3.5
Actress Alyssa Milano, known for Who’s the Boss?, Melrose Place, Charmed, and Insatiable, lives and breathes activism. She helped relaunch the #MeToo movement in 2017, but she’s been participating in activism in some way for most of her life.
There are many reviews that expected ‘Sorry Not Sorry’ to be more about Milano’s life. One even says the book is filled with “nonsense about Milano’s life when really it’s a cover to speak about activism.” I can’t help but feel that many negative reviews are disingenuous and posted from a place of hate. This book isn’t a “cover” for anything. It’s about her activism and political beliefs and she isn’t trying to hide that. She does include some personal stories from her life, but ones that relate to the issues she holds close to her heart.
I unfollowed Milano on social media some years ago because she was posting heavily about American politics and social issues. I had no issue with her posting these things, it just wasn’t something I wanted to see constantly as it didn’t interest me. Nevertheless, when Milano’s book was announced, I knew I wanted to read it. As a massive Charmed fan, I definitely wished it was an autobiography about her life, so I was a little disappointed, but I decided to pre-order it anyway because I wanted to learn more about Milano’s views and political beliefs. I was concerned I’d find it to be a dull read, full of information I was sick of hearing about, but it was a pleasant surprise.
‘Sorry Not Sorry’ is filled with many short essays, all around 10 pages or less, that focus on activism, politics, or social justice — especially from issues that have occurred over the past few years. A small handful of them bored me to death, because they were repetitive and about something I don’t care for, but the rest were a great read. There’s even one about Rose McGowan which is spoken entirely in metaphor about a rose plant. It feels childish, but it does make me wonder more about what happened between the two of them.
I was surprised to learn that Milano’s views are not as black and white as I feared they may be. She argues that cancel culture is the “complete rejection of the simple notion that people who share your values can approach them in a different way than you do” and I wish more people realised this. That most of us want the same things, but we have different ideas about how to get there. That doesn’t make someone a bad person.
Milano also said: “Unity cannot only happen if people can pass an ideological purity test identifying who is a good human and who is a bad human. Of course there are lines, but our line shouldn't be ‘That person supports eliminating the estate tax, they're on the bad list forever.’ We need to convince our opponents that they are wrong, not demonise them for disagreeing.” YES 👏🏻
There’s so much good in Milano’s essays, but mostly it’s nothing you won’t have heard before. I do think the strengths lie in the quotes I shared — where I believe more people need to hear things like this. For Milano’s openness, she still remains highly critical of others that she doesn’t like, which reflects in her essays, but she’s only human. Revisiting some topics I grew sick and tired of hearing about during the pandemic wasn’t as bad as I thought and I also learned some things about American history. I don’t agree with everything Milano says or believes, but I don’t need to, and, as a big fan, it doesn’t change my opinion of her.
It helps that Milano is a great writer. She speaks clearly and concisely, for the most part, and she even uses repetition as a literary device very well. I did notice about 3 and 4 typos though. There’s a few chapters where Milano begins to write fiction to illustrate a point or a feeling and these are remarkably interesting and carry enough depth to feel like non-fiction. In one, she explores two future views of a woman’s life; one of a promising future where women have reproductive and bodily autonomy rights, and another that looks more like The Handmaid’s Tale. I would love for Milano to adapt this into a full novel (or novella) demonstrating these two future views of the same woman’s life further.
In one chapter where Milano talks about who and what was considered “essential” during the pandemic, she said: “Our priorities are so broken.” I ultimately think that this sums up her book. At its heart she is saying that everything is a mess and it shouldn’t have to be like this, which is a message I think many people can get behind. She understands how people are manipulated and brainwashed and knows it’s not their fault, but she is still so deeply angry and scared about our future, which may continue to be formed by hate, ignorance, and idiocy. Her essays are often told from a negative perspective, but the time she wrote them in did feel very bleak indeed. They are a call to action and they embody the activism she so genuinely lives.