So there's a whale that calls at a 52-hertz frequency, and it's called the world's loneliest whale because no other whale uses that frequency to communicate. That's how I feel about this book: it has a specific frequency and it will resonate deeply with readers who are also on that frequency. Specific individuals will find a home in this book.
Honey Girl is a novel about love. It's much more than the 'got married to a girl in Vegas' pitch, though that pitch is very effective at reeling people in. I expected a rom-com and it's actually a story about discovery. It's about the love your friends provide you with, the love you can get from a found family, the love you receive from your significant other, and most importantly: the love you show to yourself. It's about how plans can be derailed, and how happiness isn't always in the form of the best-paying job at the most esteemed company, despite what society would have you believe.
Grace Porter is an incredibly human character. Many readers have related to her feelings of loss and confusion and her unsurety of where she belongs (furthered because of the fact she's a Black academic in the highly-white field of astronomy). The feeling of being at a crossroads is extremely common in many individuals currently because of the entire pandemic, but you can experience that confusion of 'where do I belong' at any stage of your life. I've been experiencing over the last few months, trying to decide where I want from life, looking over two paths that lead in different directions. As a reader, I appreciated Honey Girl for letting me see my own problems from a different perspective and I think many others who are grappling with the same thing will too.
Yet interestingly enough, it wasn't Grace I related to the most but her love interest Yuki Yamamoto. Mainly it's because Yuki is desperately trying to support someone she loves, but she also knows that person needs to look inward before they can look outward. It's a tough situation to be in, and it's a long and arduous process where there is nothing you can do but be patient and kind and wait for the other person. But Yuki, with her effusive optimism and her late-night radio shows beamed into the darkness of the night . . . she's such a slice of solace, a girl with the most infinite patience. (I will also admit I think there could've been a good opportunity for her to be called 'Hoshi' or have it has a middle name - hoshi meaning star - but yuki, meaning snow, also works in a different way. Also, not as catchy without that alliteration.)
Morgan Rogers is an incredibly talented writer of character and prose. For sure, some people won't like their writing style. In the acknowledgements, Roger's literary agent Holly Root puts it along the lines of it being like a blue house that others will want to inhabit and others won't. And there were points where I thought to myself surely no one talks like this when reading Yuki and Grace's extremely literary and beautifully-written texts and thoughts. But you know what, it's a style choice and it's extremely beautiful writing that serves the book's overall theme well. Also, I have written some extremely dramatic and purple-prose-y messages in my time.
I think many readers will find comfort in Honey Girl. There's so much I could write about this book that I've barely touched on here - the wonderful side characters, the wonderful range of rep, the use of late-night radio stations and orange farms as background settings to emphasise themes like loneliness and happiness. It's a good book to muse over, and captures the feelings of discontent and unsurety so many people struggle with but never know how to handle, because society has taught us all to just keep pushing on. Honey Girl shows that it's okay to step back and breathe - and that we should prioritise ourselves more, before we burn ourselves out to a husk. Morgan Rogers is incredibly talented, and I cannot wait to see what they write next.
> 4.5 stars