I really enjoyed this nifty little book. The concept was that each author provided the other with a playlist of songs intended to inspire them in the writing of their story. In all honesty I didn't see much connection between the music and the resultant prose, but I was familiar with (and liked) most of it; the list that Vincent gave Keene was more to my taste. But I really liked both of the stories. I was familiar with Vincent only as a Stephen King scholar and from a few of his short stories, but I have been a big fan of Keene for years. Vincent's novella is set in Bayport and features two brothers, Frank and Joey. There are characters named Morton and Shaw and Franklin, and a few other references to a certain series of blue-bound juvenile mysteries of which I'm inordinately fond. People have been disappearing from Bayport, and Frank, who's grown up to become a detective in Texas, comes home to help solve the mystery. Joey still lives in the old homestead but is something of a druggie ne'er-do-well. There're otherworldly cannibalistic shenanigans afoot, all in the middle of a brutal brumal blizzard named Bruno, and The Dead of Winter is a real chiller of a story. Keene's story, The Motel at the End of the World, is a look at The Mandela Effect and the nature of how reality can change. It's a much shorter story than Vincent's (or maybe it used to be longer, but it got changed...?), but it is quite thought-provoking and packs a nice punch. It has a very unreliable narrator, and I think it succeeds in making the reader unreliable, too. I was questioning my memory of The Bible and The Empire Strikes Back and the hundred or so Berenstein Bear books I read to my daughter years ago. (The unreliable reviewer points out that the unreliable author inserts a sly plug for one of his best-known novels, Dead City by Brian Keene.) As you can tell, I had a lot of fun with both of the stories in the book!