Gritty, Fast-Paced Fantasy With An Emphasis On Spiritual Warfare
Prince Moray, heir to the throne of Buacach, harbors a dark secret: he practices forbidden black magic and conspires with a warlock to open the lost realm of demons and monsters, Golgotha, to bring power and glory to his kingdom. His brother, the kindhearted Prince Finnigan, knows Moray’s secret but refuses to voice his concerns, fearing his brother will be sentenced to death. Princess Ama of the Wolf Clan, a young woman of strong faith and pure heart, is betrothed to Prince Moray, but fears that her God, Creator, will frown upon her choice to marry a man she does not love. When a coup overthrows the kingdom and dark wizards send Moray, Finnigan, Ama, and two others into the dark realm, Golgotha, these newfound friends must overcome their differences and fight battles both physical and spiritual if they want to make it out alive.
Author Angela Watts is already well-known for her gritty near-future thriller series Infidel, and while the world of Mazzabah is completely fantastical, with monsters and magic, it also seems to have some similarities to the Infidel books in that it is gritty, violent, fast-paced, and follows a cast of lovable, flawed, mostly male characters who are trying to keep faith in an uncertain and sometimes very scary world.
The first thing to note about Golgotha is that, for a Christian fantasy, it is rather dark, and I am HERE FOR IT. In Golgotha, some characters are sweet and pure as can be (Finnigan, Ama, and Graft), while others are overwhelmed by darkness and take a lot of time and hardship to redeem themselves (Moray, Sadon/Uriah). The violence is nearly nonstop; and Watts doesn’t shy away from intense themes of spiritual warfare and demonic activity. The language is also a bit saltier than one typically gets in a Christian fantasy, with a few uses of hell, damn, ass, and bloody, mostly from the smart-mouthed mercenary Gunnar. Still, the violence is hardly unscriptural: it is realistic given that the characters are fighting for survival, and the vivid depictions of spiritual warfare call to mind Frank Peretti and are edifying in their own way. And that is not to say that there are not moments of light and levity, for there certainly are. Finnigan and Ama are faithful and pure even in the worst of circumstances, Gunnar’s wisecracking is laugh-out-loud hilarious, and two adorable critter buddies – Courage the screeching rat and Tanka the lizard-child – add some much-needed heartwarming moments to what is otherwise an intense survival story.
This is a fairly long (380 page) novel, but the pacing is fast and the action is nonstop. While the first 10 or so chapters introduce us to the cast of characters, the intrigue starts practically on page one, with warlock conspiracies and heart-wrenching inner conflict. Once the crew is arrived in Golgotha, they barely get a moment’s rest. Attacks come from a whole host of scary creatures, from four-eyed rotting wolves to swamp serpents to carnivorous trees to ghosts to skeleton armies to literal demons, and the poor characters just can’t catch a break. I might even go so far as to say that Watts is a little over-reliant on action scenes (as opposed to, say, the wrenching political and character drama of Stephen Howard), but at least the action scenes are thrilling and the monsters are quite creative.
Of course, Golgotha is more than just an action novel. The characters are distinctive and lovable, even the ones who start off as bad guys. There are plenty of quieter moments for them to bond and reflect. Finnigan is precious, Gunnar is hilarious, Ama is a role model of faith and courage. But I have to admit, the character I found the most interesting was Moray, probably because he has the most inner conflict and had the most satisfying redemption arc. Yeah, my favorite was the dark wizard that everyone else hates. Don’t know what this says about me, but I must be honest. In any case, while Golgotha is highly plot driven and has many object lessons to teach about the importance of faith and hope, the characters are compelling enough to grab the reader’s heart.
The novel has many important lessons to teach about spiritual warfare, as well. Everything in Golgotha, from the harsh environments to the gnarly creatures, is an allegory for the Christian walk in a world that is adversarial, both in the seen and unseen realms. Finnigan and Ama’s internal monologues frequently focus on the importance of faith and hope. Moray invites in demons with names like Pride and Despondency in a manner that recalls the Screwtape Letters or Pilgrim’s Progress. Actually, the whole novel feels like a gritty modern take on Pilgrim’s Progress. If there is any flaw to the novel, however, it would probably be that the spiritual lessons can feel a little on the nose and not particularly subtle, though thankfully, this is hardly a preachy novel and the plot and characters stand on their own.
While Golgotha is marketed as YA, I consider it more of a book for adults. The characters are young adults (Ama is 18, Finnigan is 20, and Moray is 22, if I recall correctly), but the story is much more concerned with their survival and spiritual development than with the usual struggles of growing up that are portrayed in YA. Not that the books contain anything inappropriate for YA—there are a lot of battle scenes, some (fairly non-detailed) black magic, references to past child abuse, and some mild language, but in my opinion that isn’t beyond what a young teenager could probably handle.
While the plot wraps up in a satisfying manner—the team is delivered from Golgotha, some bad characters are finally redeemed, and the kingdom is restored—enemies remain and there is still work to be done, setting up the sequel, Tabor…
Artistic Value: 3/5
Christian Value: 5/5
Moral Value: 5/5
Entertainment Value: 5/5
Naomi’s Choice: 4/5