SPOILERS AHEAD.
“No, baby, not like this…”
So there’s the good, the bad, and the ugly.
The good part is that Preston and Child’s action is some of the best out there, as always. This book takes some time to warm up, but when it gets hot, it gets hot. All the favorite characters from this series are here as well: Nora Kelly, her brother Skip, FBI Agent Corrie Swanson, and her mentor, Agent Hal Morwood. Sheriff Homer Watts, introduced in the last book, makes an appearance again as well.
The bad was bad, for me anyway. Morwood gets whacked early on, and it seems like a waste of a great character in order to serve a story that is kind of “meh” at best. Honestly, the plot smacks of an old, rejected X-Files script complete with Scully (Nora) and Mulder (new character Lucas Tappan). Tappan is an Elon Musk type dude. Which is ok, but I felt like the authors went overboard trying to make that obvious. Also like Mulder and Scully, Nora and Tappan eventually get it on, a lot, to the point where it distracted me from the mediocre story.
Anyway…the ugly.
So the billionaire Elon Musk dude wants to dig up the old Roswell site. After getting Nora fired from the archeological institute, he appoints her to head up the dig. Eventually they stumble upon evidence that aliens are very real, and very hostile. In order to prevent this from getting out, a super secret, super rogue, super culty rouge US intelligence agency scoops up Nora, her new f*ck buddy Tappan, Skip, Corrie, and Sheriff Watts, while killing pretty much every other character in the book. That’s ok, none of them got any development anyway.
Nora and Tappan are shown “The Truth,” and man, the truth really is out there. Preston and Child often walk right up to the line between reality and the supernatural, but this time they went so far into the supernatural that the whole Nora Kelly series jumped the shark for me. It really strained credulity. I mean I’m not sure that a straight up Sci-Fi author would put this out there. The plot is “resolved” when Corrie, Skip, and Watts blaze through the entire super black ops army with nothing but a jeep, a Glock, an old six shooter, and a couple of Molotov Cocktails. They rescue Nora and Tappan from the clutches of the super secret military cult leader, who conveniently sets the base to self destruct.
I really expected, and hoped, that Agent Pendergast would show up at the end and say that it was really just a coverup for an advanced weapons system or something, but nope it really is aliens, and there’s some big baddy aliens out there that look to wipe out advanced cultures to eliminate competition for interstellar resources. Did I mention that this sounds like a hokey Sci-Fi plot? Years ago the History Channel went to shit and started showing aliens and conspiracy shows. It feels like that’s what happened here.
But the worst offense, in my mind, was what it did to Nora Kelly, who went from being a smart, resourceful, kickass female lead to a passenger in her own story after being overcome by the supposed raw sex appeal and money of the cheap Elon Musk wannabe. It just kind of seems like a betrayal of one of Preston and Child’s most awesome characters. In the end it talks about how she trades in her jeans and work shirts for designer shoes and Gucci clothes. It’s just…not Nora Kelly.
And the story just leaves Corrie Swanson hanging. Her mentor is dead. She’s in limbo at the FBI, she’s seen all this super secret stuff, and she doesn’t get one single word of resolution. She’s barely there in the epilogue type final chapters.
Like I said earlier, this story really jumped the shark for me. I don’t know how they reasonably expect to return the series to a history/archaeology based story, not with Big Scary Aliens hanging over its head and Super Sexy Elon Musk clone overshadowing Nora.
I’d be interested in perhaps seeing a spin off series featuring Corrie Swanson and Sheriff Watts, neither of whom saw the whole “truth.” But just, yikes.
No baby, not like this…