected hothouse flower: she is a strong, if scared, young woman watching her beloved Paris destroyed by bombs and violence.
Camille’s brother, Bertrand is engaged to be married to Mariele. Initially, the bold and self-assured Camille has little in common with the shy Mariele, but after a terrifying experience at the hands of the Prussians, Mariele is obliged to find the backbone within. I really liked how Mariele grew from pampered and shy to strong and shy—she was still Mariele, still sweet and caring, but with an inner core of newfound strength.
Ms Tod has evidently done a lot of research. At times, this leads to monologues from various male characters in the cast bringing their loved ones up to date on one armed conflict or the other, thereby affecting pace significantly. Ms Tod does not shy away from blood and gore and her descriptions of amputations and exploding bombs are as vivid as any TV show. And through all this, Ms Tod guides us through the ravaged Paris, through a Bois de Bologne deprived of its trees, through streets filled with debris and raging fires. She presents us with the stunning interiors of the homes of the well-to-do, with starving urchins, with women determined to lay down their lives in defence of the Commune. Angry rebels who strike defenceless priests, men who kill, men who sit stunned in the aftermath of yet more violence, more blood. In Ms Tod’s expert hands, the Paris Commune becomes a vibrant red—the red of spilled blood, of defiant rebel banners.
Camille and Mariele emerge from the events of 1870/71 permanently changed and yet, at the same time, more than eager to retreat into the life they once knew. A safe, uncomplicated life, a life built on conventions and expectations, free of excessive excitement and turmoil. No wonder, I say: no wonder at all!