Librarian note: There is more than one author in the GoodReads database with this name
Terence Graham Parry Jones was a Welsh actor, comedian, director, historian, writer and member of the Monty Python comedy troupe. After graduating from Oxford University with a degree in English, Jones and writing partner Michael Palin wrote and performed for several high-profile British comedy programmes, including Do Not Adjust Your Set and The Frost Report, before creating Monty Python's Flying Circus with Cambridge graduates Graham Chapman, John Cleese, and Eric Idle and American animator-filmmaker Terry Gilliam. Jones was largely responsible for the programme's innovative, surreal structure, in which sketches flowed from one to the next without the use of punch lines. He made his directorial debut with Monty Python and the Holy Grail, which he co-directed with Gilliam, and also directed the subsequent Python films Life of Brian and The Meaning of Life. Jones co-created and co-wrote with Palin the anthology series Ripping Yarns. He also wrote an early draft of Jim Henson's film Labyrinth and is credited with the screenplay, though little of his work actually remained in the final cut. Jones was a well-respected medieval historian, having written several books and presented television documentaries about the period, as well as a prolific children's author. In 2016, Jones received a Lifetime Achievement award at the BAFTA Cymru Awards for his outstanding contribution to television and film. After living for several years with a degenerative aphasia, he gradually lost the ability to speak and died in 2020 from frontotemporal dementia.
Just realised I had not logged this. Ripping Yarns was a spiffing obscure comedy from my youth so when I found a secondhand copy of the book of the series I had to have it. Probably bought twenty years ago
The complete scripts from each episode of the understated, philosophical series "Ripping Yarns." The show is not to be missed, and neither is this book.
The series of scripts contained within Ripping Yarns simply remind me of someone who is, to say the very least, professionally flirtatious. Note the 'professionally' up there in the last sentence, for it makes quite a difference.
Let me expand upon my main and only point up there in the first sentence by leveraging several examples which are conveniently located directly below the upcoming next sentence.
These several examples are sadly culled from my very own livelihood:
1. Yesterday afternoon I asked my on-staff manager if I could take an additional half-hour during the luncheon portion of my day simply to be afforded additional personal time in order to flag down unmarried Filipino women. He said "I guess so" and quickly returned to his vigorous pursuit of obtaining a US patent for his yeast infection kit.
2. The next afternoon, quite bored with the vast majority of unmarried Filipino women in the local area, I decided the bring my lunch, an undercooked meat sandwich, into the lingerie section of my local Target department store where I attempted to make light conversion with the brave frumpy women guardedly examining rack-displayed unmentionable undergarments. More often than not I was quite successful engaging in conversation with my denoted targets simply by awkwardly employing my favourite flirtatious opening statement, "May I use your lines for guidance?" as a conversation starter. And although my favourite flirtatious opening statement does indeed sound a bit naughty I do have it on good authority that the aforementioned conversation starter will not thoroughly implicate me in any court of law.
Collected in this volume are the scripts from the first series of the hugely popular television series Ripping Yarns. Generally speaking script books are not the most representative way of presenting film however with all of these stories being set during the early part of the twentieth century then heavy cream paper and sepia photographs actually make it look more authentic than it actually did on the screen.
Obviously Palin impeccable delivery is missing but the scripts are strong enough to stand up on there own. ‘Across the Andes by Frog’, ‘The Testing of Eric Olthwaite’ and ‘Escape from Stalag Luft 112 B’ being my own particular favourites.
The warmth Palin and Jones obviously felt for the source material of these affectionate parodies shines through and leaves the reader digging out an old copy of The 39 Steps to read afterwards.
Really disliked the first couple of stories for gratuitous violence, but enjoyed "The Testing of Eric Olthwaite", "Escape from Stalag Luft 112B", and "The Curse of the Claw".