(2.5 stars)
Young Philomena discovers a strange book in the gardens of the imperial palace that document the adventures of young lady who was switched at birth and battled against the villainous woman who had stolen her spot. She doesn't want to admit this is a book about her. However events from the early pages seem prophetic and Philomena has never had the affection of Emperor Eustis. She decides to bury all her emotions, plan her escape, and pretend to be a good princess. Complications arise when activities divulge from the text and the personality of Ellencia, the real princess, seems malicious rather than charmingly sweet.
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This is a mixed bag. I like some of the concept work at play here. It really sinks into complicated character motivations, family dynamics, and perspective. I found myself emotionally invested at key moments when individuals were looking regretting their mistakes, struggling to hold themselves together (pretending to be fine), or when they learned a fact that shifted their understanding. It's heartbreaking for a tween to fight so hard to find a place to belong and people that love her. Unlike the themes and characters, though, the actions of the plot are often handled in a very chaotic or choppy way. Faeries, dwarfs, and dragons emerge almost out of nowhere to provide a magical McGuffin or make a quick comment on racism and them vanish once more. Epidemics resolve in a few paragraphs. Cliches like transmigration, otome games, and god interference don't get much in the way of context or resolution. It's hard to predict events because they don't relate to the world building established prior. The romance is rather thin. I pushed through it rather quickly so I was interested in it, but the flaws start to outweigh the narrative as it comes to a close. There's a season adapted into a web toon which reorders a few items but maintains the intent of the original novel.