If you don't know who Gina Yashere is, you're missing out! I didn't have a clue and only picked up this book after reading an article in anewspaper about Gina's career as a stand-up comedian. I'm not a massive fan of stand-up comedy, in fact until recently I only knew three stand-up comedians (all women): Ellen Degeneres, Margaret Cho and a friend who attended a weekend course in stand-up and did a gig before returning to her country of origin and diseappearing from my life forever. Well, I've now added a fourth to my paltry list!
Gina Yashere is daughter to Nigerian parents who arrived in the UK in the late 60s for better jobs and education. This particular dream of theirs did not end well. Her mother was unable to make use of her teaching qualifications due to mounting racism in the UK and her father had few prospects of getting a job that matched his qualifications. When her father received a call from his sister in Nigeria asking him to go back home on the grounds that he would be much better off there, he didn't waste time. But her mother refused to go back with him. She had made her home in London and was determined to make the most of the opportunities available for herself and her three children, Gina and her two boys, Dele and Sheyi. This book is Gina and her family's journey from the council flats of Bethnal Green to international fame in the US as a comedian and writer.
To say that the Yashere family had it hard in the UK would be an understatement. An incident that highlights racist attitudes at the time really poignantly is the following: when Gina was 9 years old she happened to be leaning on a car when a grown man's voice was heard: 'Get the fuck off my car, you black bastard!" Despite being very young, Gina replied in kind: "Piss off you white bastard". The man chased her and beat her up really badly. Young Gina tried to find refuge in her school but the gate was closed and she banged on the door while a teacher inside was trying to open it, all the while the man hitting and punching her! He was arrested and cautioned. Gina's mother pursued a private prosecution against him but the judge gave the man an absolute discharge. It was like saying none of this happened, and if it did, well, it's not a big deal. Perhaps the child deserved it!
Gina's childhood and adolesence are described in vivid detail, and although my own experience of growing up was very different from Gina's, there were so many themes and cultural motifs I recognised! A strict parent not allowing you to go to friends' parties because they saw risks everywhere! Bullying and alienation at school, made worse in Gina's case by racism and even by rivalries between Carribean and African people owing to internalising the white narrative of lazy blacks. Despite the difficulties, Gina was very resourceful and enterprising and managed to get small crumbs of freedom wherever she could, for example by arranging to go on a trip to France as an A-Level student without her mother knowing she would be unaccompanied.
Her account of racism in the BBC is sobering. She was always treated as a 'token' Black, and therefore had few hopes of moving up despite being very talented and popular among viewers. She explains that she thought that if she worked hard, played by the rules and proved her popularity, she would get her own show, get to make her own decisions about her programmes. The reality coudn't have been more different. Despite working her back off and being ambitious and determined, Gina was suffocating in the UK. The decision to move to the US was a gamble because she would be starting from scratch but one that paid off.
A couple of niggles I had with the book: Gina starts off with an account of the history of Benin (which I am very familiar with and I believe showcases poignantly the deeply racist and colonial attitudes of the British in the 19th century) but which is told in an overly simplified language as if the book is addressed to an audience that can barely read. Fortunately, this eases off as we move on to Gina's birth and upbringing. Another niggle was that some characters are introduced at odd points in the story. Gina's step-father, for example, is introduced long after we've read about Gina's childhood with her two brothers and have formed a mental image of how they all lived at home. This disrupts the reader's expectations somewhat, but I can see that the narrative might have been too messy otherwise. Finally, the title: cack-handed. 'Cack-handed' means left-handed but also, a Gina explains in the Foreword, clumsy and awkward, which, she says, she is. 'It also represents the unconventional track [her] life and career have taken'. Fair enough. Gina also explains in the book that her left-handedness caused her a fair amount of trouble when she was a child because her mother tried to knock it out of her. Why? Because we eat with the right hand and use the left hand to ... you guessed it! Ok, not the most appealing title!
Having said all this, I loved this book to bits! Gina has a talent for story-telling and this comes through very clearly. I read the book in two sittings and really wished there was more! I learnt so much about African culture in the UK in the 70s and 80s (the time when Gina was growing up). I also got reminded of funny little details most of us have now probably forgotten, such as the removable cassette-players people used to have in their cars and take out with them for fear of theft! Overall, I highly recommend this, it's well-written, it's poignant and it's huge fun!
Thanks to netgalley and the publisher for an advance copy.